Showing posts with label Transformers. Show all posts
Showing posts with label Transformers. Show all posts

Thursday, January 24, 2019

Bumblebee (a movie review post)

I haven't made it a secret on here that I have a Transformers bias but, then, I also haven't made it a secret that I thought at least the last two Transformer movies were trash. Though I can't seem to find those reviews now (I'm sure I did them?) through a keyword search, and I don't have time to dig back through my posts individually to find them. Let's just say that the cancellation of the two planned sequels to The Last Knight was well deserved. I'm still kind of boggled that Bumblebee survived the crushing failure of Last Knight.

But it did survive, and I'm so glad it did because it is easily the best movie of the franchise, and I really liked the first Transformers movie a lot, though I have to say that the opening sequence in Bumblebee, the last defense of Cybertron and its fall, is by far the best scene in any of the movies. By far. They managed to perfectly capture the feel of the generation one Transformers in basically every way. And my son nearly exploded in geeky happiness when Soundwave popped up onscreen. The opening scene is worth the movie, and that's saying a lot because the movie is good. I'm very glad I made it to the theater to see it rather than having to watch the DVD release. It's worth the big screen.

All of that said, the movie does have some issues, small ones, but some of them are worth noting. Primarily, the family dynamic in Bumblebee is very similar to the one with Sam in the first Transformers movie, the only deference here is that the dad is a stepdad and Charlie is having issues because the rest of her family seems to have moved on since the death of her father. So, yeah, the protagonist has orphan syndrome, which I could have done without. And, honestly, I'm ready for Hailee Steinfeld to move on to some role other than out-of-sorts orphan. She plays it well, but it seems to be the only role she gets cast in.

Not that I was bothered by the orphan thing during the movie. I didn't think about that until after. Which means the movie did its job and let me suspend my disbelief. I'm sure in no small part due to Steinfeld's expertise in that role.

John Cena was a lot of fun, too, even as the misguided villain. Jorge Lendeborg was also great and played the lovestruck companion pretty well. And, now that I'm thinking of all of this, I'm kind of bummed that this was a one-shot movie (at least at the moment) because I would like to see a lot of these characters again. Even Jason Drucker as Otis, Charlie's younger brother. He was appropriately annoying and oh so 80s with his fixation on martial arts.

But I digress... I was talking about issues with the movie.
I think the biggest one is the plot hole it opened in the series. In one of the previous movies -- Last Knight, I think -- there is a photo of Bumblebee during World War II (or maybe WWI?), but this movie heavily implies that Bumblebee has never been to Earth prior to this trip. It's not explicit, though, so maybe it's not a plot hole at all. Still, it's been bothering me.

Yep, okay, that's about it. Well, other than the movie being pretty standard in terms of plot. But they pulled it off with style, and I'm okay with it. It was a lot of fun, and I'm ready to see it again.

Monday, November 5, 2018

Venom (a movie review post)

Where do I even start with this? I mean, a Venom movie without Spider-Man? How do you even? Just the idea sounds insane. And with Tom Hardy... I'm sure I've mentioned how not a fan of Tom Hardy I am.

But it's Venom, so I went to see it. Which is not to say that I'm some huge Venom fan, at least not of what he grew into, but, back when he was first introduced, he was a pretty cool and innovative character.

So let's start there, at the beginning. Which is to say that Venom has a very... problematic... origin.
An origin that I'm not going to get into, right now, because it has nothing to do with the movie. I only bring it up because when Venom was first introduced as a character outside of the comics (back in one of the animated Spider-Man shows from the 90s), they needed a non-Secret Wars origin for the symbiote, so they chose to have it be from outer space. Which you can't really argue, anyway, because when the "suit" was first introduced, no one knew it where it came from other than that it was on the Beyonder's war planet.

All of that to say that the origin in the movie is derived less from the comic books and more from a previously established pop culture origin story that more people are probably familiar with than the number of people who know that actual origin of the alien symbiote. That part of it, I can give a pass.

I'm less comfortable with the part of it where Venom is part of an alien invasion force. That coupled with the human names for the symbiotes (oh, yes, there are more than one!) gave that aspect of the movie a bit of a Transformers feel.

And I miss the spider on Venom. That feels to me as if it is part of the character and leaving it off (because in this origin without the involvement of Spider-Man, why would there be a spider?) takes away somewhat from the character.

Overall, though, they did a fine and decent job with coming up with an origin for the character, and I do hope Venom and Spider-Man end up in a movie together... Well, this Venom and the current Spider-Man under Marvel's control, because I think that would turn out to be... great? Yeah, probably great.

Which brings me to Tom Hardy. He was surprisingly good. They made the Eddie Brock character a bit more... I don't know. In the comics, Brock was a loser. Just a loser. A wannabe. He had a beef with Parker because Parker wouldn't work with him, which was because Brock was a no-talent loser. This iteration of Brock starts him out at the top, not just competent but exceptional, then they bring him down and make him a loser. Washed up. Hardy played both ends of that spectrum believably, so I have to give him kudos for that. And he pulled off playing against a disembodied voice, so I have to give him credit for that, too. Maybe Hardy just needs to quit working with Nolan, because Nolan seems intent on making Hardy into nothing more than a mumbling pair of lips.

Then there's Michelle Williams who is a bowl of boiled noodles. Just the noodles with nothing on them. Not even butter. I suppose there are some people out there who like plain noodles, but they don't taste like much and have no flavor or character. Neither does Williams. She's good at delivering her lines, but there's nothing much to her. She's always the same, and she felt more like a placeholder here than anything else.

It was, however, nice to see Jenny Slate, who was so... normal in this role that I kept questioning whether it was really her.

My final analysis is that this movie is better than every single DC movie that has come out. Hands down. In fact, the DC movies don't even get close. No, it's not as good as the Marvel Studios movies, though I'd say it holds its own against Fox's X-Men films, but the only DC movie that's even on the same playing field is Wonder Woman. So, yeah, I'd go see another Venom movie -- and they teased one in the clip in the credits -- though it's unclear whether it will get a second one since it seems to be under performing a bit. Well, you know, you leave out Spider-Man and it loses a lot of its draw. Tom Hardy isn't a big enough name to get people into the theaters on his own, and most people's only experience with Venom is Spider-Man 3.

All of which is to say that you're not going to be missing out if you don't watch this. Unfortunately. It's a pretty standard superhero kind of movie even if this particular "hero" does have a taste for eating brains. But it doesn't tie into anything else, not at the moment, anyway. I guess we'll have to wait and see what happens with Sony's non-Spider-Man Spiderverse to know if this is a critical movie or not.

Friday, July 20, 2018

The Burr Advice

Obviously, I never knew Aaron Burr so never received any advice from him. I don't really know if he would have uttered the words, "Don't let them know what you're against or what you're for," or not. It doesn't really matter as it's the words I'm dealing with moreso than Burr. Well, moreso than Burr the historical figure. I'm definitely dealing with Burr, the character, from Hamilton.

That said, Burr was a despicable figure, a true scum-of-the-earth human being. And, for what it's worth, I'm willing to go along with Miranda's interpretation of him, on the whole, since it's based on Ron Chernow's book about Hamilton. I would say that Chernow is a more than reliable as a source.

The Burr of the Broadway musical is a conniving piece of trash, a man constantly playing the middle so that he can make sure he comes down on the winning side. A bit of historical curiosity for you: He's the politician who invented going door to door and getting out in the neighborhood, which was not exactly a good thing. He wanted to get people to vote for him because of how friendly he was, how personable he was, not because of what he stood for. He wanted it to be a popularity contest, something like running for class president in high school.

"Vote for me because we could buddies!"

When I was a kid, I was into GI Joe and Transformers. Mostly, I was into the toys, and I collected them and kept them on display in my room. One day, my mom was in my room talking to me about... something I don't remember... when she abruptly inserted, "I wish you didn't have all of these war toys." It was completely out of the blue and, while not exactly confusing, a little confusing.

So I said the logical thing, "Why?"

And she said, "Because if you were ever drafted, you wouldn't be able to tell them you're a pacifist."

Which totally blew my mind. I think I said something like, "Why would I want to tell them that?" I don't really believe in violence as an answer to things, but I'm also not a pacifist. It would never have occurred to me to try to lie to get out of being drafted like, you know, claiming to have bone spurs.

Which brings us back to this idea of keeping your political leanings out of your public life. Not that most of us have a "public" life but, as small as mine is, I do have a public life. The general "wisdom" among my "fellow writers" is that we should keep our politics and our personal beliefs out of our public lives. Rather in the same way that people are saying saying that football players should keep their protests out of sports.

Not that the two things are actually similar. People want football players to keep their mouths shut (or their knees unbent) just so that they don't have to think about what it's like to be African American in America. Writers tell other writers to keep their politics and beliefs to themselves because they'll alienate potential readers if they're open about what they believe.

And that's true. I know that I have lost followers since I started writing politics.

However! The trade off is keeping your mouth shut about the injustices in the world (or, if you're a Trump (#fakepresident) supporter, supporting and praising those injustices). You know why the Nazis succeeded in so much destruction? People kept their mouths shut. People played it safe. People tried not to draw attention to themselves. And you can pfft all you want at this being similar to a pre-WWII Germany, but you can only do that if you're ignorant of the history. Ignorant.

Look, here's the thing:
When I was a kid in school learning about World War II and the Nazis, everyone always said, "Oh, I would never have done that. I wouldn't have kept silent. I would have taken a stand. I would never never never have let anything like that happen or have been a part of it." Everyone said that. But we're in those days right now, the days when people need to stand up and protest fascism and racism and all of the abuses of the Trump (#fakepresident) administration.

Well, for good or ill, all of you out there keeping your mouth shut, we know which side of that equation you would have been on. And all of you out there supporting Trump (#fakepresident), we all know you would have been right in with the Nazi party.
Congratulations on that.

In the end, I'm with Hamilton, "I'd rather be divisive than indecisive; drop the niceties."
Seriously, the Republicans have moved all of this way past "civility." Don't fall for that trap. It's just meant to get you to let them do what they want to do without complaining about it.

Thursday, July 10, 2014

Aim for the Cat!

My boys have started up their very own blog. Sort of. Okay, well, yes, "they" have started a blog, but they started working on it... oh, I don't know, months and months ago. However, the older boy hasn't been able to be bothered with actually getting the thing going. Either he's not home or he's texting. Theoretically, they were supposed to make the whole thing live back during the school year, but that just didn't happen. I finally told my younger son that he needed to just start doing it if it was ever going to happen; waiting for his older brother to sit down and work up their first post together was never going to happen. So he did that. Their blog (or maybe just his?) is now live and his very first post is up. Remember my review of the new Transformers movie? Well, now you can get his take on it first hand.

All of that said so that you can click on
And, seriously, you should. Maybe, next week, they'll explain what that means. In truth, I have no idea what they have planned, so you should hop over and sign up for the ride.

Probably, they won't actually be aiming for any cats, although maybe I should start keeping a better eye on ours.
I think he's trying to hide? 

* * *

Also, just to remind you, the July issue of Indie Writers Monthly is out. It has all kinds of good stuff in it including part six of my series "Lies Writers Tell... To Other Writers." For only $0.99, it's hard to beat.

But there's more!
For a limited time, the April issue is absolutely FREE! So you should definitely go pick that up. I mean, you can't actually beat FREE!

Friday, July 4, 2014

Transformers: Age of This-Movie-Should-Be-Extinct (a movie review post)

I have a soft spot in my heart for Transformers. I'm sure I've mentioned that before, so I'm not going to go into it. I like all three of the other Transformers movies. I'm not even going to apologize for it. I like the Transformers.

Also, I like dinosaurs, and I know I've talked about that before. The merging of the two things in 1984ish with the introduction of the Dinobots was, to put it simply, amazing. It was with no small amount of excitement that I received the news of the Dinobots being in Transformers: Age of Extinction. And my 13-year-old, who inherited my love of dinosaur robots, completely geeked out about it. Like, a virtual geek meltdown. We went to the early showing of the movie because my son was so excited about it.

The short review of this movie is that even my 13-year-old walked out of the movie like, "What was that?" He really enjoyed seeing the Dinobots, especially Grimlock, but he, my 13-year-old, had a list of all the stupid things in the movie, so, considering he falls right in line with "target audience," he shouldn't have that kind of list.

To put it simply: This movie is a mess. I haven't seen a movie with a story so all over the place since Robocop 3 (which upset me greatly because it was Frank Miller that had made such a mess of it). There were just too many story lines all trying to happen at once and it would have taken at least two more hours of movie to make sense out of them, and that's saying a lot for a movie that's already bumping the three hour mark. Someone really needed to step in and tell Ehren Kruger, "Stop writing! It's time to edit," which I'm pretty sure they just skipped.

In order to keep this to a somewhat readable length, I'll just talk about a few of the biggest issues in the movie for me. There will be spoilers.

1. Lockdown. Lockdown is the robotic villain of the movie; the problem is not so much with him as it is with the story around him. See, he's not an Autobot or a Decepticon but some kind of Transformer bounty hunter working for "The Creators" who want Optimus Prime back. As it turns out, Optimus is some kind of knight for them who deserted his post at some point in the past. It appears that Optimus remembers being this knight but has no knowledge of these Creators. And, you know, as if Optimus needs some other special thing attached to him. Mostly, though, the story here is too sketchy to follow; there are just too many "Why?"s involved.

2. The movie opens with Optimus near death. Again, why is it we're always dealing with the death or near death of Optimus Prime? [Okay, that's really because, other than Bumble Bee, he is the only Autobot that goes from movie to movie, and we could ask "Why?" about that, too. Personally, I'm annoyed that, basically, every movie, they introduce a whole new collection of Transformers. Where are they coming from?] He's found by Cade Yeager, who thinks he's just a truck he can strip down for parts but discovers he's really a Transformer; at which point, he begins repairing him. They make a huge deal out of the fact that Optimus is in such bad shape and that they have no way to fix him unless they can get him to the other Autobots. He may not make it.

Then they get attacked, and he takes some more beating, and it's a wonder he can still function. Then they find out that Ratchet (the Autobot medic) is dead and Optimus has no good way of getting repaired. I suppose, by that point, they were tired of dealing with the fact that Optimus was barely able to function, because they just have him scan a new big rig and take that form, and, voila!, he's all better! If that's all they need to do to become repaired, why ever bother to do anything else? Just scan a new vehicle. Or store your scan and re-use it. That whole bit was dumb.

3. The banter. The characters have a continual flow of inappropriate conversations during combat situations. Part of the problem is that "Cade Yeager" is written just as if he's Sam Witwicky, and Wahlberg, as much as I like him, couldn't pull it off. None of the characters could, as the stream of mouth diarrhea flows from one character to the next, none of them believable in any way close to Shia LaBeouf (do you see the irony in that statement?).

4. The Dinobots. As my son said, there is no build up to them. They are a complete Deus ex machina. They're just prisoners in Lockdown's giant spaceship. At the point when the Autobots are going to be overwhelmed, Optimus releases them and threatens to kill Grimlock if they don't defend the Autobots. Hmm, yeah, that fits right in with the character of Optimus Prime. So the Dinobots destroy the Decepticons then go on their way. They also never speak, which was more than a little disappointing.

5. Everything to do with Lockdown's spaceship. The Autobots allow the humans to go off on their own. Dumb. There are booby traps. Dumb. Lockdown knows almost as soon as they've trespassed that he has unwanted guests, but he doesn't have a clue when Optimus disengages part of the ship. Dumb. Yes, I could go on.

6. Optimus Prime. This was a very unOptimus Optimus. He was angry, and I lost count of the number of times he said, "I'm going to kill you!" to people, robots, whoever. In fact, he's so full of anger and hate through most of the movie that it's actually out-of-character for him to stay and help the humans at the end of the movie. It was rather like, "Well, we're already here, so we may as well." Plus, he blasts off into space with his magically appearing boot jets at the very end. What the heck?

And, actually, I could just go on and on about the stupid in the movie, but there's not a lot of point in doing that. I'm sure you get the idea. So I was trying to think of any good points about it, but I'm not really thinking of any. Well, I did enjoy Stanley Tucci (he's difficult not to like), but he has the same problem all the characters have with random-seeming statements at inappropriate times which made his inevitability shaky at best. Still, he was better than most of the characters. Kelsey Grammer played a pretty good villain as the part was written, but it was hard to buy into the character. I mean, the President sends word that he wants to see him and his response is something along the lines of, "I don't have time for him." That doesn't make the character a badass; it makes him unbelievable. That's not what you say to your boss.

Um... some of the Transformers were pretty cool looking, like Drift and Crosshairs. Even Lockdown. That was offset by how ridiculous Hound was in robot form, though, so even that was a mixed bag.

Basically, unless you're just a die-hard Transformers fan, you should probably just skip this one. Even if you are a die-hard Transformers fan, you might want to skip this one.

Friday, September 9, 2011

The Farm

I collect things. Well, not so much anymore, but I used to. Many of those things, I still have. They're just put away. In storage. But they're there. All the Star Wars toys from when I was a kid. Yes, I still have all of them. GI Joes and Transformers, too. Comic books. Way too many comic books (but that's a much longer tale and not what this post is about, but, you know, if you want to buy some, let me know. heh). Magic cards and other CCGs (yes, even thousands of the Harry Potter TCG cards). Some of these things, I wish I was still involved with but, mostly, it's all just put away.

I don't spend time with any of it. However, there is some amount of comfort knowing that it's there. I don't know why. My wife wishes she knew why, because she wishes I would get rid of at least 95% of it. Sometimes, I wish I could just toss it all, too, but it would leave me with the feeling that something is missing. There was a point when I was in college that I was kind of strapped for cash. Not something I was used to dealing with. I generally did a pretty good job of keeping myself in the money that I needed to get by, but, this one time, I was running low on fundage. I knew these kids that collected Transformers, and they had been lusting after my collection for months and months. Being somewhat desperate, I broke down and decided to sell some of them. Well, it ended up just being one of them: Soundwave (along with the cassettes that went with him even though they were, technically, separate figures). I've never really gotten over selling that one piece. It haunts me still. "I used to have that." "If only I hadn't been stupid and sold him." Those kinds of things. So, even though I haven't even looked at my Transformers in years, the knowledge that I'm missing that one figure from my collection pricks at my mind any time I think of them. When the kids came back to buy more a few weeks later, I told them I wasn't selling any more of them.

I could give other examples of how the losses of little, basically, inconsequential things can sit around and nag at people. Not just me. I can't tell you how many times I've heard people say, "I used to have that when I was a kid. I don't know what happened to it." Or, "yeah, I had all of those, but my mom threw them out when I went off to college." Or, "yeah, I had tons of GI Joes and Star Wars toys, but I blew them all up this one 4th of July." Yes, that's a true story. The common thread is that everyone, every single person, I've heard say anything like that all wished s/he had those things back again. Small, unimportant things. But things that had meaning to them and played some part in their lives when they were growing up. For me, things I hoard up because one day I want to share them. Sit down with my kids and explain what they meant to me, why I kept them, and pass them on.

But, in the end, they are still just things. Often things, like my wife says, that clutter up our lives and steal our space. And we don't really have a lot of that, so it's a valid concern. However, it's not always things that we want to pass on. Sometimes, it's people. My grandfather is the person that I most wish I could pass on to my kids. The person from my life that I most wish they could meet. He's the person that sat with me every night after he got home from work, smelling of sweat and motor oil, and read to me. Read to me the same books over and over, because I was the king of "read it again," and he was my throne. Little Black, A Pony. And that story about the old blue truck and the cow. And he would read them over and over to me.

He was a presence. Quiet. Strong. My mother tells me, and, you know, she knew him a lot longer than me, that he never raised his voice. I certainly never remember him yelling, but things are often different with your kids as opposed to your grandkids, but, no, she says he never raised his voice. As far as she knows, he never raised his voice to anyone. If they (my mom and her two siblings) needed shouting at, that was my grandmother's job. And he never said an unkind word about anyone. Not an individual. Not any group of people. Not even when the Cowboys lost. He was the giver of hugs. Bear hugs. The one that tickled us and caught our hands when we were too slow. He has always been the person I most want to become.

The day he died remains the worst day of my life. When the phone rang that morning, I knew what it was about before anyone answered it and was already crying even though I had no reason to think that that was what the call was about. I'd just seen him two days before, and the doctors said he was going to be fine. That they'd caught the cancer  in time and that he should recover. But I knew. And, even then, I felt the loss as not just my own but as a loss for the kids I didn't yet have or have any notion of whom I would have  them with.

Sometimes... sometimes the things that we keep packed away in storage are places. I haven't been "home" in 10 years. Home being the House from The House on the Corner. My parents live in it, now, and I spent my teenage years living in it with them. But, before that, it was my grandparents' house. My memories of that house go back as far as I have memories. My dog when I was two. My mom holding me and not letting me go down to him when they found him dead in the backyard, still a puppy, both of us. My cousin pushing me off a riding toy and my aunt taking care of the huge bump on my head. Hearing jingle bells one Christmas Eve and being convinced it was Santa in the house.

But home was also East Texas. Besides the house in Shreveport, my grandparents had a farm outside of Jefferson. This was the real place where I was formed. Playing in the hay barn with my cousin Sam, leaping from stack to stack of bailed hay pretending we were superheroes in Gotham or New York. Catching toads with my cousin Becky. Picking blackberries with my grandmother. Feeding the cows, especially the one called Pig with the forked tongue, the table scraps from dinner. Waking up to the smell of coffee brewing.

This was the place that I spent nearly every major holiday from the time I was born until my grandfather died when I was 20. Every Thanksgiving I can remember. My cousins and I sitting at the kids' table where my cousin Sam would pour ketchup all over everything on his plate. The nearly 20 adults sitting at the long row of tables passing food back-and-forth. With just a few exceptions, every Christmas, too. My cousins, brother, and I all slept on the floor together when we were kids. Often in the same room with the Christmas tree. But, somehow, there were always presents piled under it on Christmas morning,  none of us the wiser as to how they got there. It was probably that more than anything else that convinced us of the magic of Santa.

There was also my great-grandmother's house. It was about a mile or so down the road, the dirt road. I spent as much time there as I did at my grandparents'. My Uncle Fred lived there, too. And, in the summers, my Aunt Effie would come and stay and bring my cousin Becky. I spent my summers with her. With her and my uncle's dogs. He always had at least three, and they always had the most unimaginative names. Spot. Brownie. Blackie. About as far out as it got was a dog named Ginger when I was a teenager, and that  was probably because he already had a Brownie.

There were so many places there. Because, you know, when you're a kid, one place can be comprised of many universes. Under the house where the dogs would go when it was too hot, and it was often too hot, and dig holes to lay in. That was our favorite place to catch toads. The cane patch my uncle kept back behind the house for fishing poles and where there were often snakes, but we played in there anyway. The pond that my uncle dug where we would swim. And catch frogs. And where there were also often snakes, but we played there anyway. The pine woods that surrounded my great-grandmother's where we would tramp around. The loft of the barn where Uncle Troy dried his peanuts.

They had an actual well in the house. When we were thirsty, we would go and lower the bucket and bring up a pail of water and drink from it with a big dipper that hung on the post. Everyone drank from that dipper, and no one thought anything about it. The water was always cold and had a metallic tang to it that may or may not have come from the dipper. Possibly, the well tells you that it was an old house. It had a tin roof. I loved being down there when it would rain and listening to the rain pound on that roof. They kept skewers, for lack of a better term, on a nail next to the fireplace (all the time), and Becky and I would sit and roast marshmallows on cold nights.

My Aunt Effie actually had a house down there, too, even though they never actually stayed in it. It was, oh, probably three miles or so farther down the road. They had a wardrobe down there full of games. Most of them missing too many pieces to really be playable. On the very rare occasion, my cousin and I would walk the three miles down to her house so that we could play Mouse Trap, because that's where that game lived. There was no need for a key, because the house was never locked up, and it was never an issue that it wasn't locked up. Nothing ever went missing.

This was the place that I really grew up. Sitting and shelling peas or shucking corn on the porch at my great-grandmother's. We did a lot of that. Riding in the back of the pickup with the dogs, because the dogs went everywhere with my uncle. Unless he had to go into town, and, then, they would obediently stay behind. Digging potatoes. Playing in the mud in the ditches next to the road after the rain. Riding on the tractor with my grandfather and, sometimes, getting to steer. Going on long walks down the road with my great-grandmother and picking wildflowers for the table, when she was still strong enough to do that with us.

This place has been like that box of Transformers. Like all my Star Wars toys. Giving me comfort because I knew it was there. Giving me hope that one day I would be able to share these places with my kids. Take them there and show them. Tell them stories. "And this was the place where we were chased by the cottonmouth." "And this is the place where we found the copperhead, and my uncle came and chopped it up with a hoe." "And this was the place where we stumbled across the rattlesnake, but it just shook its tail at us and let us go." I told you there were a lot of snakes. Not all of the stories would be about snakes, though.

I've always known that it wasn't actually very likely that I would get to take my kids and show them all of these places and tell them the stories about the people that lived there, make them as real for my kids as they are to me, but there was the possibility. The knowledge that those places were there, stored away like a collection, a collection of memories, smoldered in my mind, keeping some part of me warm. I could dream of taking them and showing them the pond, long ago choked by weeds and telling them, "this is where I used to swim," and see the dumbfounded looks on their faces, because they have never known anything other than swimming pools. And take them down to the creek and show them the vines that we used to swing into the water from. And just... just sit on the porch in the old chairs where we would sit for hours in the evenings watching the fireflies (when we weren't out trying to catch them) and shelling peas.

But all of that's gone now. I just found out yesterday that all of it, all of it, my grandparents' house (where my Uncle Oscar (my mom's brother) was living), my great-grandmother's house (where my Uncle Fred still lived), even my Aunt Effie's house (where no one was still living, because she actually lives in Houston), was claimed by  the wildfires raging through East Texas. It's all just... gone. And I don't know, really, how to feel about it. I mean, these are not places I'm currently involved with. Like the boxes of toys, they have just been stored away for the future. A future that would probably never be possible, but there. They were there, and I knew they were there, and I hoped. But it's all gone now. The outhouse out behind my great-grandmother's that no one ever used, because it was always full of wasps. The turkey coop. The 200 year old furniture. The tractors, at least one of which was probably 100 years old. The floor that I slept on on Christmas Eve, and the coffee pot that would wake me up in the morning with its smells wafting through the house.

Part of me feels guilty for feeling such loss to something as intangible as my memories when so many people, so many people, have lost everything that they are involved with. Lost where they actually lived. But I do. There is a numbness and a pain fighting within me over these places I haven't seen in a decade and haven't spent any real time in since my grandfather died 20 years ago. The loss of these things won't affect my life or change how I live. I won't have to make allowances to my routine to compensate for their loss. But just as I had the knowledge that they were there, I now have the knowledge that they are gone. It will be just like Soundwave. I won't be able to think about "the farm" without the nagging thought that it's gone. I can no longer imagine what it must be like for the people that have lost everything to these fires, because I can't imagine walking through the blackened earth where all that I once knew and loved once stood. I wish that I could. To make it real. Because I can't imagine those places not being there. What I do know is that, now, I can't go back. Can never take my kids and make these places real to them. That is a loss that can't be replaced.

[Just as a note: none of my family members were hurt during the writing of this piece. They all were away or got out safely. They should all be okay, too. Without going into details, they are all taken care of.]

Monday, August 1, 2011

Nostalgia vs the Transformers (pt 2): Dark of the Moon

Transformers: Dark of the Moon is a spectacular movie. I mean that literally. It is full of spectacle. And it's more than worth the price of the 3D admission because of it. Say what you want about Michael Bay and his talent (or lack thereof), but he knows how to make a visually stunning movie. And, you know, I think there might not be anything wrong with that. Let me give you an example:

1998 saw the release of two movies in which Earth would face destruction: Deep Impact and Armageddon. Deep Impact focuses on relationships in the face of tragedy. Armageddon is directed by Bay. My preference, by far, is Deep Impact. It has more story (and scientific accuracy). Wait, let me rephrase that. The story of Impact is about the people, the relationships, and what they do when faced with a catastrophic event. The impending catastrophe could have been anything, really; it's just that it happens to be a comet. Armageddon is about the catastrophe itself, dealing with the thing that is the catastrophic event. It's full of spectacle. One is a drama, one is an action movie. I've known more than a few people who cited Armageddon as their favorite movie ever at one time or another, and the film grossed more than half a billion dollars, 200 million more than Impact. People, for good or ill, like spectacle.

These two movies took the same story (literally, since Disney copied the story of Impact and initiated Armageddon as a counter film), but Bay was able to realize the story's potential for dazzlement, drama (not in  the sense of being a drama but of capitalizing on the drama of the event), and sheer Wowness and make the higher grossing film. I'm not saying he made a better film, certainly not a better story, but he made the more appealing one. There is talent in that. Probably a lot of talent.

At any rate, Dark of the Moon, like Revenge of the Fallen, has taken a critical bashing. However, it has grossed more internationally than Transformers 2 (it already has the highest gross of the the three Transformers movies and isn't finished, yet) and may pass it domestically, also. All of that to say, despite what is probably a weak story, people like it. And the critics hate, and I do mean hate, Bay for it.

Here's the thing, my wife and I are extremely hard on sci-fi shows. We routinely scoff at them and make fun of them. Even shows we like. Like Stargate. We watched a whole season of Warehouse 13, groaning and making fun of it the whole time. I watch Eureka with my kids while rolling my eyes at the ridiculous plots and bad science. And don't even get me started on Star Trek (I have just two words: red matter). And yet... and yet... I give Transformers a pass on all of this. Why? Because I loved it as a kid. There it is: nostalgia at work. I don't care if it has bad science.

The story for Dark of the Moon, when looked at objectively, is... I don't even have words for it. The idea of transporting a planet across the galaxy through a man made, well, robot made wormhole... Let's just say it more than stretches the fabric of science. Or even science fiction. But you know what? That was the plot for one of the early story arcs in  the cartoon back before I bothered to question that sort of thing, so my reaction is more "wow! I remember that!" rather than "wow! That's so stupid!" And I can't help it. Oh, and the thing with the Autobots going up in  the rocket and faking their deaths... that's from the cartoon, too.

All of that to say that the critics can bash the movie all they want, it's not going to change anything. They should have spent more time watching Transformers when they were kids. Or something. Maybe they need lessons in the suspension of disbelief. I guess what I'm saying is this:
I'm not a bandwagon kind of guy. Not by any stretch of the imagination. I'm cynical (just ask my wife). I'm critical (my wife would say overly critical). I'm suspicious, especially of things that are popular. However, I'm also not going to bash something or forsake it merely for being popular. [I have a cousin who did that with U2 back when The Joshua Tree came out. Although he had loved them prior to that, because they were suddenly the popular band, he decided he couldn't like them anymore. Because other people did.] Mostly, I just make my own decisions about what I like, and I'm not going to allow what other people think about it influence me one way or the other.

So, yeah, I had a lot of fun with Transformers: Dark of the Moon.

However...

Say what you will about Megan Fox, Bay shouldn't have dumped her. Or, at least, if he really  had to dump her, he should have found a better replacement. It's not like Megan set the bar very high. Yeah, she's attractive, but attractive actresses in Hollywood are a dime a dozen. Shake a tree, and they'll fall out on your head. What I'm saying is if all he wanted was attractive or hot or whatever, he could have done a better job, because the new girl is not Megan Fox. And! And! Here's the real issue: the new girl makes Megan look like Meryl Streep in the acting department. That's saying something... I'm not sure what, exactly, it's saying, but it is. Not Megan Fox was easily the worst part of the movie.

Megatron looked cool in a tattered cloak. Yeah, a giant robot wearing a tattered cloak is kind of dumb, but it looked cool!

I liked Patrick Dempsey. I thought he did a great job in that role.

And, of course, Shia. I think he's a good actor; I just wish he didn't think so highly of himself. But this is about the movie, not about him as a person.

I love John Turturro and how he brings off the crazy, conspiracy theory persona.

Oh, and John Malkovich, whom I always want to like but often can't, was great.

I suppose, in the end, what I can say is this: If you like the Transformers, there's a good chance you'll like this movie. Especially, if they are something out of your childhood. If you like lots of action and don't really care about whether the story makes any sense, you should like this movie. However, if Transformers mean nothing to you and story is the most important element of your movie-going experience, you'll probably want to stay away.

And just to add as a disclaimer:
I'm not a Bay fan, no matter how this sounds. I didn't care for Armageddon. The Island sucked. I've never been a fan of Bad Boys even though I really like Will Smith (he just wasn't enough to make those movies work for me). However, I do think he has a certain amount of talent. Or a certain kind of talent. Certainly a talent for making big, blockbuster movies. And I could tell you stories, weird stories, about him from being at Skywalker Ranch, but I'm not going to go there, right now. I do like what he's done with the Transformers, though. I'm already looking forward to the next one.

Friday, July 29, 2011

Nostalgia vs the Transformers (pt 1)

I love the Transformers. I always have. Well, I have since they first came out in 1984. Just the concept of them. I started collecting the toys, right away. Maybe it was just good timing. Star Wars toys were on the way out since the original trilogy was over, and there were Transformers to take their place. Transformers were also responsible for me delving back into the world of comic books, but that's a story for another time. It's not that I loved the comic book series or that I loved the cartoon or even that I loved the toys, I loved  the idea of them. They were just so... cool.

During high school, I had a babysitting job every day after school. It was good money. And, although I was forced to sit through He-Man, I got to watch the Transformers cartoon with the younger of the brothers pretty much of every day. That was great until they made that horrible animated movie in '86 where they jumped forward in time and killed off virtually all of the existing characters. The cartoon series, after the movie, picked up where the movie left off. I hated that movie. It sort of killed everything about the Transformers. I think, really, it was the jump into the future that did it, although killing off all the characters everyone was familiar with couldn't have helped. Well before the end of high school, I had lost interest in the Transformers as a distinct franchise.

Jump forward a bunch of years and my middle child fell in love with Transformers, also. They were his absolute favoritest thing in the whole world for years. Until he discovered Legos. I mean really discovered Legos when they launched the Bionicles. At any rate, I fell in love with the Transformers all over again, albeit vicariously, through my younger boy. It was just so fun to watch him enjoying  them so much.

The boys and I were very excited when Transformers was launched as a movie franchise. In fact, this year, Transformers: Dark of the Moon was the only movie my younger son said he absolutely could not miss. He was willing to sacrifice getting to see anything else in order to see Transformers 3. Well, except, maybe, Cars 2, but he already knew we planned to see that as a family, so he didn't have to choose between the two. Not that he didn't get to see other things, but, if it had come down to it, since we can't take the family to see every movie we'd like to see, that was his pick on what he needed to see this summer.

Nostalgia is a funny thing. Even kids experience it. I remember this one episode of Leave It To Beaver in which a friend of his who had long ago moved away was returning for a visit. There was much anticipation. They planned to do all the things they had so loved doing when they had been younger. He finally arrived, and they went out and did all of those things. At the end of the day, though, they were left sitting on a curb or something in complete disappointment. None of those things had been fun anymore. But the thought of them... the remembrance of them had filled both boys with such wistfulness and enthusiasm.

I think it's nostalgia that's at the heart of the success of the Transformers movies. Especially considering how much they've been slammed by movie critics. The thing with the Transformers is that there isn't just one iteration. Every few years, the entire scope and story gets changed. Within that, though, excluding the aforementioned animated movie in '86, there are two characters that are always at the heart of the show: Optimus Prime and Megatron.  The conflict between these two characters is the driving force behind every Transformers story arc. Sure, there are a few other characters that have been around a while and are frequently included (Bumblebee, Starscream, Iron Hide), but it always revolves around Optimus and Megatron.

With Transformers, Bay evoked just the correct amount of nostalgia while still delivering a new story. It kept those of us that had had some phase of loving Transformers when we were younger realize that we'd grown out of them. Kept us from sitting down on the curb being disappointed. I think this is the reason so many of the other nostalgia type movies have failed; they tried, specifically, to reproduce the original. We all sat down and said, "Wow, that wasn't as good as I remember it being." But Bay didn't do that. He took the core and gave us something new, and all we could say was "Wow!" After Transformers came out back in 2007, my brother actually called me to tell me it was the best movie he'd ever seen. This surprised me because 1. my brother had never really been into the Transformers when we were kids and 2. he said it was the best movie he'd ever seen. I mean, I really enjoyed Transformers; it was probably in my top 5 for 2007 (maybe top 3), but hardly the best movie ever... anyway. The point is is that for my brother, and, I'm guessing, a lot of other people that just had a passing acquaintance with Transformers at some point in their childhood, the movie brought back everything that was important to them: giant robots that could change into vehicles fighting with each other and, specifically, the conflict between Megatron and Optimus Prime. It delivered that "Wow!" moment of it being just like what they remembered as a kid while, actually, being totally different. Making a movie that can do that is pretty genius. [I'm just waiting to see how my brother reacts to The Smurfs, because he loved the Smurfs. Don't tell him I said that.]

Despite the fact that people said they didn't like Transformers: Revenge of the Fallen as much and critics bashed it as the worst movie ever, it must have done its job as well. It outperformed the initial movie both domestically and internationally, so people went to see it no matter what was said about the movie. Maybe it was Devastator. Dark of the Moon, although it hasn't passed the domestic gross (yet) of Revenge of the Fallen, is already the highest grossing of the three films. As a prelude to part 2 of this piece, which will be my review of Dark of the Moon, I will say that I thoroughly enjoyed it, and the 3D was amazing.

On the topic of nostalgia, I think this is where there is a failing, if there is a failing, with the Star Wars prequels. People wanted their sense of nostalgia invoked when The Phantom Menace came out. However, Lucas wasn't going for that. The prequels weren't about delivering movies that would take us back to that same experience of watching Star Wars as when we were kids. And that was good with me. Star Wars never fell into the realm of the nostalgic for me, so I was ready for the new story when it came. Most people, I think, just wanted that feeling of seeing Star Wars they had when they were 10. What they ended up with was sitting on the curb with the Beaver saying, "That wasn't what I remembered." Of course, with the prequels, it wasn't supposed to be. I think if people could just come to grips with that, they would be able to get over their issues with the movie. Maybe even Jar Jar. Like I said, "Nostalgia is a funny thing."

As an added bonus, here are some shots of some of my favorite Transformers from when I was a kid:

Mirage
Sideswipe

Shockwave

Shockwave (my favorite cover from the comics series)