Rebels: "The Holocrons of Fate" (Ep. 3.03)

-- "Once a secret is known, it cannot be unknown."

Tom Baker is back! And so is Darth Maul!

And... Caleb gets spaced. Caleb, you ask. Well, it appears that Kanan has been keeping a secret and that it's that Kanan is an assumed name.

Actually, this episode is all about secrets, secrets of the holocrons and the secrets they hold.

And, man, things keep getting interestinger and interestinger. We get a reference to "twin suns" and Maul muttering, "He's still alive," and, and, and... all sorts of things.

I don't know at what point Lucasfilm or Disney or whomever decided to start really connecting the animated series... What's the plural of series? I mean, I know it's both the singular and plural, but it seems inadequate here. There are multiple animated series being referred to! Anyway, I don't know at what point they made that decision, but you can really see that process beginning to happen at this point in Rebels. Not to mention the overlap of Rebels with Rogue One. And the return of Maul in Solo. Not that I think that will result in a satisfying conclusion considering the clusterfuck Disney is having with that.

Actually, Disney is just having a big clusterfuck with the whole Star Wars franchise, right now, and they don't necessarily look to be pulling themselves out of it. The animated series seem to be the only thing they have a grip on (maybe), and I think that's because they didn't really take them seriously and left them in the hands of the team that had originally been working on them. We'll see how that goes as they transition back to Clone Wars now that Rebels has ended.

But I digress...

At any rate, this seems to be a significant episode. Maybe. It does, at least, lay some clues for things to come. Maybe. It's intriguing, to say the least. I think it's safe to say at this point that if you really want to know what's going on in the Star Wars universe, you need to be watching the animated shows. The movies are... well, they are clearly lacking the kind of scope they need to have.

"I thought you said it was safe."

"It is safe; that may be the problem."

"The airlock is down there if you want to show yourself out."

"A dull and dour chamber. This is the chamber of a Jedi."

"We asked for a chance to defeat the Sith, and we failed."

Clone Wars -- "The Unknown" (Ep. 6.1)

-- The truth about yourself is always the hardest to accept.

[Remember, you can sign up to join the Clone Wars Project at any time by clicking this link.]

[Well, actually, considering that we're into season five, now, probably no one new is going to sign up, BUT! Hop over to The Armchair Squid for his take on the current episode.]

Technically, we could be through with the whole Clone Wars thing since season six was never aired; however, they did release part of it on disc, so we, of course, own it. And season six has some important stuff in it; in fact, this first arc is easily in the top three arcs of importance in the series and arguments could be made for its being the most important.

So why didn't it air?

I may have mentioned this before, but let's touch on it again.

The Clone Wars was not "cancelled" in the way that TV shows generally get cancelled. This is why season six was so far along in production when the decision was made to end the series with season five. See, Clone Wars was a Cartoon Network show, licensed to them from Lucasfilm on a five year contract but, before the contract was up, Disney bought Lucasfilm. Not a big deal in a general sense except that Disney has its own TV station and didn't want to be licensing out their new Star Wars property to some other network so, when it came time to renegotiate the licensing agreement, Disney made the cost too high to make it worthwhile for CN to pay it and, thus, The Clone Wars abruptly ended at the end of season five with season six production in full swing.

Why didn't Disney just move Clone Wars over to the Disney Channel?
That was about branding.
And, so, Rebels was born as a Disney channel show and Clone Wars was allowed to drop away.
Fortunately, Disney allowed some of the episodes to be completed for a DVD release.

Which brings us to the first episode of season six, as I said, one of the most important arcs in the series as it has to do with Order 66. It also introduces us to the only set of Jedi siblings that I know of. Or, at least, can think of at this moment. Also, Tim Curry as Darth Sidious! And I'd say more, but you should just watch it.


"I am programmed to resist intimidation."

Star Wars: Clone Wars vs. Rebels

I've been a fan of The Clone Wars since it came out. We own the series on DVD. I was less than pleased when Disney announced, shortly after acquiring Lucasfilm, that they were cancelling production on it. Season six was in mid-production and season seven was in  the early stages of production and, while it wasn't a raging, everybody-must-watch-it-show success, it seemed to be doing fine. But, then, it was just over.

And, you know, I get it. From a business perspective, what they did made good sense. That doesn't mean I have to like it, though.

See, the thing is, The Clone Wars had a problem. It couldn't figure out its demographic. It wasn't a cartoon -- excuse me, animated television show -- made for kids. That is, they, the kids, were not the specific target audience. Clone Wars was launched for the Cartoon Network's prime time, adult viewing time slot. Clearly, it was an animated show that wanted an adult audience. It featured adult characters and dealt with a lot of mature themes. Sure, all of that was then presented in half hour blocks in such a way that kids could also digest the material and Ahsoka was included to allow the younger viewing audience a character they could identify with. But it wasn't a show for kids and, so, it also wasn't a show for adults. It just grabbed people like me who wanted to know more about the gap between Attack of the Clones and Revenge of the Sith and all the kids who just like the excellent Star Wars action.

Rebels, however, is a show solidly targeting kids.You can tell because the protagonist is a kid. And, well, from what I can tell so far (only having watched the first couple of episodes), the overall action is going to revolve around the Empire's search for the "children of the Force" in its quest to exterminate the Jedi. So, still, maybe, dealing with some mature themes but, I'm going to assume, handled in a child-appropriate way. After all, we are quite used to things like dinosaurs and killer robots and gangsters chasing kids with the intent to kill.

And, well, Disney wanted to bring Star Wars to the Disney Channel, not Cartoon Network, so allowing Clone Wars to slip away allowed Disney to launch Rebels on its own network.

I'm glad to see that some of the characters from Clone Wars will carry over.

So, yeah, I'll be reviewing Rebels as I watch it, but it won't be on a weekly basis like we're doing with The Clone Wars. It will be interesting to see how it compares.

Clone Wars -- The Movie

-- A long time ago in a galaxy far, far away...

I got to see The Clone Wars at a special Lucasfilm premiere event. It was a pretty big deal, and they had a special display area set up at the Presidio offices with original, concept art and maquettes, which are like concept sculptures. Unfortunately, we weren't allowed to take pictures, so I don't have any to show you. However, we got lunch in Star Wars lunch boxes created specially for the event. My friend didn't want his, so he gave it to me. I'd show you a picture of the lunch boxes, but they're in storage somewhere, and I'm not going to go dig around for them right now.

I'm not sure how widespread this information is, but one of the things we were let in on at the event is that the movie actually started out as individual episodes of the series. It was the first story arc. If you pay attention and are familiar enough with the series, you can actually see how the movie breaks down into its constituent episodes. On the one hand, I think launching the TV series with a movie was a great idea; however, I think they probably would have done better to have actually developed a movie rather than to string the several episodes together into a movie.

Which is not to say I didn't like it, because I enjoyed it very much, but the general response to the movie was a little underwhelming and I think part of the reason for that is that it didn't play like a movie. Because it wasn't.

The other failure of the movie was to involve the offspring of Jabba the Hutt. I think that's something people didn't want to look at. One, they don't want to see slug babies and, two, they don't want to view Jabba with any kind of sympathetic light. It's hard not to have sympathy for a parent who just wants his kid back. Personally, I found it an interesting take on Jabba, but I can see how it could cause people difficulty.

All of that said, the movie opens with a tremendous battle scene between the clones and the droids. It's, in a word, spectacular. The movement is very much like a video game, say Battlefront, and it's almost worth the whole movie just for that battle scene.

Also, this is where we're introduced to Ahsoka Tano, so the movie is essential from that standpoint. Anakin doesn't want a Padawan, but they send him one, anyway. A plot between Yoda and Obi-Wan, though they don't admit to it. He's set to get rid of her until he has to work with her during the battle, at which point he changes his mind. His comment to her is something like, "You wouldn't have made it as Obi-Wan's apprentice but, as mine, you just might work."

There are some other significant elements as well.

• Anakin faces off against Dooku. The Anakin vs Dooku dynamic is important not just in the series but in the movie mythos as a whole. Anakin has to rise above Darth Tyranus in order to become Darth Vader, so it's always interesting to see how that relationship develops.
• There is this incredible vertical battle between the clones and the droids during which the tanks walk up the face of a cliff. I know it's animated, but it's amazing.
• Anakin comes by his ship, the Twilight.

Basically, the movie serves to set up all the essential elements for the ongoing television series. It's not that you can't watch the series without having seen the movie, but the movie helps, especially for the dynamic between Ahsoka and Anakin. I think, also, if the approach to the movie is that of watching several episodes of the series back-to-back that it becomes much more satisfying. It's all in the frame of reference.

It's not, by any stretch, the best story arc in the series or, even, the best story arc in season one; however, it possibly does have the best battle scenes. I'm not remembering anything more epic than the one the movie opens with, at any rate. It's a solid arc, and it ought to be included in anyone's watching of the series.



"Why can't you be a tiny, little mouse droid!"

The Clone Wars is coming...

I see some of you out there shaking your heads and thinking, "You're a little late to the party," but just give me a moment. I don't mean The Clone Wars is coming to TV; I mean The Clone Wars is coming to my blog! Sounds awesome, yes? Yes! Of course, it does.

In conjunction with The Armchair Squid, we'll be going through each episode on a weekly basis and evaluating and reviewing them. That means that for... well, like, a couple of years, I guess, there will be a weekly Clone Wars post. If you haven't watched this show and you like Star Wars at all, you really should watch it, and this is a great excuse to do it. This is easily one of the best animated shows ever on TV and, actually, one of the best sci-fi shows, animated or not. Trust me; I've been known to watch some bad sci-fi, and this is not that. If you've already seen it, well, you know you should get in on this. If you want to sign up, just follow the link over to Squid's blog and get signed up!

Now, a few words... which is difficult, because I want to say a lot of words about a lot of different things, but, then, that's a lot of different things, and I don't want this post to go on all season. So let's talk canon. Hey! Pay attention! I said "canon," not "cannon." We are not shooting explosives at people. Here, we use more elegant words from a... okay, well, not so civilized age. Anyway...

Last year, when Disney took over Star Wars, one of the first things they did was to "do away" with the Star Wars Expanded Universe. I have found this whole thing amusing, but the statement they were making had to be made. But let's back up a moment.

Prior to 1991, the only Star Wars canon was the original trilogy. Sure, there were a handful of books in existence (Splinter of the Mind's Eye, some Han Solo books, a Lando book or three), but no one took those as real, especially since some things like Luke cutting Vader's arm off certainly didn't happen within the movie time line. Those books were just fun things on the side. But all of that changed in 1991 due to a couple of events:
1. The publication of Heir to the Empire by Timothy Zahn.
2. Dark Horse comics' release of Dark Empire #1.

Both of these series take place after Return of the Jedi and are responsible for bringing Star Wars back into the American consciousness. One way or the other, you can probably thank Timothy Zahn for the fact that the prequels exist. It was his Thrawn trilogy (and everything that happened after because of it) that showed Lucas that there was still an interest in Star Wars.

Interesting fact:
Zahn originally wanted to write a trilogy set during the Clone Wars. Lucas said "no" because he knew that if he did ever make the prequels (because at that point he had no plans to do that), they would invalidate the books Zahn wanted to write. So Zahn reformed his clone story and set it after Jedi.

Now, here's the thing:
Lucas always said that anything done outside of the movies could be invalidated at any time (see Splinter of the Mind's Eye) and was never considered canon, hence the Expanded Universe. That's what it was: non-canonical material. But, over time, as there became more and more of it and people became more and more invested in it, even people at Lucasfilm, people began to view the EU as being pretty much as valid as anything Lucas himself did. People had come to view the EU as canonical even though they had been told again and again that it wasn't.

When Disney came in with their plans to officially expand the Star Wars universe, to provide a vast tapestry of new canon, they had to make a hard statement so that people would understand that they weren't going to accommodate the EU into their plans. So "the EU doesn't exist anymore" was a clear way of stating that.

The Clone Wars, though, having come from Lucas, is official Star Wars canon. This is the story. I think it's a good one. I hope you come along for the ride.

The Tour with a Camera (a Star Wars post)

If you've been following me for any length of time, you will know that the Lucasfilm offices and Skywalker Ranch are not places unfamiliar to me. There have been two problems with this:
1. Not owning a cellphone (and, thus, an always on hand camera), I have not ever had a camera with me when I've been. Usually, this isn't an issue as we're not going to be any place really cool, anyway; however, there have been a few events where a camera would have come in handy:

• the premier event for Indiana Jones and the Kingdom of the Crystal Skull -- lots of cool props on hand at the gathering after the movie
• the premier event for the debut of Star Wars: The Clone Wars -- since it was animated, there were no props, but there was a lot of the pre-vis models and sketches and stuff
• that time George Lucas said "howdy" to me -- okay, so a camera would have gotten me in trouble that time, but since I didn't have one with me...

2. I've never actually been on a tour of either facility. Wait a minute... had never.

So, yeah, I finally got a tour of the Lucasfilm offices down at the Presidio in San Francisco and I took my camera with me. Although that was kind of scary. You have to sign a non-disclosure agreement before getting to go in (and get a security badge and all that) and that includes not taking any pictures. I  hadn't met up with my friend, yet, as I was getting my badge and stuff, but one of the main reasons for the tour is that I wanted to get some pictures, so not getting to take any would kind of defeat the point. Not that it would be a reason not to get the tour, but, you know, PICTURES! But I signed the agreement and went looking around for my friend. No, no, not in the building. Back outside, since I figured he was looking for me (and I couldn't actually go in without him, anyway). Once I found him, I was, like, "Dude! I just signed a thing saying no pictures. Does that mean no pictures?" And he was, like, "Well, I don't think so."

Yeah, that put my mind at ease.

But we stayed to, basically, public areas where there was no sensitive Episode VII stuff going on, so we're pretty sure the pictures are okay. And a couple of the security dudes seem to think it was okay, too, so, finally, I have some pictures. However, if you never hear from me again, you'll know what happened. I just hope they put me in a cell not connected to one of the garbage compactors.

Until then, here is your (partial) photographic tour of some of the cooler things I saw there:

Yeah, you have to pretty cool to get your own Lego head made for you by the Lego company.

The most famous blaster in the galaxy.

A statue to Ray Harryhausen, possibly the "Father of Stop-motion photography."

The Yoda fountain.

He's offering me cookies. (Recognize the shirt Briane?)

What? You thought it was all Star Wars?

Okay, it's a lot Star Wars.

But this is not Star Wars. (Knowing might win you points in my so far unimplemented point system.)

These should look familiar to at least some of you.

This guy kept trying to sell me stamps.

This is so sad.

Anyone recognize these guys? They don't come with batteries.
Well, that's about it for the pics (that I'm going to share), so everyone

"Beee goood."

Pacific Rim (part 2)

As I said last time, Pacific Rim was an amazing movie to watch. Seriously impressive visual display. And it leads off with it, too, as we start out right at the first Kaiju attack. The problem is that it's a prologue, and a prologue with voice over, at that. I really don't enjoy that kind of thing in movies. To compound the problem, it was the prologue to the prologue. Yes, the movie had to have two prologues. Just about the time I was allowing myself to get into the movie and be unannoyed by the prologue, we find out that what should have been the beginning of the movie was just another prologue. So, now, we're something like 20 minutes into the film, and the actual movie hasn't even started.

That issue with the storytelling ends up being the movie's greatest flaw. Basically, they started what was an epic tale spanning years and skipped to the last battle. There's no emotional connection to any of the characters, no foundation for the arbitrary scientific-sounding crap they fling at you in the same way that chimpanzees fling poo (and, yes, I have a story about that... for another day), and no logic to the things that happen. IF they had started at the beginning of the story or, at least, closer to it, they could have built something more believable. It's kind of too bad, because, like I said, visually amazing.

I'm not even going to get into the specific story issues. They are just too numerous to list. In fact, I'm sure I've forgotten most of them. Let's just say this movie is more hole than cheese (Swiss cheese, you know).  I'll sum it up this way: After the movie was over and my friends and I were comparing notes, so to speak, they were all about how great they thought it was. But I wasn't saying much. Not much more than it was amazing to look at, at any rate. And they're used to this from me, to me being the one most likely to not like a movie, but I was really trying not to say anything, but I guess I had this look on my face, because they were all like, "What? What was it that you didn't like? Because it was amazing." So I said I would share the one thing I thought was the most stupid (the arbitrary choice to have two pilots because the "neural load" was too much for one pilot (like I said, there's a lot of scientific-sounding crap flung at the audience to achieve what they wanted in the story, but that "neural load" crap is just that: crap)), and one of the guys started to respond with "but the right hemisphere and the left...," and I just kind of looked at him, and he stopped, and, then, all three of them started spewing various stupidities from the movie. And that lasted for something like half an hour, and I never brought up another thing. So, see, all three of these guys that walked out of the theater loving the movie couldn't hold the stupid back once the gate was open, much like the Kaiju gate in the movie.

I wish I could say something positive about the acting, but there's nothing there to talk about. No one was horrible, but no one was great, either. Or, even, all that good. It was a 'fest of mediocre. Okay, Charlie Day was good, but he was as good as it got. I mean, Idris Elba was so flat, they had to give him a nose bleed to pass for emotion.

The whole movie was like getting a giant present wrapped in the most awesome wrapping ever: glittery paper, bows, a great card, but, when you open it, you find an open package of chewing gum or something. To put it another way: big hat, no cattle.

But I'd still say to go see it at the theater, because it's just that kind of movie.

So... The movie ended, and we were heading out, trying to follow this other guy that had been with us, but he was on call there at LucasFilm, so he was heading back to his desk, so we started out going that way, too, so we ended up going off through the building into areas I had never been...

And there was just so much cool stuff! Around one corner was a display case with a tyrannosaurus Rex model in it from Jurassic Park and, down the hall, a case with a model of the foot structure of the T. Rex. And, of course, more movie posters. And, in a little lounge area, a suit of silver robot armor from some commercial ILM did at some point, and, on the other side of that, a set of Tatooine Stormtrooper (sandtrooper) armor! I so wanted to touch it; I mean, it was right there, but I restrained myself. There were display cases of models all down the halls; I don't even remember them all. And, in a room that I could see into (but the door was locked), a full-sized model of some Sith Lord. It was dark in there, so I'm not sure who it was, but the red lightsaber was very visible. It might have been Darth Maul, but it could have been one of the characters from Clone Wars, too.

The walk through the hallways of the LucasFilm building was more than worth any number of bad movies. Next time, I have to make sure I have my camera with me.

Pacific Rim (part 1) and "The Bitter Fruit"

As I've mentioned before, I have a friend that works for LucasFilm. Actually, I have two friends that work there, but one of them is being let go because of the Disney acquisition. His department was gutted, so it wasn't like he was singled out.

Anyway, every so often, these guys and I get together to see a movie and catch up, so we made tentative plans back in May to do that. At the time, I listed out all of the summer movies I was interested in. Pacific Rim was on that list, but I also stated that it was probably the movie I was least interested in seeing. I expected it to be eye candy, and, although I enjoy the occasional eye candy, I will almost always choose story over it. Or, at least, something I think will have story. However, my buddies, all three of them, chose Pacific Rim, so I sighed and came to terms with the fact that giant brawling things have more appeal for the age group of my buddies (a bit more than a decade younger than me) than they do for me.

So we made plans for the opening weekend of PacRim. They would all converge to where I live for a Saturday showing, which is good with me, because, as the only married one of the group, it's a lot harder for me to get down to San Francisco than for them to get to where I live. BUT, the day before the release, my buddy at Lucas let me know that they were doing a showing down there since ILM had done the effects. We had a change of plans.

Here's the thing:
Special screenings of movies used to happen at Skywalker Ranch, which is somewhat north of San Francisco and easier to get to (and you don't have to deal with parking, which is always an issue in the city); however, the Ranch was not part of the sale to Disney, so screenings don't happen there anymore, because that's where Lucas lives. Well, it was always where Lucas lived, but... well, it's complicated, because Skywalker Sound is still at the Ranch, but... Anyway, the screening was going to be held in the screening room at the Presidio, where LucasFilm is housed. Let me just say that the screening room there is one of the finest theaters in the world, as you might imagine. And the screening was in 3D, which we hadn't known about ahead of time. When we go to movies, we don't do 3D; it's just inordinately expensive. So the 3D was like a special bonus.

But let's back up a moment:
The building with the theater in it at the Ranch is pretty cool. There are a lot of vintage movie posters and the theater is underground and it's the place where I saw George Lucas that one time. But, aside from the movie posters, that building isn't full of cool stuff. At least, not that I ever saw, and my buddy and I did get lost in it one time trying to leave a screening of something through one of the back exits. There were some shopping carts and a Darth Maul bicycle, but that was about it for "interesting items." Aside from the fact that building has a movie theater in it, it's pretty much like any office-type building.

Now, I've been to the offices at the Presidio before (for an event for the release of The Clone Wars movie and the following television series), but I'd never been inside any of the buildings except to see the special Clone Wars exhibit they had set up for that release, which, of course, is long gone. The only other thing I'd ever seen was the Yoda statue (so cool) in the courtyard. Yes, I need to get a picture of it. This screening of PacRim was my first time to really inside. And, initially, it seemed like it was the same kind of thing as at the Ranch. Just a lot of vintage movie posters. That's what I saw before the movie.

Oh, yeah, the movie! Visually, the movie was AMAZING! And, I'm sure, seeing it in one of the finest theaters (and 3D theaters) in the world didn't hurt it any. I mean, this movie is seriously impressive to look at, especially in 3D. There's a lot of holographic imaging involved in piloting the Jaegers (the giant robots), and it looks super cool in 3D since you're seeing it the way the characters are supposedly seeing it. It's certainly a movie that I'm glad I saw in the theater, because a television set just would not do justice to the Jaegers and the Kaijus (giant monsters) fighting amongst skyscrapers and, frequently, knocking them over.

So, in short, if you want to see a film with lots of action and fight scenes, especially involving giant combatants, this movie is for you. Seriously, I think it's safe to say that there will not be a better looking film this year.

But... you'll have to wait for part two for the rest.

In other news!
Today is the FREE! release of "Part Twenty-six: The Bitter Fruit"! Remember, if you want to read the whole Shadow Spinner right now and get the exclusive short story "Like An Axe Through Bone" by Bryan Pedas,

you can do that by clicking on the link.
However, if you're  invested in the serialization, here is a list of today's (Monday, July 22) FREE! parts:
"Part Twenty-six: The Bitter Fruit" (This one is also FREE! Tuesday, July 23)
"Part Twenty-five: The Light of Knowledge"
"Part Twenty-four: The Serpent"
"Part Twenty-three: The Harlot"
"Part Nineteen: Lost in the Garden"
"Part Eighteen: The Angel"
"Part Seventeen: The Tree of Light"
"Part Sixteen: The Dark Tree"
"Part Fifteen: Food of the Garden"
"Part Thirteen: The Clearing"
"Part Twelve: The Gash in the Floor"
"Part Eleven: The Kiss"
"Part Ten: The Broken Window"
"Part Nine: The Shadow of the Tree"
"Part Seven: The Moth and the Shadow"
"Part Six: The Man with No Eyes"
"Part Five: The Police Car"
"Part Four: The Cop"
"Part Three: The Bedroom"
So there you go: 19 of 26 parts available for FREE! Go! Tell your friends! Tell them to tell their friends!

"This is no time to panic."

"This is the perfect time to panic!"

Okay, so no one is really panicking, but that's one of those lines that pops into my head anytime anything is going wrong. Sometimes, it's joined by the corollary to the first part of that exchange: "Don't Panic!"
It always makes me want to grab a towel.
Speaking of which, it was Douglas Adams' birthday this week.
And all the loose computer cables we have running everywhere right now makes me think of him, because he had things to say about loose computer wiring and cables.
Which brings me back to what all of this is about. Or one of the things this is about.

We are in the midst of restructuring our computer set up, because I was gifted a computer by my good friend that works over at Lucasfilm, which is very timely, because I'm sure my wife's (old) computer is going to drop dead any day now. It's just like the one I had drop dead back in the fall, and we got them at the same time, and it's sounding really bad, lately. Like a guy with lung cancer or something. I'm halfway expecting it to explode or some such. But I digress...

So we have this new computer, which is currently set up across the room from the place where it will eventually be, so there are cords stretched all over the place. The worst one is the one running from our phone socket on the wall in the kitchen over to the modem. Earlier this week, my oldest son stepped on it and jerked it forcefully from the jack, breaking the clip that holds it in. Of course, that was accompanied by a loss of Internet connection, which was accompanied by me losing what I was working on, because I couldn't save it.

Why couldn't I save it? Well, because... That's the best answer I have. Once I got everything set back up again, my computer wouldn't recognize the connection. The other computers did, but my computer kept saying, "Hey, Buddy, what do you think you're doing? We got no connection here."
No, I do not know why my computer talks like that, but it does. And I said, "Why, yes, we do have a connection," and I held it up and showed it and said, "The other computer recognize it; why not you?"
And it replied, "I'm tellin' ya's, we got no connection."
And we went on like that until I shut it off. When I turned it back on, it said, "Oh, hey, you plugged us back in."
But I didn't get to save anything, because I had to re-boot to get the computer to recognize that I had re-connected everything.

Then, Wednesday morning, the dog jumped on the phone line.

It wasn't exactly her fault; she thought she was getting a treat and got all excited. Well, actually, she was getting a treat, so she had a reason to get all excited; my younger son just didn't think about where he was standing when he was offering it to her.

Whatever she did, she did it good. I spent around 30 minutes trying to get the connection working again and hadn't managed it by the time I had to get the kids to school. Once I got home, I spent another hour working on it before I got everything working. It's like the sudden disruption just fired everything, and I had to go over every piece of equipment and every connection. I don't know what was actually knocked loose or what, but, eventually, I did something that got it all working again.

And, while I was doing all of that, I had Bill Murray screaming in my head, "And if I can't work, THEN I CAN'T WORK!"

Which just makes me glad I'm not more plugged in than I am, because I hear too many stories about people that don't know what to do with themselves when they lose or break their phones. No, sir, I don't want one of those.

Then there's the cat...

As I've mentioned before, the cat, my cat, Jack, has some kind of weird abusive relationship with this orange tabby from down the street. I call him The Orange. The Orange will come down to my house and pin my cat down and make a horrible mewling noise. This noise greatly disturbs my dog, and she goes crazy barking, but I can still hear the horrible sounds The Orange makes even over her barking.

It started up yesterday, and I opened the front door to find Jack huddled at the bottom of the steps with The Orange standing over him going "merow" "merow" merow." However, The Orange knows enough not to hang around when I come out, so he turned tail and ran. But, see, my cat can't just let him go. Jack always follows him anytime anything like this happens. And they go through bushes and crap that I can't go through, but I have to follow them so that I can get in between them, which gives The Orange a chance to run all the way off, and, then, Jack will come home.

But, yesterday, I didn't get around the hedge in time, because The Orange was really running much more quickly than normal, and Jack was chasing him, so I got around just in time to see The Orange turn on Jack and attack him.

You know how in cartoons when animals fight they always show these dust clouds with the occasional paw or whatever popping out of it. Now, I know why. This looked exactly like that. It was, like, three seconds of a squalling blur. And you know how they say "the fur was flying"? Well, I know where that comes from, too, because a great cloud of fur flew out in every direction, which only heightened the sense of them fighting in a dust cloud. I just stood there and blinked and wondered if I'd stepped into a cartoon. Then it was over, and The Orange was running for home.

I don't know if that means Jack won or not. He watched The Orange run off and, then, walked away. Actually, he came home with me and lounged around in the house for a couple of hours which isn't something he generally does at  that time of day unless it's raining. I couldn't find any wounds on him, although he can be kind of difficult with being examined.

The thing that disturbs me is that the owners of The Orange acknowledge that their cat is a bully (and I've heard complaints about him from other people in the neighborhood -- on the other hand, everyone in  the neighborhood loves Jack (heck, people come to my house just to see Jack if he's hanging out in the driveway)) and, yet, do nothing about his behavior or his comings and goings or anything. It would be one thing if Jack was going down to their house and these problems were happening, but, no, The Orange comes here, and I have to run him off (at least) a couple of times a day.

Which makes me want to sign Jack up for martial arts training. Or something.

I think I need to just get a towel that I always carry with me...

Skyfall -- Just a Name

On the surface, Skyfall is a really excellent movie.That's because it's a really excellent movie. If you take it as an individual movie and forget that James Bond already exists. That includes forgetting the previous two Daniel Craig Bond films. As an individual movie, it really only has one flaw: its title. The title is a lie and has nothing to do with the movie at all.

Yeah, yeah, I hear those of you out there that have already seen it saying, "But..." (and I'm not finishing that sentence, because I'm avoiding the spoiler). It seems pretty obvious to me that the title was arrived at completely separately from the movie. Something like:
"Wouldn't Skyfall be a cool title?"
"Sure, but it has nothing to do with the movie."
"Well, can't we work it in somehow?"
So, yeah, the "word" was just thrown into the movie so that it could be used as a title and has absolutely no meaning whatsoever. I felt a little bit cheated by that. But not really enough for it to take away from the movie experience overall. It's sort of like the pricker you get in your finger while picking blackberries; it's annoying, but it's not gonna keep you from enjoying the cobbler.

So for the movie itself:
The action was great. There was only one bit that I thought really strained plausibility (it had to do with a subway train), so that was pretty good. But, then, these new Bond films have been better at "keeping it real" than some of the older ones.

The acting was great. Daniel Craig is a great Bond, and, of course, Judi Dench is just great. Ralph Fiennes is also in this one, and he was surprisingly good. I say "surprisingly" because, while he can be great, he is not always great, and this seemed like the kind of role where he was more expected to look good rather than be good, but he was quite good, and I'm glad that his character is one that will (should) be returning.

The tech... well... there's a lot of computer stuff in this, hacking and all sorts of things like that, and, mostly, that was okay, but...
Well, I went to see this with my friend that works for... um, Lucasfilm? Well, right now, he works for Lucasfilm; I suppose they will keep that name even once Disney takes over in January, because that's how they do it, so, yeah, I went to the Lucasfilm premiere of the movie with my buddy that works there. Well, two buddies, now, because one of our mutual friends now works there with him. I think he's trying to recruit everyone he knows into working there, and I want to know when it gets to be my turn, but I suppose they don't really need any writers. That's not his department anyway.
But I digress...
So I was there with my friend, and there's this scene where Q is explaining some computer something-or-other with a lot of technobabble, and my friend just starts laughing. Not LOLing or anything, just a sustained chuckle. So I know whatever he was going on about was gibberish, because my friend does the whole computer thing. I'm fairly technologically challenged (just ask my wife (also notice that I still have that same, stupid generic blogger wallpaper for my blog)), so I probably wouldn't have noticed if he hadn't been laughing; I mean, I don't know what they're going on about either way. Well, except for the part where I just sort of assume that it's all meaningless technobabble anyway.

However, as much as I enjoyed it as an individual movie, I was more than a little let down with the movie in terms of its relationship to the other Bond films. There are two main reasons for this:

1. With Casino Royale and the re-boot of the Bond franchise, they created an ongoing story line. Quantum of Solace, while not the greatest Bond film as an individual movie, was an excellent continuation of that story. It felt like they were putting things in place for something really cool, and I was intrigued by where they were going. With Skyfall, though, they just drop that whole story line and, at the moment, have no plans to go back to it. This is incredibly disappointing, and, for that reason, despite how good Skyfall is on its own, it is, itself, also disappointing.

2. Skyfall feels like even more of a re-boot than Casino. There is a grasp in this one to make this Bond the definitive Bond. The Bond. An attempt to sweep away all earlier versions, while still giving a nod to them, and actually make this 007 James Bond. I can't be more explicit than that without giving spoilers, but I just want to say that I wasn't entirely happy with this aspect of the movie in relation to the other Bond movies. Casino did a fine job of updating the franchise and setting up a new sequence of movies. There was no need to go even further back and attempt to shove all the other movies aside.

But, still, all by itself, Skyfall is well worth seeing.
Just ignore that the time frame of the opening events doesn't quite match up, and all should be well. Maybe, I shouldn't have pointed that out, though.

NOTE:
Remember that Friday, this Friday, Nov. 16, is the Oh, How I Miss You blogfest hosted by myself, Alex Cavanaugh, and Matthew McNish. If you haven't already signed up, follow one of the links and get over there and do it! Let's let some people  know that we've noticed their absence. It's always good to know you're missed!

The Happiest Place on Earth: Part 5: It Just Got Happier

When we were at Disneyland back during the summer, I was joking with my kids about how Disney was going to take over the world. I may have mentioned this in one of the posts about all the Disney stuff, but I couldn't find it upon a casual perusal, and I don't have time for anything more in depth. As I'm writing this, though... wait a minute! Yes, it's here. Disney has been buying so much: Pixar, Marvel, and, now... Star Wars.

Yes, Disney bought Star Wars! Not just Star Wars but all of Lucasfilm including Skywalker Sound and ILM and all of that. They get Star Wars and Indiana Jones. It's a huge deal. A $4 billion deal of which Lucas gets $2 billion in cash. I can't even imagine that.

So this is one of the things that I was joking about while we were at Disneyland as we were strolling through Tomorrowland -- Star Wars being the next step Disney would need to take in their bid to take over the world. Star Wars is the biggest entertainment franchise ever to exist other than Disney itself, so this is... well, it's just HUGE!

The immediate result of the deal is that another Star Wars movie is going into immediate production for a 2015 release. And, yeah, I already hear the moaning out there blah blah blah, but I have just two words to say to all of you who think this is bad: The Avengers. If anyone can pull off another Star Wars film, it will be Disney.

I actually like that Lucas has done this. It opens all kinds opportunities to expand the world of Star Wars. Expansion that Lucas would never have done, because, well, he's tired of everyone bashing him. And who can blame him?

There are three more movies on the horizon now: episodes 7, 8, and 9. Movies that Lucas said he would never make. But I'm sure that's just the tip of the ice berg. There have been rumors going around about a solo Boba Fett movie, and I wouldn't be surprised to see that happen, now, too, especially since Joe Johnston, director of Captain America, provided the final designs on the character. He's also been bugging Lucas about making that movie for years.

The most significant part of the whole thing, though, is that Lucas said he's wanted to see Star Wars passed down for future generations, and there really is no better place for Star Wars to be for that happen. If Disney knows how to do anything, they know how to preserve cherished movies and pass them on from parents to kids and, well, to more kids. Not that I think Star Wars ever would have passed out of memory, but Disney will keep Star Wars alive and growing.

None of this even takes into consideration the great talent that will now be available to play in the Star Wars universe. Hey, Joss Whedon already has a relationship with Disney... can you imagine? There are so many possibilities!

And, well, heck, I'm still stuck on episode 7. Seriously. And my kids are super excited. Exciting times!

Red Tails and the Lucas Syndrome

There have been many underappreciated films throughout the years. Generally, these are just due to not being able to market them to their potential and no one goes to see them. Occasionally, the reasons are much more insidious.

Red Tails went into development way back in 1988, and the original intended release date was two decades ago. You'd think that when the creator of Star Wars and Indiana Jones says he wants to make a movie that movie studios would listen, right? Realize, this was before all the crap that has rained down on Lucas' head since the re-release of Star Wars as the Special Edition. However, no one would touch Red Tails. Not a single studio. Why? It was a story about black men with a primary cast made up entirely of black men. Hollywood wouldn't touch it.

They say there are financial reasons.

This may be true. In fact, it probably is true, because Hollywood is all about the money, but it doesn't make it okay. In the end, Lucas financed the movie himself. Marketed the movie himself. He only didn't distribute because Fox, grudgingly, finally agreed to do it. IF Lucas paid the distribution costs, so he paid for that, too. All totaled? Nearly $100 million. But Lucas believed in the worthiness of the movie and was willing to pay the costs even though he knew, he knew, the movie would take a loss. Probably a large loss. I can't help but admire that.

When it came time for Lucas to screen the movie to studio execs, he was snubbed. People literally just didn't show up to the screening. This was in 2011, so a lot of that had to do with the full-on hate that Hollywood and most of the world has going for Lucas, right now, but you can't deny that there is some part of it that's due to the fact that Lucas made a movie about blacks that's full of blacks. An action movie, not a drama. Something that hasn't ever been done before. We'll see if it happens again. As Lucas said in an interview, that's just not right. It's their job to show up for the screening, and these guys, a lot of them, chose to not do their jobs. It was calculated and insulting.

And completely undeserved.

Red Tails is getting bad reviews pretty universally. Before I went to see it, I did, actually, read some reviews, something I almost never do anymore. But, honestly, I was scared it wouldn't be good, so I wanted some information. My favorite (by far) review, started something like this, "George Lucas, destroyer of childhood dreams, has a new movie..." This was a professional reviewer, mind you, someone whose job it is to approach movies as objectively as possible and evaluate them for their individual merit. Maybe that was as objective as the reviewer should be, but, if that was the case, he shouldn't have been reviewing the movie. I'll leave it to your imagination as to what he went on to say about Red Tails, because it's probably worse than anything you'll imagine.

I finally got a chance to go see Red Tails the other night (I really wanted to go see it at Skywalker Ranch, but, despite the fact that they had several screenings of it, they filled up so quickly (with stars and "important" people) that the regular employees at Lucasfilm were never extended an invitation). I won't lie and say that I wasn't apprehensive. I didn't see a single good review for it. I didn't want it to be bad but was scared it would be. My fear was misplaced, Red Tails was spectacular.

Saying it like that, I could just be saying that the visuals were spectacular, and, believe me, they were. Extraordinary. It felt like watching aerial footage from WWII. But in color. Seeing that Lucas immersed himself in WWII dogfight footage when he made A New Hope, this is not surprising. This was not new territory for Lucas. But the rest of the movie is good, too.

I'm not saying it's the best movie ever, but it's solid. And it is certainly better than There Will Be Blood. By a lot. Yet, Blood was a best picture contender? And Red Tails is snubbed. Not just by critics but by everyone that currently has a beef against Lucas for "destroying their childhood dreams." At least, Red Tails is about something! An important something, I think. The movie, of course, is based on the Tuskegee airmen. I don't think there is anyway to stress how important the whole Tuskegee thing is to African Americans. Prior to that, the US military, based on "professional" psychological and medical testing had stated that blacks were both not intelligent enough or physically capable enough to ever be able to fly an aircraft.

The biggest issue with the movie is that Lucas started in the middle. The original treatment was too long for one movie, so Lucas had it expanded into a trilogy. Looking at the story, he felt that part 1 and part 3 were not movies he could make. More drama, less action. At least, he knows his strengths, I guess. The issue is that there really isn't a lot of background information given beyond a quote at the beginning of the movie. It picks up with primary characters, Easy and Lightning, in Italy at the Negro airbase there. If you don't know your history, especially your race history, I could see this being rather confusing. I don't know if it's because I grew up in the south or if it's just that they don't cover this stuff in schools anywhere anymore, but we've had to have many conversations with our children about racism and the history related to it, because they haven't covered it in school. At any rate, a lot of the subtext behind what's going on is left to viewer knowledge. And, honestly, at this point, while we're still dealing with race issues and other hate issues in the US and the world, it should be common knowledge. Too bad it isn't.

The other weakness with the movie is something I don't know if it's a weakness or not. When Ang Lee made his version of the Hulk 10 years ago, there was much derision of Eric Bana's lack of acting ability. I didn't find it to be bad acting. I'm pretty sure the "woodeness" of Banner in Ang Lee's Hulk was a directing decision to show how emotionless Banner kept himself. How in control he had to always be. I've seen Bana in other movies, and his role in Hulk is the only time I've seen him so... flat, so I think it was a concious decision. Cuba Gooding, Jr. and Terrence Howard are the "star power" in Red Tails, and both of them are very deliberate, slow speakers in the movie. It's difficult to tell if this was purposeful or not. Both of them felt very flat to me, but it may be that this was an appropriate way to speak for black men in their positions that had to deal with white men. So... maybe, it was actually great acting, but, without knowing, it came off as bad acting on the parts of the two "names" in  the movie.

However, they are both supporting characters, and the leads don't suffer from this issue. Both Easy and Lightning are strong characters and easy to like and engage with. The movie, really, focuses on the relationship between the two men with the war and race issues supporting what's going on. I didn't find any issues with the dialogue, which has been the major criticism of the movie. I think, with the assumption that Lucas was responsible for it. But he didn't write the script or do any of the writing.

To be clear, this is a movie that deserves to be seen. It's good. Good enough that I sat with my hands balled into fists almost throughout the entire movie with the tension of the action. That's not normal for me. But from the opening, and it opens with a combat sequence, I cared about the characters, and I didn't want anything bad to happen to them. No, it's not a "deep" film, but it's not meant to be. It's an action movie. Maybe that's the issue for a lot of people. So far, any movies that have dealt with race issues have all been dramas. All been "deep." As with writing, it keeps "black" movies a sub-genre. Black movies go in their special section just like books by black authors go in their special sections. It's just like sitting on the bus. Or drinking from the water fountain. Racism doesn't end while there are still distinctions, financial or not.