It's been a long time since I was actively collecting and reading comics -- the 90s, in fact -- so I missed out on Miles Morales and Spider-Gwen and all of that. I keep up enough with the comics world to have a vague idea of what's going on, so I knew of their existence, but I've never read any of their comics. Spider-Ham, on the other hand... Well, I'm sure I have some Spider-Ham issues around somewhere. All of that to say that I really had no special knowledge going into this movie. All you need is the basic Spider-Man origin of a teenager being bitten by a radioactive spider (and the movie will fill you in on that much) to be able to sit down and enjoy this movie.
And there's no good reason for you not to enjoy this movie. It's full of humor and warmth and action and danger and humor. It will touch your heart. Unless your heart is full of gristle and is three sizes too small.
This includes those of you out there saying, "Not another Spider-Man movie!" because this is not just another Spider-Man movie. Sure, "Spider-Man" is in this movie, but the movie is about Mile Morales, not just another Spider-Man. Which is not to say that Miles is not a Spider-Man, because he is, but this isn't just another movie about Peter Parker, though it's that, too.
The thing I find most curious about Spider-verse is the choice of the Kingpin as the main villain. He's not a character you see much around Spider-Man anymore, despite his origin in The Amazing Spider-Man #50. Well, okay, as I already said, I don't read comics much anymore, so what do I know? Well, what I know is that Kingpin made a major shift over to Daredevil in the late 80s/early 90s and has supposedly been tormenting Murdock since then. And maybe the Punisher.
None of which is to say that Kingpin is a bad choice. He works well as the villain here, for reasons I won't say because they're a bit spoilery.
In fact, the whole movie works well, so much so that I want to see it again. And so do my kids, so that was a triple win.
There are a lot of... I suppose people would call them Easter eggs, but I think they're more like "in-jokes." Whatever you call them, I did notice that there were things that I laughed at that my kids didn't because they don't have the Spider-history that I have. Also, they didn't notice that they missed anything, so it's not impactful on the movie watching experience if you don't know anything about Spider-Man.
All of which is to say that Spider-Man: Into the Spider-verse is a great film and a must-see for any Spider-Man fan. And, if you're not a Spider-Man fan, you should probably see it anyway, because it really is a very good movie. Touching and heartwarming and all of that.
About writing. And reading. And being published. Or not published. On working on being published. Tangents into the pop culture world to come. Especially about movies. And comic books. And movies from comic books.
Showing posts with label Kingpin. Show all posts
Showing posts with label Kingpin. Show all posts
Tuesday, January 1, 2019
Thursday, May 24, 2018
Let's Talk Marvel and Netflix
The key to Marvel's success has always been integration. That was the heart of Stan Lee's original vision for the "universe," a place where all heroes (and us) existed simultaneously and, therefore, could interact with each other in one cohesive existence. It was a radical new approach to superhero comics (and one that DC still has not figured out, having had to relaunch their entire universe as recently as 2016, the second time they've done that this decade). Marvel has continued to model this initial idea throughout their history, carrying it into the MCU and to their various Netflix series.
And, yes, I know I'm a little late to the whole Netflix game (as far as reviews go), but I don't watch a lot of TV and never binge, so it takes me a while to get through these shows. However, now that I've finally finished The Defenders, I figured it was time to weigh in on the MNU (Marvel Netflix Universe); as such, this will be more like thoughts rather than any kind of review.
Let's go in order:
Daredevil: Overall, I thought Daredevil was great. It has the gritty feel of the Frank Miller era of the character with all of the struggles that come with that. They gave the series the right feel to make it believable as existing just beneath the MCU, beneath in that what's going on with Daredevil and his associates is beneath the notice of the "bigger" heroes dealing with global issues. And Charlie Cox is great in the role.
They also managed to avoid what was probably the biggest potential pitfall of introducing Daredevil as a character: the Hand. Despite the fact that this is a superhero show, this isn't the 80s anymore, and a secret organization of ninjas is actually less believable than a Norse god with a flying hammer or a guy who turns into a big, green rage monster.
What they didn't do well was the Kingpin, which is why I have to say the show is "overall" great and not just that it's a great show. Vincent D'Onofrio is wretched in the role, a whiny man-baby. Maybe it's not his fault; I'm not familiar enough with him as an actor to know if it was him or the writing or directing. What I know is that the Kingpin of the TV series is a pale reflection of the Kingpin of the comics, and I hated him. Not in a good way. It made me wish for Michael Clarke Duncan; now, there was a real Kingpin.
Then there's the Punisher... What a controversial character for our time. For all times since he was created, actually. The Daredevil/Punisher conflict is classic, and they did a great job with the introduction of Frank Castle and making him an appropriate anti-hero to go along with Matt Murdock.
Jessica Jones: A good, solid series. I like the character, and Krysten Ritter does a great job with her. David Tennant was fantastic as Kilgrave, as fantastic as D'Onofrio was un-fantastic. Of course, I'm also biased as Tennant goes: He was the second best Doctor ever. It was also nice to see the re-emergence of Carrie-Anne Moss.
But I don't thin they handled the story as well in this one. Strong start, wobbly finish. Don't ask me what about it; I don't, at this point, remember. Look, mind control is a powerful ability, maybe too powerful for what they were working with. It just felt like some of what they were doing toward the end of the series was... a little tenuous at best.
However, Mike Colter was great as Luke Cage, and I thought it was cool that they introduced him in this series.
Speaking of
Luke Cage: I wanted to like this show much more than I actually ended up liking it. Which is unfortunate because, as I said, in Jessica Jones, Mike Colter was great. And, actually, again in The Defenders, he is great. But in his own show...?
Okay, to be fair, I don't think it's him, because the problem was with all of the actors, which means, probably, the problem was with the director. Everyone had this slow, overly enunciated speech, so much so that it was distracting and felt unnatural. It's not at all how Colter delivered his lines in either Jones or the Defenders, so it was something specific to the Cage series. Erik LaRay Harvey suffered from it the most. He became unbelievable as a villain.
And he was already unbelievable as a villain, which is not to say that he was precisely unbelievable, but he was so cliche -- the out-of-favor half brother -- as to be unbelievable.
None of which is to say that I didn't like Luke Cage, but, by the time I got around to watching it, so many people were talking about it as if it was the best thing ever that I expected more out of it.
Having said all of that, Simone Missick was great as Misty Knight, though that was countered by Mahershala Ali being wasted in his role.
Which brings us to the apparently reviled Iron Fist.
I'm going to admit that I don't really understand the intense negative reaction to this show. It feels like one of those things that everyone decided not to like before they actually watched it, the reverse of everyone deciding they loved Luke Cage before they actually watched it. It's not that I don't understand that on the surface the show looks like just another rich, white super hero but, really, Iron Fist is much more nuanced than that. Which I don't want to get into because I'm not defending some white superhero.
The story is solid, and it leans on the origin of the character from the comic, just as Luke Cage, and all of Marvel's properties have so far, and I like that about what Marvel has been doing. They give the fans of the characters from the comics a thread to connect them rather than reinventing the character as something or someone s/he never was.
So, yeah, I liked the show.
And, man, I really want there to be some kind of Power Man and Iron Fist series, even if that's not what the call it.
Hmm... also, they really develop the Hand in the Iron Fist series which sets us up nicely for
The Defenders: Once again, Marvel shows us that they are the masters at taking disparate threads and drawing them together into one cohesive story. It's nice to see all of these characters come together, and not just the heroes, the side characters, too. In fact, it's the side characters who, in many ways, breathe real life into all of these series: Claire Temple, Foggy Nelson, Karen Page. Stick.
I like Stick.
Also Trish Walker and Misty Knight. I don't want to make it seem like it's only the Daredevil side characters I like. They just came first and have woven themselves through many of the other series as well, especially Claire. And Rosario Dawson is really good in the role.
So they pull all of these characters together and manage to mostly avoid the cliche "hero meets hero and so must fight"... but, well, where that does happen, it really works. Really. And that's all I'm going to say about that because I don't want to be all spoilery for anyone who is farther behind than I am.
So they pull all of these characters together to, of course, face off against a menace that no single one of them could handle alone. They do it well. The first half of the series is brilliant. Which brings us to the only weakness of the series: This conflict has been building and building through several of the other individual series and, then, it's just... over. It felt too abrupt to me. Too quick and easy. Not that it was easy, but... Yeah...
It's probably just me.
But, overall, still great. I'm looking forward to more.
Of all of it.
I can't wait to see where it goes and what other characters come in.
What Marvel is doing with Movies and TV is actually kind of amazing. The kind of thing that was said could never be done because the audience would never go for intricate, in depth, long term stories. I think it was probably just the (old, white) executives who couldn't understand intricate, in depth, long term stories. All I can say is that it's about time.
And, yes, I know I'm a little late to the whole Netflix game (as far as reviews go), but I don't watch a lot of TV and never binge, so it takes me a while to get through these shows. However, now that I've finally finished The Defenders, I figured it was time to weigh in on the MNU (Marvel Netflix Universe); as such, this will be more like thoughts rather than any kind of review.
Let's go in order:
Daredevil: Overall, I thought Daredevil was great. It has the gritty feel of the Frank Miller era of the character with all of the struggles that come with that. They gave the series the right feel to make it believable as existing just beneath the MCU, beneath in that what's going on with Daredevil and his associates is beneath the notice of the "bigger" heroes dealing with global issues. And Charlie Cox is great in the role.
They also managed to avoid what was probably the biggest potential pitfall of introducing Daredevil as a character: the Hand. Despite the fact that this is a superhero show, this isn't the 80s anymore, and a secret organization of ninjas is actually less believable than a Norse god with a flying hammer or a guy who turns into a big, green rage monster.
What they didn't do well was the Kingpin, which is why I have to say the show is "overall" great and not just that it's a great show. Vincent D'Onofrio is wretched in the role, a whiny man-baby. Maybe it's not his fault; I'm not familiar enough with him as an actor to know if it was him or the writing or directing. What I know is that the Kingpin of the TV series is a pale reflection of the Kingpin of the comics, and I hated him. Not in a good way. It made me wish for Michael Clarke Duncan; now, there was a real Kingpin.
Then there's the Punisher... What a controversial character for our time. For all times since he was created, actually. The Daredevil/Punisher conflict is classic, and they did a great job with the introduction of Frank Castle and making him an appropriate anti-hero to go along with Matt Murdock.
Jessica Jones: A good, solid series. I like the character, and Krysten Ritter does a great job with her. David Tennant was fantastic as Kilgrave, as fantastic as D'Onofrio was un-fantastic. Of course, I'm also biased as Tennant goes: He was the second best Doctor ever. It was also nice to see the re-emergence of Carrie-Anne Moss.
But I don't thin they handled the story as well in this one. Strong start, wobbly finish. Don't ask me what about it; I don't, at this point, remember. Look, mind control is a powerful ability, maybe too powerful for what they were working with. It just felt like some of what they were doing toward the end of the series was... a little tenuous at best.
However, Mike Colter was great as Luke Cage, and I thought it was cool that they introduced him in this series.
Speaking of
Luke Cage: I wanted to like this show much more than I actually ended up liking it. Which is unfortunate because, as I said, in Jessica Jones, Mike Colter was great. And, actually, again in The Defenders, he is great. But in his own show...?
Okay, to be fair, I don't think it's him, because the problem was with all of the actors, which means, probably, the problem was with the director. Everyone had this slow, overly enunciated speech, so much so that it was distracting and felt unnatural. It's not at all how Colter delivered his lines in either Jones or the Defenders, so it was something specific to the Cage series. Erik LaRay Harvey suffered from it the most. He became unbelievable as a villain.
And he was already unbelievable as a villain, which is not to say that he was precisely unbelievable, but he was so cliche -- the out-of-favor half brother -- as to be unbelievable.
None of which is to say that I didn't like Luke Cage, but, by the time I got around to watching it, so many people were talking about it as if it was the best thing ever that I expected more out of it.
Having said all of that, Simone Missick was great as Misty Knight, though that was countered by Mahershala Ali being wasted in his role.
Which brings us to the apparently reviled Iron Fist.
I'm going to admit that I don't really understand the intense negative reaction to this show. It feels like one of those things that everyone decided not to like before they actually watched it, the reverse of everyone deciding they loved Luke Cage before they actually watched it. It's not that I don't understand that on the surface the show looks like just another rich, white super hero but, really, Iron Fist is much more nuanced than that. Which I don't want to get into because I'm not defending some white superhero.
The story is solid, and it leans on the origin of the character from the comic, just as Luke Cage, and all of Marvel's properties have so far, and I like that about what Marvel has been doing. They give the fans of the characters from the comics a thread to connect them rather than reinventing the character as something or someone s/he never was.
So, yeah, I liked the show.
And, man, I really want there to be some kind of Power Man and Iron Fist series, even if that's not what the call it.
Hmm... also, they really develop the Hand in the Iron Fist series which sets us up nicely for
The Defenders: Once again, Marvel shows us that they are the masters at taking disparate threads and drawing them together into one cohesive story. It's nice to see all of these characters come together, and not just the heroes, the side characters, too. In fact, it's the side characters who, in many ways, breathe real life into all of these series: Claire Temple, Foggy Nelson, Karen Page. Stick.
I like Stick.
Also Trish Walker and Misty Knight. I don't want to make it seem like it's only the Daredevil side characters I like. They just came first and have woven themselves through many of the other series as well, especially Claire. And Rosario Dawson is really good in the role.
So they pull all of these characters together and manage to mostly avoid the cliche "hero meets hero and so must fight"... but, well, where that does happen, it really works. Really. And that's all I'm going to say about that because I don't want to be all spoilery for anyone who is farther behind than I am.
So they pull all of these characters together to, of course, face off against a menace that no single one of them could handle alone. They do it well. The first half of the series is brilliant. Which brings us to the only weakness of the series: This conflict has been building and building through several of the other individual series and, then, it's just... over. It felt too abrupt to me. Too quick and easy. Not that it was easy, but... Yeah...
It's probably just me.
But, overall, still great. I'm looking forward to more.
Of all of it.
I can't wait to see where it goes and what other characters come in.
What Marvel is doing with Movies and TV is actually kind of amazing. The kind of thing that was said could never be done because the audience would never go for intricate, in depth, long term stories. I think it was probably just the (old, white) executives who couldn't understand intricate, in depth, long term stories. All I can say is that it's about time.
Labels:
Charlie Cox,
Daredevil,
DC,
Defenders,
Iron Fist,
Jessica Jones,
Kingpin,
Luke Cage,
Mahershala Ali,
Marvel,
Mike Colter,
Misty Knight,
Netflix,
Punisher,
Rosario Dawson,
Scott Glenn,
Simone Missick,
Stan Lee,
Stick
Friday, June 26, 2015
Jurassic World (a movie review post)
The first thing I want to say about Jurassic World is that it was much better than I expected it to be. Much. I liked Jurassic Park well enough but the sequels were... well, they were less than good. None of it inspired high expectations from a movie that has the appearance of being nothing more than a car on the Chris Pratt star train. Which is nothing against Chris Pratt, because I've been a fan of his since season one of Parks and Recreation.
Since we're already talking about Pratt, let's just continue to do that. Pratt was fine. Good, even. But it wasn't a part that called for Pratt, and he didn't do anything to make it his, not like with Guardians of the Galaxy. Peter Quill is inseparable from Chris Pratt, because Pratt made that part his. The most that the part of Owen Grady called for was for Pratt to be "a badass," or at least to look like one. He pulled that off, but it didn't take any particular acting skill.
Bryce Dallas Howard, on the other hand, does show considerable skill as the aloof Claire. It's not a role I've seen her play before; though, to be fair, I haven't seen her in a lot. Still, I think she did a good job as the woman trying to be in total control. Of everything.
The one I was really impressed with was Vincent D'Onofrio. I kept looking at him and wondering where I'd seen him before and just couldn't put my finger on it. I had to look up that he's the Kingpin in the current Daredevil series from Netflix. The two roles are widely divergent and, while I think he is the weak link in Daredevil, I now think it's because of some combination of the writing and directing rather than him just being a poor actor.
For Jurassic World, the kids prove to be the weakest element. Neither of them are completely convincing, though I think it's due at least in part to weak writing. Like the scene where Gray unexpectedly breaks down comes out of nowhere and is included just to make explicit something the writers had failed to be previously explicit about. Also, Zach's interest in girls. Which isn't odd except that they firmly establish that he has a girlfriend then repeatedly show him checking out other girls but that doesn't go anywhere have any impact on anything. It adds nothing to the story other than to muddle his personality.
Beyond that, the issues are only details, though there were two that bothered me more than the others. The first was the eggs hatching during the opening credits, which was completely wrong. Things that hatch from eggs hatch with their beaks and, if they don't have beaks, they generally have an egg tooth. Sometimes, they have both. The other thing was the kids getting one of the abandoned cars started, a 20 year abandoned car. I don't know much about cars, but I know enough to know that 1. car batteries don't hold a charge for that long and 2. even if they did, gasoline actually goes "bad." The idea that the boys, who had only ever helped work on a car once, could get one of those jeeps working was pretty much ludicrous.
BUT! Overall, it was a pretty decent movie and certainly worth seeing on the big screen. Despite Pratt not really being in a role that called for him, he was good, and his character was certainly the most interesting. Besides, the scene where he rides his motorcycle along with the velociraptors is almost worth the cost of the movie.
Since we're already talking about Pratt, let's just continue to do that. Pratt was fine. Good, even. But it wasn't a part that called for Pratt, and he didn't do anything to make it his, not like with Guardians of the Galaxy. Peter Quill is inseparable from Chris Pratt, because Pratt made that part his. The most that the part of Owen Grady called for was for Pratt to be "a badass," or at least to look like one. He pulled that off, but it didn't take any particular acting skill.
Bryce Dallas Howard, on the other hand, does show considerable skill as the aloof Claire. It's not a role I've seen her play before; though, to be fair, I haven't seen her in a lot. Still, I think she did a good job as the woman trying to be in total control. Of everything.
The one I was really impressed with was Vincent D'Onofrio. I kept looking at him and wondering where I'd seen him before and just couldn't put my finger on it. I had to look up that he's the Kingpin in the current Daredevil series from Netflix. The two roles are widely divergent and, while I think he is the weak link in Daredevil, I now think it's because of some combination of the writing and directing rather than him just being a poor actor.
For Jurassic World, the kids prove to be the weakest element. Neither of them are completely convincing, though I think it's due at least in part to weak writing. Like the scene where Gray unexpectedly breaks down comes out of nowhere and is included just to make explicit something the writers had failed to be previously explicit about. Also, Zach's interest in girls. Which isn't odd except that they firmly establish that he has a girlfriend then repeatedly show him checking out other girls but that doesn't go anywhere have any impact on anything. It adds nothing to the story other than to muddle his personality.
Beyond that, the issues are only details, though there were two that bothered me more than the others. The first was the eggs hatching during the opening credits, which was completely wrong. Things that hatch from eggs hatch with their beaks and, if they don't have beaks, they generally have an egg tooth. Sometimes, they have both. The other thing was the kids getting one of the abandoned cars started, a 20 year abandoned car. I don't know much about cars, but I know enough to know that 1. car batteries don't hold a charge for that long and 2. even if they did, gasoline actually goes "bad." The idea that the boys, who had only ever helped work on a car once, could get one of those jeeps working was pretty much ludicrous.
BUT! Overall, it was a pretty decent movie and certainly worth seeing on the big screen. Despite Pratt not really being in a role that called for him, he was good, and his character was certainly the most interesting. Besides, the scene where he rides his motorcycle along with the velociraptors is almost worth the cost of the movie.
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