One thing I've come to know is that you can't say you're from the South without automatically being linked to racism. It's a thing I hate, and it's, unfortunately, a thing that is almost completely legitimate. And it's not just racism, it's like all the "-ism"s. Or "-ist"s. And I don't want to switch this topic to sexual orientation, but I just want to point out that virtually all of the places that are acting like petulant children in regards to marriage equality are in the South.
Before I get to the issue of the Confederate flag, let's talk about why we're even talking about the Confederate flag: Dylann Roof.
Generally, I would not be one to talk about someone who has not been convicted of a crime as if he is guilty of the crime, but I think it's pretty safe to say that Roof is guilty of the nine murders at the church in Charleston, South Carolina. Actually, it's not even Roof I want to talk about. Roof stated quite plainly that he wanted to kill some black people, that he felt like it was up to him to do something about "it," whatever "it" was, and he went and did that. Even if they were so nice and welcoming to him that he almost changed his mind.
That Roof is a white supremacist and racist isn't in question.
What is in question is the racist tendencies of many people (Republican Presidential candidates) who responded to the attack by trying to call it something than what it actually was (a racially motivated mass shooting). So let's look at that:
Rick Perry, former governor of Texas and a Republican, called the shootings an "accident" and blamed the incident on drugs.
Mike Huckabee, former governor of Arkansas and a Republican, basically blamed the victims and said the incident could have been prevented if only they had been armed. Because, yes, the answer is always more guns.
Rick Santorum, another Republican presidential hopeful, called the attack an attack against freedom of religion and Christianity and not motivated by anything to do with race. He's not the only conservative to espouse this view and to call for more pastors to arm themselves for the coming war against religious freedom.
Rand Paul, another Republican hoping to become President, also blames religion, but he blames it on a lack of religion. If only we, as a nation, weren't so heathen and doing things like having children out of wedlock, then poor Roof wouldn't have done what he did. He fails to mention racial issues at all and conveniently overlooks that it's in religion and church that we retain the greatest segregation in America. In other words, churches are the greatest breeding places of racial hatred in the US.
Lindsey Graham, another Republican presidential hopeful (does this sound familiar yet?), seemed to echo Santorum's theory by saying that Roof was just out to kill Christians. It was just coincidence that he happened to kill black ones. [BULLSHIT]
I could go on but, really, what's the point? It's all more of the same and all Republicans trying to divert the issue.
Why?
That's actually a good question that boils down to only one real answer: They are okay with the status quo.
Now, there could be any number of reasons they're okay with the status quo. For instance, maybe they think racism is too big of an issue, too hard to deal with, and, so, they would rather pretend that everything is okay than to look at the issue. Looking at the issue means you have to do something about it. Or, maybe, they're okay with it for no better reason than that they are okay with it. As in, nothing needs to be better because there shouldn't be racial equality to begin with.
I don't know these guys personally, so I'm not going to try to guess. However, when someone is running a white supremacist website, professes a dislike for black people, and states his intent to kill some, then, when he does that, it's almost certainly (you know, like 99.99%) a racially motivated crime. Occam's Razor and all of that. To try and change the dialogue afterward is, at best, irresponsible.
All of which brings us to the issue of the Confederate flag.
Look, I am all for the 1st Amendment. Seriously. I will defend your right to be a racist asshole and spew racist assholery as quickly as I will defend my right to call you a racist asshole for saying racist assholery, that includes your right to have your own Confederate flag on your own property. However, I cannot be behind a state government being allowed to fly a symbol of racist assholery over a state capitol building. There is no "heritage" that excuses the government for making any kind of statement that supports racial hatred, and, I'm sorry, but the Confederate flag is a symbol of racial hatred. Just ask the neo-Nazi movement in Germany, who use the Confederate flag as their symbol because Nazi symbology is illegal.
Somewhere in my schooling, I picked up that the Confederate flag is a bad thing. Being schooled in the South, I'm not quite sure where I picked that up. It certainly wasn't a thing they tried to teach us. If it was, the Confederate flag wouldn't be so prevalent. And, yes, I did grow up watching The Dukes of Hazard, but that's as close as I got to any ties to that flag (and I'm sorry John Schneider -- I know it cuts into your income stream -- but I agree with the pulling of your show from TV).
One of my cousins (on my dad's side) and I, during high school, had frequent arguments about the Civil War. He hated Lincoln and the "war of Northern aggression." That's what he always called it and tried to make it about "states' rights," but the only "right" that was in question was the "right" to have slaves. Point being? We went to school in the same city and we both came through it with radically divergent views.
It's time to move past the Confederate flag. Or, to put it another way, it's time to lay the Confederate flag to rest. It's time for the government, including each individual state government, to get behind "all men are created equal." We can never expect the citizens to start believing in that while the leaders are still claiming racial hatred, through flying the Confederate flag, as a "heritage."
About writing. And reading. And being published. Or not published. On working on being published. Tangents into the pop culture world to come. Especially about movies. And comic books. And movies from comic books.
Showing posts with label Confederate. Show all posts
Showing posts with label Confederate. Show all posts
Wednesday, July 8, 2015
Growing Up In the Race Divide (part 8)
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Wednesday, October 24, 2012
Allegory of the Miniatures (part 4)
The time of the death of my boss, the owner of the used book store I worked at, was a time of change in my life. Not because of his death, but there were some ways in which it was related. To make a long story short, though, I ended up hooking up with a gaming group in Shreveport. I should reiterate, at this point, that I had never been a "gamer" as the term was understood at that time (which has nothing to do with how it's understood now, which all has to do with video games and MMOs). I'd played some Battletech, but that's about it, and I'd done that mostly with people who also were not gamers.
I had, however, been on the fringe of the... let's call it the gaming community... for years. It's hard not to have some acquaintance with gamers when you work in a store that sells comic books. For one thing, I ended up being the one that would order all of their gaming equipment. And, as you have heard, I'd been painting miniatures for gaming purposes for more than half a dozen years by that point. So I ended up involved in this group of gamers in Shreveport, one of which happened to be my cousin, whom I'd also gone to high school with and played Battletech with and spent one (disastrous) semester at college with, and several others of whom I'd also gone to high school with, although I hadn't known some of them at the time. One of them had known me because of my painting, but, evidently, he'd never stuck in my head, probably because he was a junior or senior while I was a freshman.
This all started out with some RPGs. Actually, it started out with the Warhammer RPG, and ended up with RPG once a week at this guy's house, which ended up in Warhammer Fantasy Battle. He had this huge army of goblins and orcs, and, as it turned out, tabletop gaming was what he and a couple of the other guys were really into. As it also turned out, all of these guys are guys that I had been in high school with. Have I mentioned before that I went to a smart kid, geek high school? Well, if you happened to gloss over that fact, this ought to be all the proof that you need. Evidently, the whole strategy tabletop game thing lends itself very well to a higher IQ level, so we had had a pretty high concentration of tabletop gamers at my high school.
All of this, again, caused a change in my painting career.
As I've stated, I had been painting exclusively with oils up to this point. The question of me painting came up, because some of the guys knew I'd painted miniatures for people back in high school, so I showed them the few things I had, which included the green dragon.
(Remember, this is not how he looked at the time. Back then, he had metallic green plates, for one thing.) One of the guys very soon began asking me to paint some figures for him, but he wanted them done in acrylics.
I didn't own any water based paints. At all. I was working on my mechs,
and I was using oils on those. I told him I'd paint for him but that it would need to be in oils as I wasn't reinvesting in acrylics.
He continued to bug me about it. And bug me about it. Until I said something along the lines of "if you want to buy me some acrylic paints, I'll be glad to paint whatever it is you want me to paint in acrylics." I was, of course, joking, because it never even entered my mind that someone would want me to paint for them so badly that they would go out and buy me paints to do it with. About a week later, he showed up with this big paint kit that came with something like 20 or 25 different colors of paint and a selection of brushes and asked me how many minis I'd paint for him if he gave it all to me.
This lead to me painting for nearly everyone in the group at some point or another. Any time anyone had a miniature or unit of miniatures they wanted to look especially good, they brought them to me. I spent several years painting figures for people and not painting my own.
The strangest thing in all of this, though, is that one day I went into this comic shop, a little hole-in-the-wall shop, that I had never been in before. I often stopped in small shops like that, because you could often find good deals on "hot" issues of comics, so I'd stopped in to look around. My cousin may have been with me. I think someone was, at any rate, because, somehow, my name got mentioned, and this guy, the owner of this shop, a guy I had never seen before, knew who I was. "You're that guy that paints, right?" I think I had that deer looking at headlights look, but, evidently, my fame, or whatever it was, had proceeded me.
This guy literally pulled out a couple hundred Essex 15mm Confederate troop miniatures and said, "What would you charge me to paint these?" I think I made a bad deal in regards to those particular miniatures, because I'd never done 15mm figures before, and I just didn't know the kind of monotony I was getting myself into by agreeing. I used so much grey paint over the years painting figures for him it wasn't even funny. Except, I think it was funny to my cousin, because he used to laugh at my Confederate soldier painting assembly line. At any rate, the rates for me painting for him went up every time I took on a new order, and I was so sick of those guys by the end, but I couldn't bring myself to just tell him "no," because he couldn't do it himself (he showed me some of the figures he'd tried to do), and no one else could either. No one he knew, anyway. I wish I had a picture of that army that I painted for him, but this was more than 15 years ago, and it never occurred to me that I would have a reason to have pictures of them one day.
The point, here, for this section of this story is that it's not a good idea, necessarily to marry yourself to just one medium. Or on genre. Or whatever. It's good to try new things. Of course, the big issue for me at the time is that I couldn't see the benefit in reinvesting. I figured I'd been doing fine with oils for, well, years, and the truth was that I had been doing fine with them. BUT! But I surpassed everything I'd been doing in oils by the switch to acrylics. There was just so much more I could do. Washes, inks, dry brushing, detailing. I couldn't do any of that stuff with oils, and I knew that, but I'd lost sight of the value in it from not having worked with acrylics in about 10 years, since I'd stopped doing the ceramic stuff.
In the same way, I don't want to get trapped in any one particular literary genre. I like fantasy. I really do. I probably prefer fantasy, in fact, in my reading, but I like a lot of other stuff, too, and I'm finding I'm having more and more story ideas that aren't related to fantasy at all. I want to try new things.
I think a lot of people trap themselves in their own heads with these identity ideas, "I'm a romance writer" or "I'm a fantasy writer" or "I'm a sci-fi writer." It's like locking yourself in a box. Get out of the box. Try new things. Write new things. Play with new things. There's no telling what you may find that you're good at!
Next time, we'll finish this story up.
I had, however, been on the fringe of the... let's call it the gaming community... for years. It's hard not to have some acquaintance with gamers when you work in a store that sells comic books. For one thing, I ended up being the one that would order all of their gaming equipment. And, as you have heard, I'd been painting miniatures for gaming purposes for more than half a dozen years by that point. So I ended up involved in this group of gamers in Shreveport, one of which happened to be my cousin, whom I'd also gone to high school with and played Battletech with and spent one (disastrous) semester at college with, and several others of whom I'd also gone to high school with, although I hadn't known some of them at the time. One of them had known me because of my painting, but, evidently, he'd never stuck in my head, probably because he was a junior or senior while I was a freshman.
This all started out with some RPGs. Actually, it started out with the Warhammer RPG, and ended up with RPG once a week at this guy's house, which ended up in Warhammer Fantasy Battle. He had this huge army of goblins and orcs, and, as it turned out, tabletop gaming was what he and a couple of the other guys were really into. As it also turned out, all of these guys are guys that I had been in high school with. Have I mentioned before that I went to a smart kid, geek high school? Well, if you happened to gloss over that fact, this ought to be all the proof that you need. Evidently, the whole strategy tabletop game thing lends itself very well to a higher IQ level, so we had had a pretty high concentration of tabletop gamers at my high school.
All of this, again, caused a change in my painting career.
As I've stated, I had been painting exclusively with oils up to this point. The question of me painting came up, because some of the guys knew I'd painted miniatures for people back in high school, so I showed them the few things I had, which included the green dragon.
(Remember, this is not how he looked at the time. Back then, he had metallic green plates, for one thing.) One of the guys very soon began asking me to paint some figures for him, but he wanted them done in acrylics.
I didn't own any water based paints. At all. I was working on my mechs,
and I was using oils on those. I told him I'd paint for him but that it would need to be in oils as I wasn't reinvesting in acrylics.
He continued to bug me about it. And bug me about it. Until I said something along the lines of "if you want to buy me some acrylic paints, I'll be glad to paint whatever it is you want me to paint in acrylics." I was, of course, joking, because it never even entered my mind that someone would want me to paint for them so badly that they would go out and buy me paints to do it with. About a week later, he showed up with this big paint kit that came with something like 20 or 25 different colors of paint and a selection of brushes and asked me how many minis I'd paint for him if he gave it all to me.
This lead to me painting for nearly everyone in the group at some point or another. Any time anyone had a miniature or unit of miniatures they wanted to look especially good, they brought them to me. I spent several years painting figures for people and not painting my own.
The strangest thing in all of this, though, is that one day I went into this comic shop, a little hole-in-the-wall shop, that I had never been in before. I often stopped in small shops like that, because you could often find good deals on "hot" issues of comics, so I'd stopped in to look around. My cousin may have been with me. I think someone was, at any rate, because, somehow, my name got mentioned, and this guy, the owner of this shop, a guy I had never seen before, knew who I was. "You're that guy that paints, right?" I think I had that deer looking at headlights look, but, evidently, my fame, or whatever it was, had proceeded me.
This guy literally pulled out a couple hundred Essex 15mm Confederate troop miniatures and said, "What would you charge me to paint these?" I think I made a bad deal in regards to those particular miniatures, because I'd never done 15mm figures before, and I just didn't know the kind of monotony I was getting myself into by agreeing. I used so much grey paint over the years painting figures for him it wasn't even funny. Except, I think it was funny to my cousin, because he used to laugh at my Confederate soldier painting assembly line. At any rate, the rates for me painting for him went up every time I took on a new order, and I was so sick of those guys by the end, but I couldn't bring myself to just tell him "no," because he couldn't do it himself (he showed me some of the figures he'd tried to do), and no one else could either. No one he knew, anyway. I wish I had a picture of that army that I painted for him, but this was more than 15 years ago, and it never occurred to me that I would have a reason to have pictures of them one day.
The point, here, for this section of this story is that it's not a good idea, necessarily to marry yourself to just one medium. Or on genre. Or whatever. It's good to try new things. Of course, the big issue for me at the time is that I couldn't see the benefit in reinvesting. I figured I'd been doing fine with oils for, well, years, and the truth was that I had been doing fine with them. BUT! But I surpassed everything I'd been doing in oils by the switch to acrylics. There was just so much more I could do. Washes, inks, dry brushing, detailing. I couldn't do any of that stuff with oils, and I knew that, but I'd lost sight of the value in it from not having worked with acrylics in about 10 years, since I'd stopped doing the ceramic stuff.
In the same way, I don't want to get trapped in any one particular literary genre. I like fantasy. I really do. I probably prefer fantasy, in fact, in my reading, but I like a lot of other stuff, too, and I'm finding I'm having more and more story ideas that aren't related to fantasy at all. I want to try new things.
I think a lot of people trap themselves in their own heads with these identity ideas, "I'm a romance writer" or "I'm a fantasy writer" or "I'm a sci-fi writer." It's like locking yourself in a box. Get out of the box. Try new things. Write new things. Play with new things. There's no telling what you may find that you're good at!
Next time, we'll finish this story up.
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