I'm going to say right up front: This is probably not a book you should read.
Wait, let me revise that: This is not a book you should read if you haven't read any other books by Barbara Ehrenreich.
Also: This is not a "book." It's a collection of essays.
Funny story: I didn't know that when I started reading it. Having read many other Ehrenreich books, I was more than a little thrown by how disjointed this seemed... until I realized that it was a collection of essays, then it made sense.
The other drawback is that the book is 10 years old, and there are moments when that is readily apparent. Beyond the fact that she's talking about the Bush presidency, that is. There are some things that have dropped out of the national consciousness since the book was published, which can leave you wondering why that was even something being talked about at the time. Like the attack on Cabbage Patch dolls back in the 80s by Right-wing nutjobs. Not that that is in the book, but it's one of those things that, when you look back at it, it leaves you scratching your head "why?!?!"
That said, this book still has a point to make, and it's a point that needs to be made again and again until people realize they need to do something about it rather than wait for someone else to fix it for them. Especially since the someone they are hoping will fix the problem are the very ones who are the problem: the 1%.
Unfortunately, the book will also highlight for you many of the ways we are regressing back to all of the places we were 10 years ago. Like, say, health care. Which got better for a brief period with Obamacare but, which, now, is being killed slowly by Trump (#fakepresident) and his goons. Or, say, banks...
Look, "we" put Dodd-Frank in place to prevent banks from doing things like they did that caused the economic collapse a decade ago. You do remember that, right? It was so bad that people were just walking away from their homes. You haven't forgotten, have you? The answer, or part of it, was Dodd-Frank. Of course, the 1% want to be able to bleed everyone else for as much as they can get, and they don't much like regulations which protect the consumer so, again, Trump (#fakepresident) and his Republican death machine have undone much of what was put in place to protect everyone else.
Actually, when you look at what happened there with the banks, it's like they were merely put in a time out. They had a club they were beating on people with and had it taken away from them and told to go sit in the corner. All the Republicans went to go play in the corner with the banks until they could maneuver the club around to someone who would give it back to the banks. It's all really rather sickening and the sheep who make up the people who vote for Republicans and who can't see beyond the dog-whistle words of "abortion" and "guns" will contentedly continue to gnaw off their own legs rather then open their eyes and look at what's being done to them by people like Paul Ryan, Mitch McConnel, and the ever-blazing Trumpster fire who thinks he's a president.
Yeah, okay, none of that last paragraph was in the book, because it was written more than a decade ago, but there are sections of the book that really resonate with what's happening right now, especially since Dodd-Frank is being dismantled right now, so you can see the return to the things she's talking about in the book.
Anyway... If you've read other Ehrenreich books and enjoyed them, you'll probably find this a good read. Besides, it's quick, especially if you read it as bites of essays here and there. If you haven't read Ehrenreich, go get a copy of Nickel and Dimed or Bright-sided and start with that.
About writing. And reading. And being published. Or not published. On working on being published. Tangents into the pop culture world to come. Especially about movies. And comic books. And movies from comic books.
Showing posts with label Bright-sided. Show all posts
Showing posts with label Bright-sided. Show all posts
Thursday, March 22, 2018
Wednesday, January 18, 2017
La La Land (a movie review post)
Let's have an honest moment: I really don't like Damien Chazelle. It's not a personal thing (Probably. Since I haven't met him, that's hard to say, but I did hear him on the radio, and he sounds like an okay guy other than the fact that he can't write and, so, should stop doing that.), but his movies need to go away now. (See my review of Whiplash.) No, I don't care that other people seem to like them. Actually, that's part of the problem. Chazelle's movies are like the Hershey's bars of chocolate: They're fine if that's all the chocolate you have access to but, once you've had good chocolate, you'll realize that Hershey's is kind of waxy and you won't want it again as anything other than a last resort.
Except I never want to see Whiplash again, even as a last resort.
Don't get me wrong, La La Land is a fun movie. Mostly. Fun in a cotton candy kind of way: It's all fluff and no substance. I like Emma Stone and Ryan Gosling just fine, and they do a fine job, but they never really gel. The movies feels like you're watching two people acting as if they are acting they are in love and having a relationship, which adds to the cotton candy-ness of the whole experience. None of it feels real. The whole movies feels as if it's about to dissolve under scrutiny.
I think the thing that most bothers me about the movie is the "message." Sure, it's an actual message, but it's a message that's endemic to our culture of positivity and to Hollywood in particular, so
1. It hardly seems like making a movie about this message anymore is worthwhile (especially since neither of the main characters have to go through any actual hardship (at least not within the action of the movie)).
2. It's a false message.
Oh, the message?
If you just follow your dream, if you're true to it to the exclusion of all else, your dream will come true. Even if it means giving up the "love of your life."
Maybe it's just me, but I'm really sick of that message, because it's not a true message. The problem, though, is that if someone doesn't succeed at achieving their dream, people take the stance, "Well, you just didn't try hard enough. You must have let yourself be distracted by other things." It's like the whole positive attitude with cancer patients, breast cancer especially. There's this pervasive belief that if someone just stays positive that she will beat the cancer. If she dies? She wasn't positive enough. The tragedy? Studies are showing that people who rely on positivity have a lower survival rate. (You can see my review of Bright-sided for more on this. Then go read that book.)
So, yes, the hype this movie is receiving makes me a bit mad. Probably more than a bit. It's so undeserving, especially in relation to all of the other movies, right now. Look, it's not that I have anything against people following their dreams. I'm all for it. I encourage it. However, this idea that if you are just steadfast in following your dream then it will definitely come true is a lie. Many people, people who are doggedly determined in following their dream, never see those things come true, because that's not all that it's about. To lead people to believe that it is is not just wrong, it's cruel. It leads people to believe that, somehow, if their dream doesn't come true then the fault is somehow inside of them, that they did something wrong, when, actually, they may have done everything right.
On top of all of that is this idea that Sebastian is some kind of white savior for jazz. Only he really appreciates it's true form, and only he can save it from extinction. If he can only manage to get his jazz club open. You know, if you "build" it, they will come and all that... wait for it... jazz. I find the whole thing kind of insulting. I mean, not only does he appreciate it more, but he plays it better. So, you know, you have all of these great black musicians in the movie, jazz musicians, but it's the lone white guy who is going to save them.
Give me a fucking break.
So, yes, I don't think La La Land deserved any of the Golden Globes it won, but Chazelle, especially, didn't deserve the awards for screenplay and directing.
Except I never want to see Whiplash again, even as a last resort.
Don't get me wrong, La La Land is a fun movie. Mostly. Fun in a cotton candy kind of way: It's all fluff and no substance. I like Emma Stone and Ryan Gosling just fine, and they do a fine job, but they never really gel. The movies feels like you're watching two people acting as if they are acting they are in love and having a relationship, which adds to the cotton candy-ness of the whole experience. None of it feels real. The whole movies feels as if it's about to dissolve under scrutiny.
I think the thing that most bothers me about the movie is the "message." Sure, it's an actual message, but it's a message that's endemic to our culture of positivity and to Hollywood in particular, so
1. It hardly seems like making a movie about this message anymore is worthwhile (especially since neither of the main characters have to go through any actual hardship (at least not within the action of the movie)).
2. It's a false message.
Oh, the message?
If you just follow your dream, if you're true to it to the exclusion of all else, your dream will come true. Even if it means giving up the "love of your life."
Maybe it's just me, but I'm really sick of that message, because it's not a true message. The problem, though, is that if someone doesn't succeed at achieving their dream, people take the stance, "Well, you just didn't try hard enough. You must have let yourself be distracted by other things." It's like the whole positive attitude with cancer patients, breast cancer especially. There's this pervasive belief that if someone just stays positive that she will beat the cancer. If she dies? She wasn't positive enough. The tragedy? Studies are showing that people who rely on positivity have a lower survival rate. (You can see my review of Bright-sided for more on this. Then go read that book.)
So, yes, the hype this movie is receiving makes me a bit mad. Probably more than a bit. It's so undeserving, especially in relation to all of the other movies, right now. Look, it's not that I have anything against people following their dreams. I'm all for it. I encourage it. However, this idea that if you are just steadfast in following your dream then it will definitely come true is a lie. Many people, people who are doggedly determined in following their dream, never see those things come true, because that's not all that it's about. To lead people to believe that it is is not just wrong, it's cruel. It leads people to believe that, somehow, if their dream doesn't come true then the fault is somehow inside of them, that they did something wrong, when, actually, they may have done everything right.
On top of all of that is this idea that Sebastian is some kind of white savior for jazz. Only he really appreciates it's true form, and only he can save it from extinction. If he can only manage to get his jazz club open. You know, if you "build" it, they will come and all that... wait for it... jazz. I find the whole thing kind of insulting. I mean, not only does he appreciate it more, but he plays it better. So, you know, you have all of these great black musicians in the movie, jazz musicians, but it's the lone white guy who is going to save them.
Give me a fucking break.
So, yes, I don't think La La Land deserved any of the Golden Globes it won, but Chazelle, especially, didn't deserve the awards for screenplay and directing.
Friday, March 13, 2015
Living with a Wild God: A Nonbeliever's Search for the Truth About Everything (a book review post)
So a bit of preamble about this one:
1. This is not a religious book, not in the traditional sense. The "God" Ehrenreich is talking about is not the Christian god nor any kind of monotheistic god. It is not god in any sense that we generally think about "God."
2. I've previously read a couple other of Ehrenreich's books (Nickel and Dimed and Bright-sided) and really enjoyed them. She approaches her topics with dogged determination and doesn't let go till she gets to the truth of the matter. I've never, however, taken the time to learn anything about her other than that she was a journalist who eased into books. As it turns out, her background is in science and she, in fact, has a PhD in... well, I forget in what, because she shifted what she was studying numerous times, and I forget what the doctorate finally ended up being in (and I don't feel like trying to find it, now). Something to do with immunology, though, I think. The science background explains why her investigative work has always been so thorough, though.
Speaking of science, this book contains a lot of hard science, descriptions and explanations, things I found fascinating (especially her experience with the silicon oscillations), but I can understand this being a barrier to many (maybe most?) readers. In fact, I scanned through some of the negative reviews of the book and many of them had to do with "too much science" or "I couldn't understand all the science." This book is definitely not written to be easily accessible to a large audience as her other books are. This book is personal, so all of the science, which is intensely personal to her, is left in. I'm not sure the book can even get to where it's trying to go without the science.
The other thing that can be an issue with the book is that it takes Ehrenreich a long time to get where she's going. She mentions in the foreword that there was an "event," a mystical experience, that happened to her when she was a teenager and that figuring out exactly what that was was part of the impetus for Living with a Wild God, so you start reading and expect to find out about this event and her quest, but... what you get is her childhood. And it was a horrible childhood, not that it seems she saw it that way at the time. When you grow up in that, though, you think it's normal.
It takes a long time to get to the event and, the whole time I was reading, I kept wondering what the point was of all the stuff she was telling me. Why did I want or need to know about her childhood and, well, everything else? But I trusted her, based on my prior reading experience with her (and the story she was telling really was interesting even though it seemed as if it had nothing to do with what the book was supposed to be about), to be going somewhere, so I kept reading. Then, eventually, we do get to the event, and it all made sense. I mean, without all of the background (and I do mean all of the background), I don't think you can really understand the significance of what happened and what happened after.
So I'm going to go back and say that this is not a religious book. This is not a book about how some atheist went out searching for the Truth and had a conversion experience (as in The Case for Christ). This is a book about an atheist who went out searching for the Truth and found... something. Something unexplainable. Something that isn't the "good and loving" god that Christians so often hold up as a happiness dispenser. What she found was something... primal. Chaotic. Only "good" in the sense that a storm can be good or a forest fire can be good.
This is not a book for people who already think they know it all and who think they have all the answers, especially about who and what god is. This is a book for those, like in Wizard of Oz, who are willing to look behind the curtain. Don't plan on an easy read.
1. This is not a religious book, not in the traditional sense. The "God" Ehrenreich is talking about is not the Christian god nor any kind of monotheistic god. It is not god in any sense that we generally think about "God."
2. I've previously read a couple other of Ehrenreich's books (Nickel and Dimed and Bright-sided) and really enjoyed them. She approaches her topics with dogged determination and doesn't let go till she gets to the truth of the matter. I've never, however, taken the time to learn anything about her other than that she was a journalist who eased into books. As it turns out, her background is in science and she, in fact, has a PhD in... well, I forget in what, because she shifted what she was studying numerous times, and I forget what the doctorate finally ended up being in (and I don't feel like trying to find it, now). Something to do with immunology, though, I think. The science background explains why her investigative work has always been so thorough, though.
Speaking of science, this book contains a lot of hard science, descriptions and explanations, things I found fascinating (especially her experience with the silicon oscillations), but I can understand this being a barrier to many (maybe most?) readers. In fact, I scanned through some of the negative reviews of the book and many of them had to do with "too much science" or "I couldn't understand all the science." This book is definitely not written to be easily accessible to a large audience as her other books are. This book is personal, so all of the science, which is intensely personal to her, is left in. I'm not sure the book can even get to where it's trying to go without the science.
The other thing that can be an issue with the book is that it takes Ehrenreich a long time to get where she's going. She mentions in the foreword that there was an "event," a mystical experience, that happened to her when she was a teenager and that figuring out exactly what that was was part of the impetus for Living with a Wild God, so you start reading and expect to find out about this event and her quest, but... what you get is her childhood. And it was a horrible childhood, not that it seems she saw it that way at the time. When you grow up in that, though, you think it's normal.
It takes a long time to get to the event and, the whole time I was reading, I kept wondering what the point was of all the stuff she was telling me. Why did I want or need to know about her childhood and, well, everything else? But I trusted her, based on my prior reading experience with her (and the story she was telling really was interesting even though it seemed as if it had nothing to do with what the book was supposed to be about), to be going somewhere, so I kept reading. Then, eventually, we do get to the event, and it all made sense. I mean, without all of the background (and I do mean all of the background), I don't think you can really understand the significance of what happened and what happened after.
So I'm going to go back and say that this is not a religious book. This is not a book about how some atheist went out searching for the Truth and had a conversion experience (as in The Case for Christ). This is a book about an atheist who went out searching for the Truth and found... something. Something unexplainable. Something that isn't the "good and loving" god that Christians so often hold up as a happiness dispenser. What she found was something... primal. Chaotic. Only "good" in the sense that a storm can be good or a forest fire can be good.
This is not a book for people who already think they know it all and who think they have all the answers, especially about who and what god is. This is a book for those, like in Wizard of Oz, who are willing to look behind the curtain. Don't plan on an easy read.
Wednesday, October 3, 2012
Too Many Positives Equal a Negative
I was listening to the radio the other day in the car, because that's almost the only time I can just listen to music. However, as the kids and I headed home from grocery shopping, we hit that time on Sunday night where they have their little talk show. >eye roll here< (I'm not going into why I'm rolling my eyes, but let's just say that it's when they gather together a bunch of men that are basically out of touch with the real world and discuss issues that are meant to help us out. It's a mostly worthless program.) ANYWAY... The topic was stress and how to get rid of bad stress and only have good stress, whatever that is, because they sort of skipped over that other than to say there's good stress and there's bad stress. Whatever. To the body, stress is stress.
They're babbling along, and I was only half listening, because I didn't want to be listening at all, because I wanted there to be music, but I caught one of the guys saying that one of the best ways to deal with stress is to avoid negative people. Yes, yes, surround yourself with happy, bubbly people, and all of your stress will just melt away. And that's when I reached up and turned the radio off.
My son, as he is wont to do, immediately asked me why I did that, and I found myself needing to explain to him that that view, the view of cutting negative people out of your life, comes from an illegitimate arm of popular psychology called positive psychology which, by and large, is worthless and completely made up. This is not me saying this, although I agree with it, positive psychology has no basis in research. It is a series of hypotheses that adherents have made without any proof. I think it was the guy that founded the movement that said something like, "We are hoping that one day the research will prove our claims." Great.
Going with the theme of pointing back to old posts on Shadow Spinner release days, you should all go back and read this post talking about the excellent book Bright-sided by Barbara Ehrenreich. After you read my post, you should probably pick up that book. I think it will be quite an eye opener. On the other hand, if you're totally bought into all of this positive thinking crap, you should just ignore everything I just said.
But don't ignore this!
Today is the FREE! release of "Part Six: The Man with No Eyes." It will be FREE! all day Thursday, October 4 and Friday, October 5. Make sure you go pick it up as it is the first appearance of Michael in the pages of Shadow Spinner. If you want to know more about him, you'll have to check out "The Evil That Men Do." It's only $0.99. Oh, as a special bonus, you can also get for FREE! "Part Five: The Police Car" today only. I'm pretty sure I said FREE!, so don't miss out!
And remember, because, well, honestly, I'm begging, especially if you've picked up previous installments and liked them, please click the "like" button when you download. You could always go back and click "like" on all of the other ones, too. It's not hard. Just a slight twitch of the finger on your mouse. A little more time consuming would be a short review and a rating. It doesn't even have to be a long review. I think Amazon requires something like 20 words, so, you know, you could write something like "This was the most awesomest story ever written, and everyone should read it!" and you'd be more than half way there. And there are even some words left over so you could personalize the review in some way. Seriously, every review helps.
Have a wonderful weekend!
They're babbling along, and I was only half listening, because I didn't want to be listening at all, because I wanted there to be music, but I caught one of the guys saying that one of the best ways to deal with stress is to avoid negative people. Yes, yes, surround yourself with happy, bubbly people, and all of your stress will just melt away. And that's when I reached up and turned the radio off.
My son, as he is wont to do, immediately asked me why I did that, and I found myself needing to explain to him that that view, the view of cutting negative people out of your life, comes from an illegitimate arm of popular psychology called positive psychology which, by and large, is worthless and completely made up. This is not me saying this, although I agree with it, positive psychology has no basis in research. It is a series of hypotheses that adherents have made without any proof. I think it was the guy that founded the movement that said something like, "We are hoping that one day the research will prove our claims." Great.
Going with the theme of pointing back to old posts on Shadow Spinner release days, you should all go back and read this post talking about the excellent book Bright-sided by Barbara Ehrenreich. After you read my post, you should probably pick up that book. I think it will be quite an eye opener. On the other hand, if you're totally bought into all of this positive thinking crap, you should just ignore everything I just said.
But don't ignore this!
Today is the FREE! release of "Part Six: The Man with No Eyes." It will be FREE! all day Thursday, October 4 and Friday, October 5. Make sure you go pick it up as it is the first appearance of Michael in the pages of Shadow Spinner. If you want to know more about him, you'll have to check out "The Evil That Men Do." It's only $0.99. Oh, as a special bonus, you can also get for FREE! "Part Five: The Police Car" today only. I'm pretty sure I said FREE!, so don't miss out!
And remember, because, well, honestly, I'm begging, especially if you've picked up previous installments and liked them, please click the "like" button when you download. You could always go back and click "like" on all of the other ones, too. It's not hard. Just a slight twitch of the finger on your mouse. A little more time consuming would be a short review and a rating. It doesn't even have to be a long review. I think Amazon requires something like 20 words, so, you know, you could write something like "This was the most awesomest story ever written, and everyone should read it!" and you'd be more than half way there. And there are even some words left over so you could personalize the review in some way. Seriously, every review helps.
Have a wonderful weekend!
Thursday, June 14, 2012
Alone in the Silence
Have you ever looked forward to reading a book? I mean, really looked forward to a particular book. For whatever reason, you've decided this book is going to be good. Maybe it's the author. Maybe you've been told repeatedly that it's the best book ever. Maybe it's about your favorite thing (like a book all about chocolate or Star Wars or coffee or whatever). Whatever it is, though, you finally read the book, and wow such disappointment.
For a variety of reasons, I was really looking forward to Quiet: The Power of Introverts in a World That Can't Stop Talking. It sounded interesting. It had really good reviews. But, mostly, being an introvert and constantly being annoyed by people listening to stupid things from people that are loud and more assertive, I wanted to know what this book had to say. And people were saying it had a lot to say. I think what I expected was something along the lines of (and, yes, I know I mention this book a lot, but, really, most of you ought to read it) Bright-sided. Something that was like a science experiment. I have a question, and, now, I'm going to do the research and find the answer. And Quiet was sooo close.
As I read through "Part One: The Extrovert Ideal," I thought I had a winner. I thought I had a book that I was going to be able to say to all of you out there that are introverts and writers (because most actual writers are introverts (and I say it that way to exclude people (celebrities) who "write" books but don't really do the actual writing)), "You need to read this book!" But, as it turns out, I was wrong.
So what happened? Well, Susan Cain (the author) did. As it turns out, she wasn't really interested in introversion, she was actually interested in why she was afraid of public speaking. As many people do, she tied the fear of public speaking to her introversion. It's a great stereotype, right? Introverts are scared to speak in public? Except that it's wrong. Numerous studies have shown that the fear of public speaking has nothing to do with introversion. Extroverts have the same fear of public speaking that introverts have. Meaning, if you're scared of getting up in front of people and giving a speech, you are just as likely to be an extrovert as an introvert (possibly more likely, because we think extroverts make up a larger portion of society). The initial section, the research about extroverts and the rise of our extroverted society is quite good and interesting (but it's not worth buying the whole book for it). It's where the actual, objective research happened.
After that, though... well, it begins an exploration of why she's still scared of public speaking even though she's been doing it for years.
She starts with biology and how much of introversion may be nature and how much nurture. Some of that is also interesting, especially the newer child-focused studie that are trying to differentiate the nature/nurture debate. However, as she went on, she relied more and more on "maybe"s and "might"s rather than actual data. Because there was no solid data to back up any of the claims she wanted to make, so she relied on speculation to make her points. Sometimes, it was her own speculation. And I don't have a problem with speculating, but I do have an issue with speculation being presented as evidence.
The other thing she did was to rely heavily on anecdotal evidence, "I heard a story once...," to prove her points. That's just as bad as speculation. I mean, it's the same as me saying "one time, this friend of mine found a dead cow in the woods with all of its organs removed" to prove that aliens exist. Or that aliens target cows because they like cheese (yes, Briane, that was for you). At one point, she even uses a story Mark Twain told. Really? Because he was know for his non-fiction?
The worst part, though, is that she over-generalized her own brand of introversion as being what all introverts are like, and that's just not true. The introvert/extrovert thing is not something that's cut and dried like that. It's known as the introvert/extrovert spectrum, and it's called that for a reason. But she very happily lumped all introverts into her specific type of introversion, and my own introversion is nothing like hers. For one thing, I don't have a problem with public speaking. At all. I spent years and years getting up in front of people and talking, and the only time I ever had an issue with it was 5th grade, the first time I had to give an oral book report. She also equates introversion with shyness, which is also not true. Shyness, like fear of public speaking, is not something that only introverts lay claim to. Again, shyness is something that falls across the introvert/extrovert spectrum. [At one point, she does, kind of, say this, but, then, she goes on talking about it and discussing it as if it was a purely introvert issue.] But she was a shy child; therefore, all introverts must be shy.
If the book had continued to focus on society (as in the first section) and how introverts can make a place for themselves in a society that holds up extroversion as the ideal (by the way, the US is one of the most extroverted societies on the planet), as the full title suggests, it would have been a good read. However, it goes offtrack and explores how introverts can get over their fear of public speaking (because, you know, that's the assumption, that all introverts are scared of this). In short, it becomes a self help book, and I really wasn't looking for a self help book (nor was it marketed as one). I mean, really, she spends probably 1/3 of the book dealing with strategies and studies and plans about how to get over the fear of public speaking. It was like a big bait-and-switch.
Oh, and also how introverts can act more extroverted. There are strategies for that, too. My issue with this is that she spends the entire first section of the book talking about how we shouldn't have to act like extroverts to get along in our society, and I fully support this. [Introverts should not have to pretend to be extroverts to get along. That's just wrong.] But, then, a huge portion of the book is about how to set aside blocks of time to be extroverted and for no other real reason than that people expect it. Like I said, I wasn't looking for a self help book, especially one I don't consider a "help."
At the very end (for, maybe, 5 pages), she did talk about the issue of children that are introverts in classrooms designed for extroverts, and that was interesting, but it's the kind of thing that really could have benefited from a closer look. It has to do with how, as a society, we mess up our kids by trying to get them to be one way (an extrovert) when they're not. It's the equivalent of forcing left-handed kids to write with their right hands [my example]; it's just not so visual. [And this issue of the extrovert designed class is pretty much everywhere I guess. Desks arranged in "pods" so that students can work together instead of individually. That's prevalent at my kids' school, too, so that was an eye opener that that's what that's about.]
Anyway, unless you have a fear of public speaking and need to do it, I would just skip this book. I wish I had. I dislike finishing a book frustrated at the lack of information the author actually gave.
As you might expect, I have my own take on the whole introvert/extrovert controversy and how it applies to writing, because, yes, the "extrovert ideal" has been encroaching even upon a field that is populated predominantly by introverts.
Prevailing wisdom says that better, more quality work is done by groups of people rather than people working individually. The problem with that "wisdom" is that virtually every study out there shows that this isn't true. Basically, the more people you have involved, the more muddled the work gets and the longer it takes to complete. Group work also produces an inferior product. Let me say this again, virtually every study done on this subject shows it to be true. But it doesn't "feel" like it ought to be true and some very loud and assertive people speak loudly and assertively about how beneficial it is for everyone to work together, so that's the model that businesses are using. And schools. And, yes, writers.
And you know it's true. Everyone says you need your pack of betas and CPs or you just can't write a novel. You'll get better work if you have more and more feedback. It seems so sensible. And it's hogwash. You can't write a book by committee. Not a good one, anyway. As a writer, you need a vision of what it is you want to write, and you need to pursue that vision in solitude. You need to be alone in the silence of your mind until you can hear whatever it is you need to say. I'm not prescribing a particular method here other than that you need to not let other people muddle your story and destroy your vision.
You need to find that for yourself. Find your vision and pursue it wherever it takes you. Don't get sidetracked by others. Don't let their ideas invade your space. Other people can't see your vision and can't help you to fulfill it.
This doesn't mean don't get feedback when you're finished; you certainly should. People that can see inconsistencies or grammar errors or whatever, but don't spend your time writing by trying to fit other people's ideas into your story. They need to take their ideas and go write their own stories.
Anyway, if you're a writer and an introvert, embrace the introvert within! Go lock yourself in a closet or go down in the cave (or, even, the cafe, if that's how you do it) and write your book. Don't try to conform to the prevailing "wisdom" of the extrovert ideal.
For a variety of reasons, I was really looking forward to Quiet: The Power of Introverts in a World That Can't Stop Talking. It sounded interesting. It had really good reviews. But, mostly, being an introvert and constantly being annoyed by people listening to stupid things from people that are loud and more assertive, I wanted to know what this book had to say. And people were saying it had a lot to say. I think what I expected was something along the lines of (and, yes, I know I mention this book a lot, but, really, most of you ought to read it) Bright-sided. Something that was like a science experiment. I have a question, and, now, I'm going to do the research and find the answer. And Quiet was sooo close.
As I read through "Part One: The Extrovert Ideal," I thought I had a winner. I thought I had a book that I was going to be able to say to all of you out there that are introverts and writers (because most actual writers are introverts (and I say it that way to exclude people (celebrities) who "write" books but don't really do the actual writing)), "You need to read this book!" But, as it turns out, I was wrong.
So what happened? Well, Susan Cain (the author) did. As it turns out, she wasn't really interested in introversion, she was actually interested in why she was afraid of public speaking. As many people do, she tied the fear of public speaking to her introversion. It's a great stereotype, right? Introverts are scared to speak in public? Except that it's wrong. Numerous studies have shown that the fear of public speaking has nothing to do with introversion. Extroverts have the same fear of public speaking that introverts have. Meaning, if you're scared of getting up in front of people and giving a speech, you are just as likely to be an extrovert as an introvert (possibly more likely, because we think extroverts make up a larger portion of society). The initial section, the research about extroverts and the rise of our extroverted society is quite good and interesting (but it's not worth buying the whole book for it). It's where the actual, objective research happened.
After that, though... well, it begins an exploration of why she's still scared of public speaking even though she's been doing it for years.
She starts with biology and how much of introversion may be nature and how much nurture. Some of that is also interesting, especially the newer child-focused studie that are trying to differentiate the nature/nurture debate. However, as she went on, she relied more and more on "maybe"s and "might"s rather than actual data. Because there was no solid data to back up any of the claims she wanted to make, so she relied on speculation to make her points. Sometimes, it was her own speculation. And I don't have a problem with speculating, but I do have an issue with speculation being presented as evidence.
The other thing she did was to rely heavily on anecdotal evidence, "I heard a story once...," to prove her points. That's just as bad as speculation. I mean, it's the same as me saying "one time, this friend of mine found a dead cow in the woods with all of its organs removed" to prove that aliens exist. Or that aliens target cows because they like cheese (yes, Briane, that was for you). At one point, she even uses a story Mark Twain told. Really? Because he was know for his non-fiction?
The worst part, though, is that she over-generalized her own brand of introversion as being what all introverts are like, and that's just not true. The introvert/extrovert thing is not something that's cut and dried like that. It's known as the introvert/extrovert spectrum, and it's called that for a reason. But she very happily lumped all introverts into her specific type of introversion, and my own introversion is nothing like hers. For one thing, I don't have a problem with public speaking. At all. I spent years and years getting up in front of people and talking, and the only time I ever had an issue with it was 5th grade, the first time I had to give an oral book report. She also equates introversion with shyness, which is also not true. Shyness, like fear of public speaking, is not something that only introverts lay claim to. Again, shyness is something that falls across the introvert/extrovert spectrum. [At one point, she does, kind of, say this, but, then, she goes on talking about it and discussing it as if it was a purely introvert issue.] But she was a shy child; therefore, all introverts must be shy.
If the book had continued to focus on society (as in the first section) and how introverts can make a place for themselves in a society that holds up extroversion as the ideal (by the way, the US is one of the most extroverted societies on the planet), as the full title suggests, it would have been a good read. However, it goes offtrack and explores how introverts can get over their fear of public speaking (because, you know, that's the assumption, that all introverts are scared of this). In short, it becomes a self help book, and I really wasn't looking for a self help book (nor was it marketed as one). I mean, really, she spends probably 1/3 of the book dealing with strategies and studies and plans about how to get over the fear of public speaking. It was like a big bait-and-switch.
Oh, and also how introverts can act more extroverted. There are strategies for that, too. My issue with this is that she spends the entire first section of the book talking about how we shouldn't have to act like extroverts to get along in our society, and I fully support this. [Introverts should not have to pretend to be extroverts to get along. That's just wrong.] But, then, a huge portion of the book is about how to set aside blocks of time to be extroverted and for no other real reason than that people expect it. Like I said, I wasn't looking for a self help book, especially one I don't consider a "help."
At the very end (for, maybe, 5 pages), she did talk about the issue of children that are introverts in classrooms designed for extroverts, and that was interesting, but it's the kind of thing that really could have benefited from a closer look. It has to do with how, as a society, we mess up our kids by trying to get them to be one way (an extrovert) when they're not. It's the equivalent of forcing left-handed kids to write with their right hands [my example]; it's just not so visual. [And this issue of the extrovert designed class is pretty much everywhere I guess. Desks arranged in "pods" so that students can work together instead of individually. That's prevalent at my kids' school, too, so that was an eye opener that that's what that's about.]
Anyway, unless you have a fear of public speaking and need to do it, I would just skip this book. I wish I had. I dislike finishing a book frustrated at the lack of information the author actually gave.
As you might expect, I have my own take on the whole introvert/extrovert controversy and how it applies to writing, because, yes, the "extrovert ideal" has been encroaching even upon a field that is populated predominantly by introverts.
Prevailing wisdom says that better, more quality work is done by groups of people rather than people working individually. The problem with that "wisdom" is that virtually every study out there shows that this isn't true. Basically, the more people you have involved, the more muddled the work gets and the longer it takes to complete. Group work also produces an inferior product. Let me say this again, virtually every study done on this subject shows it to be true. But it doesn't "feel" like it ought to be true and some very loud and assertive people speak loudly and assertively about how beneficial it is for everyone to work together, so that's the model that businesses are using. And schools. And, yes, writers.
And you know it's true. Everyone says you need your pack of betas and CPs or you just can't write a novel. You'll get better work if you have more and more feedback. It seems so sensible. And it's hogwash. You can't write a book by committee. Not a good one, anyway. As a writer, you need a vision of what it is you want to write, and you need to pursue that vision in solitude. You need to be alone in the silence of your mind until you can hear whatever it is you need to say. I'm not prescribing a particular method here other than that you need to not let other people muddle your story and destroy your vision.
You need to find that for yourself. Find your vision and pursue it wherever it takes you. Don't get sidetracked by others. Don't let their ideas invade your space. Other people can't see your vision and can't help you to fulfill it.
This doesn't mean don't get feedback when you're finished; you certainly should. People that can see inconsistencies or grammar errors or whatever, but don't spend your time writing by trying to fit other people's ideas into your story. They need to take their ideas and go write their own stories.
Anyway, if you're a writer and an introvert, embrace the introvert within! Go lock yourself in a closet or go down in the cave (or, even, the cafe, if that's how you do it) and write your book. Don't try to conform to the prevailing "wisdom" of the extrovert ideal.
Tuesday, June 5, 2012
When Everyone's Special...
...no one is.
The Incredibles is one of my favorite movies, not just one of my favorite Pixar movies. Not that I couldn't say that about a lot of Pixar movies. But that's beside the point.
This is another post I started quite a while ago, but I think it flows pretty well out of my last post. Really, I'll give my soap box back at some point.
There are two themes in The Incredibles that attract me to it. The first of those is being who you are. Not hiding yourself away and pretending to be other than you are, but that's not what this post is about. This post is about the second theme, the one that has to do with society exalting mediocrity so that everyone can be "special."
It's somewhat of a paradox, too, because we are a society that exalts the "popular" while simultaneously trying to devalue everyone else so that we're all the same. The conflict arises because it boils down to "winners" (like Charlie Sheen >heh<) and "losers." If you're the hot commodity, you're a winner. Everyone else is a loser.
But we live in a society (mostly confined to North American at the moment but spreading) that doesn't believe in having "losers." A society that says everyone can be a winner... no, everyone is a winner. A society that tries to protect the feelings of, well, everyone (and saying "it's all subjective" is the ultimate defense against qualitative judgments of any kind). A society that doesn't believe in pointing out that anything is bad or wrong. A society that says "everything is good all the time." [See my post about the book Bright-sided for more on this.]
The Incredibles is one of my favorite movies, not just one of my favorite Pixar movies. Not that I couldn't say that about a lot of Pixar movies. But that's beside the point.
This is another post I started quite a while ago, but I think it flows pretty well out of my last post. Really, I'll give my soap box back at some point.
There are two themes in The Incredibles that attract me to it. The first of those is being who you are. Not hiding yourself away and pretending to be other than you are, but that's not what this post is about. This post is about the second theme, the one that has to do with society exalting mediocrity so that everyone can be "special."
It's somewhat of a paradox, too, because we are a society that exalts the "popular" while simultaneously trying to devalue everyone else so that we're all the same. The conflict arises because it boils down to "winners" (like Charlie Sheen >heh<) and "losers." If you're the hot commodity, you're a winner. Everyone else is a loser.
But we live in a society (mostly confined to North American at the moment but spreading) that doesn't believe in having "losers." A society that says everyone can be a winner... no, everyone is a winner. A society that tries to protect the feelings of, well, everyone (and saying "it's all subjective" is the ultimate defense against qualitative judgments of any kind). A society that doesn't believe in pointing out that anything is bad or wrong. A society that says "everything is good all the time." [See my post about the book Bright-sided for more on this.]
Let's use a sports analogy, shall we?
Because my daughter was playing softball (you can read that story here), my wife and I have been doing lots if digging and searching around for information about teams and leagues and all of that sort of thing. Meaning, my wife has been doing lots of research and passing the interesting bits on to me. One of the articles I read that really stood out to me is the rise of Little Leagues that do not have winners. Well, that's not true; they don't have losers. Everyone gets to be a winner. There are no outs. There are no scores. Everyone gets to hit the ball and run the bases. Why? Because we, as parents, need to protect our children from being "losers." And having hurt feelings.
But it doesn't fool the kids. And it doesn't help the kids. The kids want there to be winners, and they're willing to accept the prospect of losing, because they want the chance to win. They want the chance to win.
But none of us want our kids to be "losers," so we take that prospect away from them. We want to make them all winners, but the problem is that you can't have winners if you don't also have losers.
In many ways, I feel like this whole self-publishing game is becoming like these little leagues. We're not allowed to say anything negative, because we don't want to hurt anyone's feelings. No one is "allowed" to be a loser, and, if there are no losers, everyone gets to be a "winner." Even if that's not true. And we all know it's not true, but, if no one says anything bad, we can keep pretending.
There's this book I want to read, The Fourth Turning, that's all about this stuff from a generational perspective. We own the book, but it's out on loan (because I didn't get to it fast enough after my wife read it). Of course, loaned books can't usually be said to be owned books very often. That's my perspective anyway. Loaning it out is equivalent to giving it away.
At any rate, my generation, in the book, is known as the "unprotected" generation and looking at how I grew up, I tend to agree. We were the generation of latchkey kids (and I started being one by age 7). The current generation, the millennials, the generation my generation is raising, is known as the "protected" generation, and it is a direct response to the self-involvement of our own parents by trying to be over involved in our own kids' lives. It should be the "over protected" generation. [I've been reading a lot about how our aversion to allow our kids to experience risk is not so good for their internal development. Sure, they don't get broken bones, but they never learn how to take risks or, sometimes, even think for themselves.] And there was this other article about the first of the millennials entering the job market and how they need constant supervision and feedback (because they've never really learned how to be independent).
Anyway... I'm straying a bit, and it's getting late, so I need to wrap this up.
The point is this:
There are people in the world like Dash and Mr. Incredible. Not people with super powers, but people that standout above all the rest. We really don't get anywhere by trying to force everyone into a mold of sameness. The problem we have is that we don't want to acknowledge that there are some people that really need to either find something else to do or work harder at whatever it is before they can be good enough.
Like my brother playing basketball in high school. He was a short, white boy. Shorter than me, and I'm only 5'8". But my brother could play and play well, and it's what he wanted most to do. He had to work hard at it. And he did. Hours every day. And I bet you're expecting me to tell you some miracle story about his hard work and perseverance, but I'm not going to. He did make his high school team. He was the only white boy on the team one year. Mostly, he just warmed the bench, though. Why? Because, as good as he was, he wasn't better than the other boys on his team. Mostly because he just wasn't tall enough. And that's a suck thing to be that good but still not to be able to compete. Eventually, he had to come to the conclusion that he wasn't going to be able to do that thing, basketball, and he went to other things.
But he did try. He gave it his all to see if he could make it, but he just couldn't pull it off. But he still plays for fun, so it's not like it was taken away from him.
To bring this back to writing, I'm going to switch movies. There's a quote at the end of Ratatouille that I love, but I'm only going to paraphrase it for you, "Not everyone can be a great writer, but a great writer can come from anyone." I do think everyone should have the opportunity to take their shot at being a great writer. Or a great anything. However, I don't think everyone can do it. I don't think most people can do it. Which is not to say that you shouldn't try. But, if you're going to try, work hard at it. And take the criticism (both bad and good (because to critique something is not just pointing out the bad)) people give you while you are busy working hard, and use it to get better.
Some people won't be tall enough. Some won't be fast enough. Some will just never get the break they need. Some will never get good enough because we don't tell them they need to work on their grammar so as to avoid hurting someone's feelings. And that's really the worst thing that can happen. To not become a winner because no one ever bothered to tell you that you were losing.
Everyone can't be special, because when everyone's special, no one is.
But it doesn't fool the kids. And it doesn't help the kids. The kids want there to be winners, and they're willing to accept the prospect of losing, because they want the chance to win. They want the chance to win.
But none of us want our kids to be "losers," so we take that prospect away from them. We want to make them all winners, but the problem is that you can't have winners if you don't also have losers.
In many ways, I feel like this whole self-publishing game is becoming like these little leagues. We're not allowed to say anything negative, because we don't want to hurt anyone's feelings. No one is "allowed" to be a loser, and, if there are no losers, everyone gets to be a "winner." Even if that's not true. And we all know it's not true, but, if no one says anything bad, we can keep pretending.
There's this book I want to read, The Fourth Turning, that's all about this stuff from a generational perspective. We own the book, but it's out on loan (because I didn't get to it fast enough after my wife read it). Of course, loaned books can't usually be said to be owned books very often. That's my perspective anyway. Loaning it out is equivalent to giving it away.
At any rate, my generation, in the book, is known as the "unprotected" generation and looking at how I grew up, I tend to agree. We were the generation of latchkey kids (and I started being one by age 7). The current generation, the millennials, the generation my generation is raising, is known as the "protected" generation, and it is a direct response to the self-involvement of our own parents by trying to be over involved in our own kids' lives. It should be the "over protected" generation. [I've been reading a lot about how our aversion to allow our kids to experience risk is not so good for their internal development. Sure, they don't get broken bones, but they never learn how to take risks or, sometimes, even think for themselves.] And there was this other article about the first of the millennials entering the job market and how they need constant supervision and feedback (because they've never really learned how to be independent).
Anyway... I'm straying a bit, and it's getting late, so I need to wrap this up.
The point is this:
There are people in the world like Dash and Mr. Incredible. Not people with super powers, but people that standout above all the rest. We really don't get anywhere by trying to force everyone into a mold of sameness. The problem we have is that we don't want to acknowledge that there are some people that really need to either find something else to do or work harder at whatever it is before they can be good enough.
Like my brother playing basketball in high school. He was a short, white boy. Shorter than me, and I'm only 5'8". But my brother could play and play well, and it's what he wanted most to do. He had to work hard at it. And he did. Hours every day. And I bet you're expecting me to tell you some miracle story about his hard work and perseverance, but I'm not going to. He did make his high school team. He was the only white boy on the team one year. Mostly, he just warmed the bench, though. Why? Because, as good as he was, he wasn't better than the other boys on his team. Mostly because he just wasn't tall enough. And that's a suck thing to be that good but still not to be able to compete. Eventually, he had to come to the conclusion that he wasn't going to be able to do that thing, basketball, and he went to other things.
But he did try. He gave it his all to see if he could make it, but he just couldn't pull it off. But he still plays for fun, so it's not like it was taken away from him.
To bring this back to writing, I'm going to switch movies. There's a quote at the end of Ratatouille that I love, but I'm only going to paraphrase it for you, "Not everyone can be a great writer, but a great writer can come from anyone." I do think everyone should have the opportunity to take their shot at being a great writer. Or a great anything. However, I don't think everyone can do it. I don't think most people can do it. Which is not to say that you shouldn't try. But, if you're going to try, work hard at it. And take the criticism (both bad and good (because to critique something is not just pointing out the bad)) people give you while you are busy working hard, and use it to get better.
Some people won't be tall enough. Some won't be fast enough. Some will just never get the break they need. Some will never get good enough because we don't tell them they need to work on their grammar so as to avoid hurting someone's feelings. And that's really the worst thing that can happen. To not become a winner because no one ever bothered to tell you that you were losing.
Everyone can't be special, because when everyone's special, no one is.
Wednesday, May 25, 2011
Bright-sided (or How Positive Thinking Will Let You Down)
A few years ago (okay, more than a few), Barbara Ehrenreich wrote an excellent book, Nickel and Dimed: On (Not) Getting By in America, about the near impossibility of making it as a single person trying to live off of a low wage position (like Wal-Mart). She did this by actually spending a year herself, a prize-winning novelist, trying to live solely off of what she could make from "entry level" positions. It's a fascinating book and one I would highly recommend. Intellectually knowing some of the things she talks about in the book before reading it still did not prepare me for her recount of the reality of the situation. Even having gone through some of the experiences she did (I worked at Toys 'R' us in two different states), her book still opened my eyes to the reality she talks about.
I mention Nickel and Dimed, here, because I think it goes well with her latest book: Bright-sided: How the Relentless Promotion of Positive Thinking Has Undermined America. But I'll get to that in a moment.
I have been fed up with the whole positive thinking thing for years and years. A large part of the reason my wife and I no longer attend church is because of the prosperity doctrine (the religious take on positive thinking) and its prevalence in the modern church. It actually makes me sick. Entering the writing world, now, I'm experiencing the positive thinking movement from a whole new angle, and it's not making me any happier than previous brushes with it in other venues. From that perspective, I think this may be an important book for writers to read. Despite claims from popular psychology that if you just stay positive, you will get what you want, most research actually shows that having a realistic view point is healthier and more likely to get you where you want to go.
Let me just say, though, that, if you are someone that believes in positive psychology, you will hate this book.
She starts with her own eye-opening experience with positive thinking. As a cancer patient. There is a notion in the cancer community, especially the breast cancer community, that the way to beat cancer to is "stay positive." If you stay positive, the cancer can not win. And, if it does, it was because the patient allowed in enough negative thoughts that the cancer was able to win. From there, she details the original rise of positive thinking back in the 1800s and how it has evolved to what it is today.
Now, I relate Bright-sided to Nickel and Dimed because of the recent (by recent, I mean the last 30 years) rise of positive thinking in the business world. Back in the 80s, when companies realized they could make money from down-sizing their employees, they needed something, anything, to keep the left over work force not just working for them but happy to be there working for them despite the fact that they no longer had any job security. The answer? Positive thinking. Large companies began bringing in positive thinking coaches to affirm the remaining employees that they were there because they were "worthy." The way to get ahead was to be a bigger fish and to work harder. The people that had been down-sized were down-sized because they just weren't good enough (of course, the actual truth of that is that most often the choices of who would stay and go were completely arbitrary, completely unrelated to performance).
All of this positive thinking in the work place resulted in the people at the top completely buying into it themselves. Good things, and only good things, come to those who stay positive. Some of the business scenarios she talks about are truly, truly frightening. And all of this positive thinking lead directly to the economic collapse we are all currently wallowing in. The direct tie-in to Nickel and Dimed? In the 60s, the average difference in pay between the lowest paid employee and the highest paid employee in a company was a mere ratio of 1:24. Yes, I say mere, although, to me, that seems a bit staggering. That difference today? Greater than 1:300. I can't even comprehend that. But the people at the top not only don't see anything wrong with this, they think they deserve it. By the virtue of their positive thinking.
There's a section on the rise in the prosperity doctrine in the church, too. The idea that God is nothing more than a vending machine. You put in your positive thoughts and God gives you stuff you want. I could rant about this for a while. How none of this is Biblical. How it's all just more life coach non-sense to raise money. But, you know, you can read the book. Or watch it on TV. There are any number of prosperity preachers you can tune into.
The last section deals with the rise of popular psychology. Also a money making scheme. I have always, since I was a kid, held science as something close to sacred. Scientists were objective. They looked at the data. They didn't make emotional decisions about the data or try to skew the data to prove their point. They didn't hold those kinds of beliefs. Because science isn't about what we believe, it's about what is. Right? I wish I could still believe that. However, we continue to get news about how this scientist or that research team falsified data to support various claims. This goes back decades. As it turns out, positive psychology has no data to support any of its claims. Some data may suggest correlations, but there is no research that actually shows that any of what positive psychology says is true is, actually, true. Because I don't have the book in front of me (it's out on loan), I'll paraphrase what one positive psychologist said to Ehrenreich: "The research/science hasn't caught up to the claims (of positive psychology)." In true positive thinking form, though, they fully believe that some day their research will bear fruit and prove their claims.
Writing is a tough field, especially today when the publishing industry is slowly imploding and seems unwilling to do anything about it. I imagine the guys at the top are caught in the same positive thinking bubbles that the guys responsible for the economic implosion, especially the housing industry, were caught in. I think it's important that we, as the writers, not get caught in that same bubble. In a field where only 1 in 1000 make it (in the traditional sense), we need to be realistic, not cling to positivity. No, I'm not saying to give up. I am saying that the way to make it as a writer is determination and perseverance. Thinking happy thoughts will not get you published. Keeping at it will.
I mention Nickel and Dimed, here, because I think it goes well with her latest book: Bright-sided: How the Relentless Promotion of Positive Thinking Has Undermined America. But I'll get to that in a moment.
I have been fed up with the whole positive thinking thing for years and years. A large part of the reason my wife and I no longer attend church is because of the prosperity doctrine (the religious take on positive thinking) and its prevalence in the modern church. It actually makes me sick. Entering the writing world, now, I'm experiencing the positive thinking movement from a whole new angle, and it's not making me any happier than previous brushes with it in other venues. From that perspective, I think this may be an important book for writers to read. Despite claims from popular psychology that if you just stay positive, you will get what you want, most research actually shows that having a realistic view point is healthier and more likely to get you where you want to go.
Let me just say, though, that, if you are someone that believes in positive psychology, you will hate this book.
She starts with her own eye-opening experience with positive thinking. As a cancer patient. There is a notion in the cancer community, especially the breast cancer community, that the way to beat cancer to is "stay positive." If you stay positive, the cancer can not win. And, if it does, it was because the patient allowed in enough negative thoughts that the cancer was able to win. From there, she details the original rise of positive thinking back in the 1800s and how it has evolved to what it is today.
Now, I relate Bright-sided to Nickel and Dimed because of the recent (by recent, I mean the last 30 years) rise of positive thinking in the business world. Back in the 80s, when companies realized they could make money from down-sizing their employees, they needed something, anything, to keep the left over work force not just working for them but happy to be there working for them despite the fact that they no longer had any job security. The answer? Positive thinking. Large companies began bringing in positive thinking coaches to affirm the remaining employees that they were there because they were "worthy." The way to get ahead was to be a bigger fish and to work harder. The people that had been down-sized were down-sized because they just weren't good enough (of course, the actual truth of that is that most often the choices of who would stay and go were completely arbitrary, completely unrelated to performance).
All of this positive thinking in the work place resulted in the people at the top completely buying into it themselves. Good things, and only good things, come to those who stay positive. Some of the business scenarios she talks about are truly, truly frightening. And all of this positive thinking lead directly to the economic collapse we are all currently wallowing in. The direct tie-in to Nickel and Dimed? In the 60s, the average difference in pay between the lowest paid employee and the highest paid employee in a company was a mere ratio of 1:24. Yes, I say mere, although, to me, that seems a bit staggering. That difference today? Greater than 1:300. I can't even comprehend that. But the people at the top not only don't see anything wrong with this, they think they deserve it. By the virtue of their positive thinking.
There's a section on the rise in the prosperity doctrine in the church, too. The idea that God is nothing more than a vending machine. You put in your positive thoughts and God gives you stuff you want. I could rant about this for a while. How none of this is Biblical. How it's all just more life coach non-sense to raise money. But, you know, you can read the book. Or watch it on TV. There are any number of prosperity preachers you can tune into.
The last section deals with the rise of popular psychology. Also a money making scheme. I have always, since I was a kid, held science as something close to sacred. Scientists were objective. They looked at the data. They didn't make emotional decisions about the data or try to skew the data to prove their point. They didn't hold those kinds of beliefs. Because science isn't about what we believe, it's about what is. Right? I wish I could still believe that. However, we continue to get news about how this scientist or that research team falsified data to support various claims. This goes back decades. As it turns out, positive psychology has no data to support any of its claims. Some data may suggest correlations, but there is no research that actually shows that any of what positive psychology says is true is, actually, true. Because I don't have the book in front of me (it's out on loan), I'll paraphrase what one positive psychologist said to Ehrenreich: "The research/science hasn't caught up to the claims (of positive psychology)." In true positive thinking form, though, they fully believe that some day their research will bear fruit and prove their claims.
Writing is a tough field, especially today when the publishing industry is slowly imploding and seems unwilling to do anything about it. I imagine the guys at the top are caught in the same positive thinking bubbles that the guys responsible for the economic implosion, especially the housing industry, were caught in. I think it's important that we, as the writers, not get caught in that same bubble. In a field where only 1 in 1000 make it (in the traditional sense), we need to be realistic, not cling to positivity. No, I'm not saying to give up. I am saying that the way to make it as a writer is determination and perseverance. Thinking happy thoughts will not get you published. Keeping at it will.
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