Two (pictures I like)

 

Swimming Saucer (pictures I like)

 

UFO (pictures I like)

 

Trailing (pictures I like)

Tendrils (pictures I like)

Distortion (pictures I like)

Dale Evers Design Studio (a local-ish color post)

My wife and I spent some time out of town at the end of July and beginning of August. Not pleasure trips, but we did do some casual strolling around town in the places we were. So there we were walking down the street in Paso Robles when we came across this:

And this:

While we were looking at the sculptures and I took pictures, a guy in the street fussing over a boat says, "You can go in if you want." And we realized it wasn't just street art... I mean, it was street art, and there is a lot of street art in Paso Robles, so we really didn't think anything about it, but it wasn't just street art in this case, because there was a whole gallery right there, which we hadn't noticed because we'd been distracted by the street art. So we went in, and here are some things we saw:

This one (below) was possibly my favorite piece:

But the sculptor, Dale Evers, named this one (below) as his favorite, though he did admit that it might be because it was his latest piece, and he tends to like best whatever he just finished. So...
The seafood taco!

Just a few more examples of his work:

So go by and check out the website! There's plenty on there not pictured here. And, you know, if you're in the market for some fine home sculptures...

My Blue Period (pictures I like)

Clone Wars -- "Gungan Attack" (Ep. 4.2)

-- Only through fire is a strong sword forged.

[Remember, you can sign up to join the Clone Wars Project at any time by clicking this link.]

Well... I still don't like Riff Tamson (the shark guy pictured above) as a villain. I don't remember having such distaste for him the first time I watched the series, but maybe I did and that's why I'm disliking him so much this time. Or, maybe, it's just that I'm not liking this arc much.

I suppose there was a call for this arc of episodes after the appearance of Kit Fisto fighting on Mon Calamari in the original series of Clone Wars shorts (2003). Admittedly, that was a pretty cool episode and seeing Fisto fighting underwater was a neat thing. But that was, what, five minutes or so, and sometimes that's all you need to have. There's not really much of Fisto in this arc, anyway. Not that he's not there, but the focus is mostly on Prince Lee-Char, and he hasn't grabbed me as a character. Which is, I suppose, the point, since this arc is about him learning to become a leader.

Yes, there are Gungans. It's not an issue and has nothing to do with my disenjoyment of these episodes. They're brought in as reinforcements after the Republic forces are defeated and forced to retreat into hiding at the end of "Water War" (the previous episode). It's nice to see them get their time as an underwater fighting force since we didn't get to see them fight in that manner in The Phantom Menace.

There's another episode in this arc, though, so you can probably imagine how it goes.

Oh, and the Separatists have another new droid thing inspired by an ocean creature, as if the jellyfish droid (which are still around) wasn't enough. This one is a big squid thing and is even worse than the jellyfish. It's a physics thing.

Speaking of which, and I understand this one intellectually, but I realized about halfway through the episode that everyone talks normally underwater in this arc. So, yeah, the humans have on underwater gear with helmets, so it makes sense that they would sound normal, but the Mon Cala, Quarren, Fisto, and Tamson all sound perfectly normal, as if they are in air, when they speak. I know they need the audience to understand, but what kid hasn't tried to talk under water at some point? Yes, that was another realization that niggled at me, like the Mon Cala women having breasts.


"Hope is something we cannot allow our enemy to possess."

The Unexpected Virtue of Ignorance (or Birdman) (a movie review post)

Remember the 80s and how Michael Keaton was "the man"? My first Keaton movie was Mr. Mom; now, thinking about it, I want to see it again. He was perfect in the role as this rather disheveled husband shoved into being the stay at home dad. He had this persistent look of panic that was appropriate.

But then came Tim Burton's Batman, and the look shifted from "panic" to "vacant," which really wasn't appropriate for Batman. He failed completely to pull off a believable Bruce Wayne, the reason he was chosen for the role. Then after Batman... well... nothing. For a long time. Nothing "real," at any rate.

All of that to say that on a certain level I love this movie for the sole reason of having Michael Keaton as Riggan. It brings with it a certain amount of awesome. But he was also excellent in the role. He brought with him just the right amount of desperation to make you wonder wether Riggan is completely sane or not, something necessary for the film to work. In fact, it's this question that elevates the movie from just being about a washed up actor trying to revitalize his career to being a great magical realism story. Keaton was terrific.

In fact, all of the cast were great. Some of them in the ways they normally are, like Emma Stone and Amy Ryan, but a couple of them really stood out.

Zach Galifianakis did not do his normal eccentric weirdo; instead, he was a rather fretful lawyer too heavily invested in Riggan's show. He did a good job. A really good job. If he wasn't so physically distinctive, I might not have known who he was.

But the real surprise of the show was Edward Norton. I should point out that I am not a fan of Norton. At best, I find him annoying. Rarely do I find that he lives up to his own vaunted opinion of himself. Okay, never do I find that he lives up to his opinion of himself. Except this time. His first scene is priceless and I have to think intended as a bit of self-mockery. Whatever it was, it was genius. His portrayal of Mike, a character who can only really be human when he's onstage (not a good human, mind you, but that's the only place he becomes real), is amazing. I would actually love to see Norton pull a best supporting actor nomination for this.

The camerawork is worth noting, too. It has a continuous flow to it leaving you to feel as if you are moving along with the actors, possibly stopping to glance at things that grab your attention along the way. It's not always a smooth flow, lending to the feeling of walking with the actors. The change of character perspective is often accomplished by two of the characters running into each other and the camera following the new character when the two separate.

If you want something with a clear story and no unanswered questions, though, this is not your movie. There are pervasive questions about what is real and what is imagined, and the movie doesn't really answer those. Or even try to. It's the kind of film that will leave you questioning and wanting to see it again just to see if you missed anything. Or to see the Keaton/Norton scenes again. Or to figure out the jellyfish. That's the one I want to know, so, yeah, I'm going to need to see it again.