Clone Wars -- "The Lost One" (Ep. 6.10)

-- What is lost is often found.

[Remember, you can sign up to join the Clone Wars Project at any time by clicking this link.]

[Well, actually, considering that we're into season six, now, probably no one new is going to sign up, BUT! Hop over to The Armchair Squid for his take on the current episode.]

I don't like the opening quote. It's like, "Sure, but what is lost is also often not found," so what's the point in saying that. It takes me back to Dead Poets Society: "I might be going to Yale. But, um, I might not." That was teenage awkwardness, but whoever chose the quote for this episode doesn't have that excuse.

I'm slightly ambivalent about the episode itself, too. Not because it isn't good; it's a good episode. However, I'm unsure as to the point of it for the audience. It seems that its existence is so that they can state explicitly something we already knew. At least, it's something I already knew; I just assume everyone else already knew it, too. Maybe it is a necessary episode for people who hadn't put those pieces together?

It seems like its greater purpose is to allow the Jedi to know something the audience already knows, but that seems unnecessary to me. It's just driving home the point of how outplayed the Jedi have been, which is summed up when Yoda expresses that they are on the incorrect road but that it's the only road left open to them. They have no other options.

We do get to see Commander Wolffe and his unit again. He's a clone I would have liked to have seen more about.

Anyway... If you happen to be wondering about Sifo-Dyas and that whole thing with the Kaminoans and the clone troops, you should watch this episode.

"The Unnamable" (a book review post)

Okay, before anyone says anything, I know "unnamable" is "misspelled." It is not misspelled because I am spelling it incorrectly; it is "misspelled" because that's how Lovecraft spelled it, so I can only assume that that was the correct spelling at the time. I'm assuming that because Lovecraft was rather a fascist of grammar, so it would be more than odd for him to have such a glaring mistake.

Now... Does anyone remember that old horror story (it was told by one of the boys in Dead Poets Society) about the person putting together the jigsaw puzzle only to have it reveal a picture of the person in question being murdered, an event which immediately happens upon completion of the puzzle? Yeah, you should just keep that in mind.

This story made me chuckle. It begins as a philosophical discussion between the narrator, who is an author, and his friend, who is a high school principal, about the author's foible of referring to things in his stories as "indescribable" or "unnamable." The principal holds that this is a "puerile device" of the author and is the reason, at least in part, that he has not become more successful. I have to imagine that Lovecraft is here reflecting upon actual comments to him as an author, because it's one of the things that has come to annoy me most about his writing, his constant retreat into saying that something is too horrifying to describe. The narrator, Randolph Carter, attempts to defend himself.

The two men are, of course, sitting on a tomb in a cemetery as they have this conversation. And, of course, something is going to go terribly wrong.

It was a clever set up. Lovecraft offers us pieces of the surroundings as he tells us about the two men talking, the dilapidated house not far away, the tombstone engulfed by a tree, the very tomb they are sitting on. Then, as Carter begins his defense about unnamable things, he relates to his friend a story, and we discover that they are in the very place where the story takes place. If you're paying attention (and, yes, I know I'm ruining this part), it will dawn on you as he tells the story to his friend, but, if not, at the end of the story, his friend says he would really like to see the house from the story. Carter replies that he can, or could have before it got too dark (because it is so dark at that point that the two men can't even see one another), because it's right over there.

And that is when things go to hell.

I liked this one a lot. That Lovecraft was willing to point out and, to a certain extent, even make fun of this failing of his as a writer, even in the midst of defending himself, is interesting to see. The story within the story becoming the setting for what happens in the story was also sufficiently subtle and interesting. I think this is possibly the most sophisticated of the stories I've read by him to date. Even if it does fall back to his favorite style of ending, which is, of course, the point.

Boyhood (a movie review post)

I think it's probably safe to say that there has never been any other movie quite like this one. Ambitious is an understatement; risky comes closer to the truth. If you don't know the idea, Richard Linklater, the writer/director, took a group of actors, two of them kids, and followed them for 12 years (not constantly: that would be insane) in order to show the life of a boy from 5 to 18. Every year or so, he would gather the primary actors and whatever extras he needed and film a few scenes for the movie. That way, we saw the same boy (Ellar Coltrane) as Mason and watched him grow up through the process of making the movie rather than seeing a bunch of different actors playing the same kid.

I've given it several days, and I'm still ambivalent as to how I feel about the movie. The best thing I can say is that it's very interesting. It really is. But it's not captivating, so there's no place it couldn't have stopped where you would want to know what's going to happen next. I say that because the movie is also long, nearly three hours, and it felt it. I was ready for it to end well before it got to the end, if you can even call it that, because, really, it just stops. But more on that in a moment.

One of the risks involved with shooting a movie like this is that you end up with kids who can't act, and you certainly see some of this in the film. In fact, Linklater's daughter, Lorelei, plays Mason's older sister, and there are definitely scenes in which she is only capable of nervous laughter. She sort of falls out of the movie as the kids get older, and I have to wonder if part of that is not because she couldn't actually do the acting. Many of the scenes involving Mason as a pre-teen and teen are rather flat due to the lack of ability on the part of the other child actors involved. It's just reciting lines and rather awkward. Fortunately, some of it can be awkward because kids can be really awkward, so it doesn't completely fail.

Patricia Arquette is pretty decent as Mason's mom. She's believable, which I guess is what's important. However, she is also central to my major issue with the movie. Not her, the character. The actual story arc of the movie is hers; Mason just sort of dangles from it. Not to be spoilery (because, really, there's nothing to spoil in this movie even if I told you everything that happened), but the great emotional climax of the movie is her moment at the end when Mason is moving out to go to college and she declares that, with him leaving, all of the great moments of her life are over. All of them except death. You grow up, you get married, you have kids, you get divorced, you raise the kids, and, then, they leave. After that, only death awaits. Mason does not take the moment of his departure seriously enough for her. He does not understand its weight.

But Mason does leave and arrives at college to meet his roommate and the movie ends as they and a couple of girls skip out on freshman orientation. It's not that Mason doesn't change in the movie, because, of course, he grows up, but, really, it is just growing up. There is nothing extraordinary about his life other than the fact that he's the artsy kid from a liberal family growing up in south Texas. I get the feeling that the real purpose of the movie is that Linklater wants us to see how he grew up. That he was that liberal, artsy kid growing up in south Texas, because he did grow up in south Texas. It didn't feel eye-opening or revelatory to me. My wife says it's because I was that same kid (without the experimental earring) growing up in the South. However, I felt no connecting or empathy with the character.

Mason's mostly absent father is played by Ethan Hawke. Now, I am not a fan of Hawke. As far as I'm concerned, he should have stopped acting after Dead Poets Society. In effect, every role he's had since then has been based off of Todd Anderson. Not one time did Hawke give in to that signature deer-caught-in-headlights look in this movie. And he was really good. I mean, he was really good. Maybe, Hawke needs to be allowed to improvise more of his roles, because that's how I understand this movie to have been made: through improvisation. Basically, Linklater gave them a scene and told them to do it. No scripts. Whatever they did, it really worked for Hawke. He was easily the best part of the movie.

So this is one of those situations where most of what I have done is point out the weaknesses in the movie, but, despite those, or, maybe, because of  those, I did actually like the movie. As I said, it's interesting. I don't have a desire to see it again, but I am certainly glad I saw it this one time. However, it's not the kind of movie you need to see in the theater. It's not going to lose anything by waiting to see it on DVD.

I do think it gives a mostly accurate representation of what it's like to be a boy in American society, right now. Young Mason really has no ambitions. He wants to play video games, and he gets in trouble a lot for things that look like he's being destructive but are really just because he's curious, like trying to sharpen rocks in the pencil sharpener. His sister, on the other hand, is very driven, at one point expressing her disappointment in only having gotten an A on something rather than an A+. There is a wide divide between the girls and the boys in that way. Mason's mother has gone back to school (and eventually becomes a college professor) so that she can better their lives; his father has gone off to Alaska and spends his 20s chasing his dream of becoming a musician. Mason, by the time he's leaving for college, wants to be a photographer.

All of which brings me back to being ambivalent over the film. I think what Linklater has done here is pretty darn impressive despite the lack of a real story arc or message. Which is not to say that the movie doesn't say anything. I think it says a lot of things, but it doesn't really have an actual point or message to it other than, "Here it is. Here is boyhood." And maybe that's all it's supposed to be, after all. But, then, I did experience that for myself (minus the spray paint, the underage drinking, and the drugs), so it wasn't particularly enlightening for me. In that respect, maybe it's a film that women need to see. My wife certainly got more out of it than I did.

Revisiting the Abandoned

As some of you will know (maybe most of you?), back in April, I did Abandoned Places as my A-to-Z theme. Alex wanted to know more about what went into that whole thing: where the idea came from, how I found the places, what kind of research was involved; so he asked me a bunch of questions about it. Because I'm (mostly) a nice guy (depending upon what day of the week it is (or whether you're asking my kids)), I answered them. You can see the whole thing over at the Blogging from A to Z Challenge blog, so you should probably hop over there and read that.

* * *

A while back I announced that I have a new thing coming out... um... I want to say soon, but my kids and back-to-school have completely derailed my process these past few weeks and, although I have finished writing it, it is mostly still only written in pen. None of which is the important part. As I said back when I announced this, I'm looking for a backup short story to go along with it. While I've had a few people express interest, I've had no one give me a firm commitment, as in "Hey! I have something written, and I would love for it to appear with your story!" So... If you have something written and you'd like for it to appear at the back of my vague and undescribed story, let me know. [If you're interested, I will tell you what the project is, but, otherwise, it's a secret until it's ready to go.

* * *

Speaking of new things, the new issue, the August issue, of Indie Writers Monthly is out!

There's tons of good stuff in each issue. Unless you're actually trying to weigh it, in which case, you'll find it's a bit hard to grasp being virtual and all that. My article in this issue is all about editing and softball. You should definitely check it out!

* * *

Just a reminder: My two sons have started up their own blog. It's called Aim for the Cat! Yes, there is a reference involved; no, I'm not going to tell you what it is. I'm assuming one of them will get around to explaining it at some point, but, hey, they are teenagers, so who can tell? Also, who can tell what they're going to talk about? So far the posts have been movie reviews, reflections on the state of the universe (or something like that), and Spore. If you don't know what Spore is, I suppose you'll just have to go over and find out. Oh, and while you're there, leave them an encouraging word or three.

* * *

And the last thing...

Well, I don't even know where to begin with the last thing. Most of you, being the people of the Internet that you are, will have heard or seen that Robin Williams is dead. I'm not one to get gushy over celebrities, but a few of them have been part of things (usually movies) that have been significant in my life. If you click my "Of Significance..." tab at the top of the page, you'll see that Dead Poets Society 

is (and has been) listed as one of my pieces of significance. That movie had a profound impact on me, and I have a sense of loss with passing of Williams. It's also very saddening that he had no one around him that could reach out and help.

I'm going to leave it at that.

Top Ten Movies and the Tree

Today is the FREE! release of "Part Seventeen: The Tree of Light"

Make sure you pick up your copy! (And more on that in a moment...) And notice the wonderful new cover by the fabulous Rusty Webb!

It's also the day of Alex Cavanaugh's Top Ten Movie thing (click the link for the list).

Let's get the movies out of the way first.

As per usual, I'm breaking the rules a bit. Many of the movies I list will be franchises rather than movies. Mostly, because devoting six of 10 spots to Star Wars seems a little redundant, and, well, even the least of the Star Wars movies is greater than most other movies. This will allow for more variety on my list. Oh, and I should also say that I kind of hate making lists like this, because, if I were to make the same list next week, it might be slightly different. That's why I have a "significance" page not a "favorites" page. The things that have been significant don't change. But enough of that; let's get to it...

Honorables:
Daredevil (2003) -- This was one of my top super hero movies until Marvel got into the game for real and started making their own movies. I still think it's one of the most watchable and is a great adaptation at the same time. It's completely underrated.

Ladyhawke (1985) -- During high school, my best friend and I spent the better part of a year watching this movie virtually every weekend. It almost made the actual top 10, but it's probably been too long since I've seen it to really know where it stands.

Fellowship of the Ring (2001) -- Fellowship was a great movie, perfectly captured the spirit of the books, and it deserves to be in the top 10. However, it fell off the list, because I don't feel compelled to put the other movies up there along with it, and it wasn't strong enough to stand next to the other top 10s all by itself.

Goonies (1985) -- This was the movie that my brother and his best friend watched almost every weekend for the better part of a year, and I often sat and watched it with them. [I know, you'd think I did nothing but watch movies when I was in high school, but most of this movie watching happened after midnight when it was too late to do anything else.] Then there was a period where my kids wore out this video, too.

10. Robin Hood (1973) -- The Disney version of Robin Hood was the first movie I ever fell in love with. And I did. I wanted to be Robin Hood, and he was the hero of my boyhood, along with Spider-Man, prior to Luke Skywalker.

9. Better Off Dead (1985) -- The other movie my best friend and I spent the better part of a year watching virtually every weekend. Even more than Ladyhawke. It was the most quoted movie of my high school career, especially, "Man, now that's a real shame when folks be throwin' away a perfectly good white boy like that."
And "I want my two dollars!"
And "Gee, I'm real sorry your <whatever bad thing just happened> blew up."
And... I need to stop, or I'll just quote the whole movie.
However, I do still use on my kids whenever we're having something they don't like for dinner, "It's got raisins in it... you like raisins."

8. Ferris Bueller's Day Off (1986) -- Not quite as quotable as Better Off Dead but so much more tapped into the souls of us all who grew up in the 80s. No one really wanted to be Lane Meyer, but we all wanted to be Ferris.

7. Toy Story (1995/1999/2010) -- One of the greatest movies about friendship ever made. And they just kept getting better. The third one made me cry. I don't know that there's more to be said than that.

The Incredibles (2004) -- My feelings about this movie can be summed up in the line, "When everyone's special, no one is." If you don't understand, you probably won't understand.

Ratatouille (2007) -- Similar in theme to Incredibles but with the addition of not dismissing someone because you think they know who they are.

6. E.T. the Extra-Terrestrial (1982) -- The second movie to ever make me cry (the first was The Fox and the Hound, which almost made the list) and possibly the event that nudged D&D into cultural awareness in any real sense. I'm still hoping, though, that Spielberg doesn't cave and make a sequel.

5. Iron Man (2008) -- The second virtually perfect super hero movie. I saw it three times its opening weekend (not, actually, on purpose) and could have gone back for more. Downey (whom I had been following since the 80s (Less Than Zero, anyone?)) was amazing. "I am Iron Man."

Captain America: The First Avenger (2011) -- The third virtually perfect super hero movie. Chris Evans was absolutely perfect for the role, and I was so relieved when they went with him (they almost didn't because of his portrayal of Johnny Storm). As with Iron Man, Marvel really captured the character and threw him up on the screen.

The Avengers (2012) -- I don't even know what to say about this one. Whedon tied all the other movies together perfectly. It stands as the masterpiece of superhero movies.

4. Spider-Man (2002/2004/2007) -- The movie I waited my whole life to see. Spider-Man has always been my favorite superhero. Always. I remember playing Spider-Man when I was four, maybe even three. He was always so cool with all the jokes and stuff, and, really, is there a better set of super powers? Not when you throw in how smart he is, there's not. Sam Raimi was the very first (director) to capture the essence of a comic book hero and throw it up on the screen for us to see. [Admittedly, Hugh Jackman's Wolverine was the very first perfect performance of a character in 2000's X-Men. Unfortunately, the X-Movies have been pushed too far down to make the list.] And it had the line "With great power comes great responsibility," unlike some lesser Spider-Man movies.

3. Indiana Jones (1981/1984/1989/2008) -- The greatest adventure movies ever made. Period. Adventure does have a name...

2. Dead Poets Society (1989) -- I left high school completely tired of math and science and being told I had to do something in math or science, or math and science. I was tired of having my math test scores waved in my face all the time. Drawing had already been squashed out of me, but writing had not. I was good at it. On the sly, my English teachers would let me know how good at it I was without talking about math or science. So I went on to college and immediately declared English as my major... only to have all of my advisors start yelling at me. But I held to it. I never doubted my decision, but that doesn't mean  that you know that you know that you're right. I walked out of DPS after my first year as an English major, and I knew that I knew that I'd made the right decision.

1. Star Wars (1977/1980/1983/1999/2002/2005) -- What can I say? Star Wars changed my life. Not that it didn't change the lives of lots of kids. Watching it that first time was like being in a darkened room, only you don't know that it's dark, and having someone flip on the light. It opened my mind and my imagination. And I watched it do that same thing to both of my boys. The flip of a switch. It was more gradual with my daughter, but it's there for her, too. It's the most quoted movie in our house. It's the most quoted movie of my life.
How could expect there to be anything different in this spot?

Shadow Spinner

Today is a big day for Shadow Spinner! It's the halfway point of the story, and there are some significant revelations. But no spoilers. Go read it if you want to know; after all, it's FREE! Well, today it is. And tomorrow. Here's the list of today's FREE! parts!

FREE! on Monday, March 18 and Tuesday, March 19:
"Part Seventeen: The Tree of Light"
FREE! only on Monday, March 18:
"Part Sixteen: The Dark Tree"
"Part Fifteen: Food of the Garden"
"Part Fourteen: Anger and Laughter"
"Part Eleven: The Kiss"
"Part Ten: The Broken Window"
"Part Nine: The Shadow of the Tree"
"Part Eight: The Cold and the Dark"
"Part Seven: The Moth and the Shadow"
"Part Five: The Police Car"
"Part Four: The Cop"
"Part Three: The Bedroom"
"Part Two: The Kitchen Table"
"Part One: The Tunnel"
Look at that! That's 14 out of 17 parts for FREE! But that's not all, because you can also get little tale that started all of this off:
"The Evil That Men Do"

As an added bonus, you can also find "Christmas on the Corner" available for FREE! To quote one reviewer's response to the novella, "What I liked best, and what surprised me most about this story was the amazing depth of emotion." Make sure you pick it up while you have  the chance to get it FREE!

And that will just about do me for today. Enjoy the movie list and pick up the FREE! stuff. Who can say no to FREE!, right?