Showing posts with label Bill Cosby. Show all posts
Showing posts with label Bill Cosby. Show all posts

Wednesday, October 3, 2018

It's Not About "The Gays": A Look at Abuse in the Catholic Church

First, I'm writing this post in August while the Catholic church is, once again, dominating the news with yet another sex scandal. Which is part of the problem, that we look at these as individual scandals when they are, in fact, not individual but part of a pathology within the Catholic church.

Second, I'm assuming that the current scandal will have dropped out of the news by the time this posts. I'm also assuming that nothing will have changed in the church, again, so this post is still highly relevant.

Third, it's not the Catholic church that is the root of this problem, but we'll get to that in the post.

* * *


In the United States, we tend to have this perception that homosexuality and pedophilia are linked. Like one begets the other. I'm just going to say that the root of this lies in the Catholic church. The root of the perception, that is, because that's what it is, a perception. It is not a true thing beyond the fact that men have this problem with seeking out young sexual partners, which actually has nothing to do with being Catholic or homosexual and usually stops short of pedophilia.

The truth is that most, the vast majority, of the priests who have committed these atrocious acts of sexual violence against children would not or do not consider themselves homosexuals. These are not "gay" acts of men against young boys. These are acts of aggression of men in power against the only outlet they have: boys.

Which is where and why it gets complicated and misunderstood. The public has only seen it as men abusing boys -- which may be the only way the public can see it -- and interprets that has homosexual pedophiles, which causes those two things to be linked in the collective consciousness.

Probably what is needed here is a history of the Catholic church and the practice of sending young men into the priesthood, basically, against their will. But let's sum all of that up by saying that sending men to be priests because it would be good for the family or sending away the troublemakers in hopes that it will straighten them out or sending men because they simply have no other prospects are all bad reasons for anyone to become a priest. None of these men are really signing up for the "required" celibacy, so it should be no surprise when they don't succeed at it.

The problem is that when they don't succeed at it, at keeping their sexual desires in check -- And when I say "desires," I don't mean the desire to have sex with other men or with boys; I mean the desire to have sex. Period. You men reading this should understand what it's like to be young and horny.* -- the only people they have around them with whom to express these desires, the only "safe" people they have around them with whom to express these desires, are young boys. I say "safe" because they can't express these desires with each other. Let's look at those reasons before I talk about why children are "safe" targets.

  1. As I said, these men, on the whole, don't identify as homosexuals, so they're not actually attracted to their companions. Or to men.
  2. The men around them are their equals, so their silence is not assured.
  3. The attitude about sex in the Catholic church is that any sex not specifically meant for procreation inside a marriage relationship is sinful. Protected sex is sinful. Masturbation is sinful. Sex because you're horny is sinful. [I should point out, though, that it is perfectly fine for a man to rape his wife as long as he can say it was his intent to put a baby in her. The Catholic church is FUCKED UP. [I should also point out that many protestant churches, especially Evangelical churches, share these same views.]]
  4. The Catholic church (and most protestant churches) view homosexuality as a sin. They, in fact, treat it as if it is somehow the worst of all mortal sins. So, though I said that these priests don't view themselves as homosexuals, they also know that having sex with their compadres would be a homosexual act.
It's pretty clear, I think, that the idea of approaching a brother priest with the idea of sex is more than just dangerous. Priests could get excommunicated for things like that or, at the very least, severely disciplined, and it would ruin any future prospects for anyone with any kind of ambition.

Which leaves only one outlet for their sexual frustrations, the young boys working in the church alongside them. Boys because that should remove all doubt of any shenanigans. Because, you know, homosexuality is so serious and surely no priest would ever engage in anything even suggestive of it. I'm going to guess and say that the issue of sexual abuse in the church would be even greater if they allowed, also, for altar girls.

See, the thing about kids is that they are easy to intimidate into silence. Then, even if they do talk, adults are so dismissive about what they have to say, especially if it's not something they want to hear, that it hardly matters that they tried to tell anyone. And, if someone believes one of the kids, say, a mother, then she has to break through the male power structure of the Catholic priesthood to have someone listen to and believe her.

Until recently, all of this has been insurmountable.

And it takes us back to the real problem: male power structures. Because this not just a problem in the Catholic church; it's a problem everywhere you have men in power. You don't have to look any farther than our own #fakepresident to know as he gleefully boasted about how he could grab women by the pussies and they would just let him do it. And Harvey Weinstein and Bill Cosby and and AND! So many ands.

It's clear that anywhere you have men in power that they will abuse that power, frequently in ways that damage other people, especially if they have other men around them to help them cover up those abuses. The Catholic church just happens to be the greatest bastion of male power on the planet, so it has become the bastion of the greatest abuses.

Oh, yeah, I hear you people out there saying that women aren't any better and that they would also abuse power if they had it. But here's the thing: You have no real empirical evidence for that. You can't, because women have so seldomly been in power. And, when they do abuse power, it's almost never against people. None of which matters, anyway, because it's just a deflection from the point.

The point being that male power structures, having been built up over centuries, have a rotten core and need to be replaced. I'm not advocating for any specific replacement, but, as far as I'm concerned, the entire priesthood of the Catholic church -- including the Pope, and I like him! -- probably ought to resign. If they had any amount of honor in them and empathy for people the church has been raping, literally and figuratively, for hundreds of years, they would all step down. Unless they believe that raping children is what God's work is all about.

Then we can move on to all of the other churches where men hold all the power. And all of the other institutions and government structures.



*I once had a friend tell me that when he was horny, he was almost willing to fuck anything with a hole in it. And I had another friend who kept a special Coke bottle in his room, the old glass kind that used to come in soda machines before they switched over to cans.

Monday, August 3, 2015

Broken Idols

There are topics we all avoid talking about. Not that we all avoid the same topics, but we all have topics we avoid. The topic of Bill Cosby is one I have been avoiding for a good while now. And, maybe, I wouldn't feel like I have to avoid it if I hadn't mentioned him on my "Of significance..." page, but he's there, and what we know about him now doesn't change the impact he had on me when I was younger. It does make me feel squiggly about having him listed there, though, but it seems worse to me to try to pretend that he did not impact my childhood at all.

I was introduced to Bill Cosby by my cousin, Sam, when I was probably around seven. Okay, that's not exactly true; actually, I was introduced to Cosby through Fat Albert and the Cosby Kids,
which I watched on Saturday mornings when I was little. "Little" meaning five and under. It wasn't a favorite, but I did watch it. I did not have an awareness of "Bill Cosby," though; it was all about Fat Albert.

But, when I was seven or so, my cousin shared with me his collection of vinyl Cosby records. We would sit in his room and listen to them for hours and laugh and laugh and laugh. My cousin had memorized all of the Noah skits and would spontaneously break into the routines anywhere he thought it was going to get him some attention and some laughs. Incidentally, it was while listening to those records that the Fat Albert thing clicked into place, and the stand up routines on the records were so much better than the cartoon. I never really watched it again after that.

The big moment was when I was in middle school and Bill Cosby: Himself aired on HBO. It was a Saturday morning the first time I saw it, I was the only one up, and, actually, I have no idea why I was watching that instead of cartoons. I got up early on Saturdays for the sole purpose of watching cartoons, but, for whatever reason, that morning I did not; I watched Himself.

I laughed so hard at the part about going to the dentist that I woke my parents up and my mother thought I was dying. At least, that's what she said. The show was brilliant. I own it on VHS. Hmm... yeah, I still own it because, as I said, I've been avoiding the topic.

A few years ago, I pulled it out and showed it to my kids for the first time. It was one of those here's-something-I-loved-as-a-kid things, and I want to share it with you. They, of course, loved it. "The beatings will now commence" was heard around the house for weeks, and there are still mentions of the chocolate cake for breakfast.

And, now... Now, I just wish I had never shown it to them at all, which makes me sad in ways that I can't express.

Fortunately, I never really watched The Cosby Show. I had already quit watching TV by the time it was on the air. Sure, I'd stop and watch a few minutes of it if it happened to be on when I was walking through a room, but it wasn't a thing I did. My high school years were largely devoid of TV. Small mercies, that.

When the rape allegations came out, the best description of what I did was holding my breath, just hoping that they weren't true. It's one of those things where you know the opposite of what you want is going to be the reality, but there's no proof, yet, so you just hope. And hope...

Of course, now, we know that he admitted to all of this years ago. He admitted it, and no one did anything. No one did anything. No one did anything about it at all. Not for the women he'd already raped and nothing to stop him from doing it again. Excuse me, but what the fuck? And, probably, although there's little chance he'll be able to get away with doing this again the future, nothing is going to happen to him now. Okay, yeah, his reputation is ruined, which might be the worst punishment he could have, but it's probably not the justice his victims want. Or most of us.

For me, the worst thing is that, at some point (soon), I have to sit down with my kids and have a conversation about this. Probably with that VHS tape sitting on the table right before we throw it away.

But I can't erase the impact he had on younger me and, unfortunately, it doesn't make his comedy not funny. It's one of those places where you have to separate the art from the artist, to some extent, and just cope the best you can. The worst part is that he did actually do a lot of positive things, especially for education in the black community and, to a large extent, this completely undoes all of that.

I don't really have a conclusion to this beyond what I just said. It's just that the fact that I have Cosby listed as one of my influences as been gnawing at me, so I felt like I needed to say something. I'm not going to remove him from my list -- that would a lie -- but I will add a link to this post for any future readers.

To say that I am mad would not be inaccurate, but, mostly, I'm just sad. And confused. I mean, assuming it's the truth (which I doubt since he also did stuff to hide his expenses in regards to the women from his wife) that he and his wife had an understanding, why would he need to resort to drugs and rape? He was Bill Cosby! I'm sure he didn't need to force himself on women. That he did is just... unfathomable to me.

Sunday, February 3, 2013

Anger, Laughter, and Chocolate

Some anger:
My younger son just finished reading Animal Farm for school. He loved it and hated it. At one point, he became so angry at what was happening that he threw the book across the classroom. Well, not all the way across, but he threw the book. I applaud his outrage over the depredations of Napoleon. The interesting thing to me is that of the kids in his class, only my son and one other kid grew upset over what was going on in the book, and that outraged my son even more. He kept saying to his friends that Napoleon was evil, and they couldn't understand why he was saying that. Right up to the very end. I think this may be very indicative of our culture, because all the kids expected it all turn out okay in the end and, really, Napoleon was just trying to do the right thing. It's interesting and more study should be done about this.

As a side note, I don't remember there being any issue among my friends with understanding the book when I read it in middle school. Now, I'm curious if that was a product of my school (smart kid school) or a product of my generation. I think this question is coming to me about 30 years too late.

Some laughter:
Well, actually, I'm just still laughing over "It was a sock," but, because I'm a nice guy, I'll give you something else to laugh about:




And, now, the chocolate:
Remember, Wednesday is the deadline for submissions in the Great Chocolate Contest. Briane Pagel has a great story in the works, but I'd hate for him to win by default... even if he does say he's going to win anyway.


But, now, the real "Anger and Laughter"! Today is the FREE! release of the newest piece of Shadow Spinner:
Yeah, those are the proof copies, one of which someone should be winning very soon. Only three in existence! My son temporarily has the third one. But, anyway, today, Monday, February 4 and tomorrow, Tuesday, February 5, "Part Fourteen: Anger and Laughter" will be available for FREE! You can't beat that price is all I can say. To go along with the FREE! release of "Anger and Laughter," I also have FREE! today only:
"Part One: The Tunnel"
"Part Six: The Man with No Eyes"
"Part Seven: The Moth and the Shadow"
"Part Twelve: The Gash in the Floor"
"Part Thirteen: The Clearing"
Tell your friends, and don't forget to click the little "like" button. That would be awesome!
And, if you've read "The Tunnel" or any of the other parts, it would be great if you'd feel lead to leave a short (or a long) review.

Sunday, January 13, 2013

What We Can Learn From the Great Comic Storytellers

Comedians were a big part of my childhood. My cousin, the one that ate ketchup, introduced me to a lot of them at an early age. I'm not talking modern stand up comics, either. No, I'm talking classic comedians here like Abbott and Costello, Jerry Clower, and Bill Cosby. Okay, so my cousin really only introduced me to Jerry Clower, but that's significant for reasons I'll get to momentarily.

I grew up watching Abbott and Costello on Saturday mornings. It seems to me that "Who's on First" has always been a part of my life. In fact, when I was in high school, I had partner that I used to perform A&C skits with. "Who's on First" was, of course, our big number, but we had several others as well. It was a lot of fun. But I digress...

My wife and I have been introducing our kids to some of these great comedians recently. Well, Abbott and Costello have always been a thing because "Who's on First" is kind of part of my vocabulary, and I own several collections of their movies. But they hadn't been incredibly interested in my attempts to work in Bill Cosby and others in the past. Something clicked a couple of weeks ago, though, over dinner. I think my wife and I were talking about "the curse," and my younger son started asking questions about it, so we started talking about Cosby, and one thing lead to another which lead to me digging out my VHS (yes, you read that rightly) copy of Bill Cosby: Himself.

[I was about the age of my younger son, 11, when I saw Himself for the first time. It was a Saturday morning, and I was the only one up, and I laughed so hard at the bit about the dentist that I woke up the entire house, and my mom came running downstairs because she thought I was dying or something.]

Despite the protests of my daughter, who wanted to watch Buffy, we spent the evening watching Himself, and all three of them were rolling... well, I was going to say by the end of it, but that's not precisely accurate, because all three of them were rolling well before we got to the dentist. They've been quoting Cosby and singing "Dad is great! Give us the chocolate cake!" ever since then.

All of that lead to this:
"Chicken Heart" is possibly my very favorite Cosby routine, but it's not really a reference you can make and expect anyone to understand. Except, now, my kids, who keep talking about spreading jello on the floor.

So we've been listening to all of these old story-telling comedians, and it's also the start of a new quarter at school, which always means some new kids in my creative writing class, so we always spend the first few class periods going over the plot arc

 or, as they like to call it, the plot roller coaster (because of my son and the fact that I draw it that way). Probably because of the timing of the two things, I realized how these great stories these comedians used to tell follow the plot arc. It wasn't just guys standing up telling jokes and one-liners.

Let's look at "Chicken Heart." In the first 20 seconds, Cosby sets us up with the exposition: "I'm seven years old [there's our protagonist], and I'm standing up in my crib [and there's our setting]." Also, there's our hook. Seven years old and in a crib? What? It's really quite brilliant. And, then, he expands the exposition while moving into the rising action: "My parents are going out, see." And he just keeps layering and layering on the suspense about what's going on: the invisible black snakes, sneaking out of the crib, the radio. The jello. All the way to the climax, which I'm not going to say, because you should just listen to it. And after all of that, he brings it back down with some falling action and a bit of denouement: "For two years, anyone that would pass by our house..." It's just great story telling.

If you've never heard of Jerry Clower, you should look into him. My cousin had some of his records, and we used to listen to them when I was a kid. Let me just say: it's hard to find this stuff these days. The clip I wanted to include here by Clower is his "Coon Huntin' Story," but I couldn't find the whole thing anywhere. Clower tends more to end on the punchline and skip the falling action and resolution, which is the case in  the clip I am including (ignore the video and just listen to him talk (also, ignore the music crap at the end (I told you, this stuff is hard to find. I had to take what I could get.)), but in the "Coon Huntin' Story," he gives us the whole plot arc, which is why I wanted that one, but I couldn't find part 2. At any rate, this is another of my favorites by Clower, so listen and pay attention to how he sets up the story.

I think this stuff played a much more significant role in the way I learned to tell stories than I realized before now. I mean, I started out, when I was a kid, repeating these stories. It was only later that I found my own, but, when I did find my own, I told them in the same manner as these guys.

Which is the point: I think we can all look at the story telling techniques of these great comedians and learn a lot from them. Things I think we often forget in our fast-paced, modern lives. Even things we're told are unimportant by publishers and television, because they just want us to get right to "it" and skip the set up. Don't skip the set up. That's what makes everything else interesting.

Now, if I've caused anyone to get caught up listening to any of these guys... well, I'm not really sorry.