A bit over six months ago, I reviewed The Skin Map, which I did not so much enjoy. However, Stephen Lawhead is one of my favorite authors, so I didn't give up on the series. It's a good thing, too, and this is one of the reasons I tend to persevere through books that don't necessarily seem all that great at the beginning, because the second book in the Bright Empire series, The Bone House, was excellent. It really was Lawhead at his finest, and the shape of the overall series is beginning to come into view by the conclusion of this second book.
On the surface, the series is all about time travel and the search for an ultimate treasure, but that's just the book at a glance and not what it's about at all. Rather than time travel, the books deal with multiple dimension theory, and Lawhead weaves this in as the backdrop to his story rather flawlessly. The only thing I have any complaint about are the squalls that happen any time the characters ley travel. That one thing seems a little overly dramatic, but the emphasis on that occurrence has lessened in the second book, so at least it's not right in my face anymore.
The dimensional travel is made more complex by the fact that the time streams of the various dimensions don't line up, so one can travel to all sorts of different times, so there is time travel, but it's not the typical kind of time travel where there's all the angst over what you can and can't do because you don't know what kind of paradoxes you might create. It's so nice not to have to deal with that, because, at this point, that bit of conflict in time travel stories has been done to death. And the truth is, in Bright Empires, the characters don't really know what they're doing or what kind of impact they may have or how changing things in one dimension may cause ripples in another, so that's rather interesting, too.
Kit, whom I did not care for in The Skin Map, is beginning to come into his own. He's no longer just letting things happen to him, and he's figuring out who he is. Still, his importance to the story seems somewhat questionable, but there is the glimmer of potential about him that was lacking in the first book. His willingness to learn and his search for knowledge gives us enough to want him to succeed as opposed to his whiny complaining in the previous book.
This book still gives us many different character perspectives, but Lawhead seems to have a better grip on the transitions between so many characters this time, and, instead of it being annoying and disjointed, you can begin to see the tapestry that Lawhead is weaving. You can see how the different threads relate and come together and, even, begin to anticipate some of them. It has the look of a complex story that will be satisfying to watch come together.
And, I have to say, I can't wait to get on to the third book, The Spirit Well.
One last note about persevering through books that start slow or don't seem that great at the beginning:
Yes, I know some of them don't get better. Some books are just bad or you don't enjoy them or whatever, BUT, sometimes, the book (or series) is good, and you just give up on it too soon. I see so often, not the least from agents, that there is no point in reading a book if it doesn't hook you on the first page or, even, the first paragraph, and I can't say how much I disagree with that viewpoint. Some of the best books I've ever read have taken a considerable investment from me to get into them or through them or whatever, but they were worth it. If I listened to these people that say to stop reading right away if you don't love it right away, I would never have read those books, and that would have been my own personal loss. If I'd quit reading Bright Empires because I wasn't enjoying The Skin Map, I would never have gotten to The Bone House, so, if you have any cause to believe that a book is good despite your first impression of it, I would urge you to persevere. You don't know what you might miss.
About writing. And reading. And being published. Or not published. On working on being published. Tangents into the pop culture world to come. Especially about movies. And comic books. And movies from comic books.
Showing posts with label perseverance. Show all posts
Showing posts with label perseverance. Show all posts
Thursday, May 9, 2013
Sunday, December 2, 2012
Investing in a Line
'Tis the season of lines. You know it's true. They can't be avoided. The worst are the traffic lines, and they started a few weeks ago where I live. Traffic on the road and lines to park. Although, maybe, those shouldn't be called lines, because it's more like sharks circling before killing a parking space.
But I'm not here to talk about traffic or trying to park when you're just trying to stop at the grocery store to pick up something for dinner. Seriously, what do those people eat the rest of the year, because they certainly aren't shopping at Safeway. Okay, forget that question; I actually know the answer to that one, which is why it violates my space to have all those people crowding my store when they're busy at <insert name of fast food establishment here> the rest of the year.
No, no... forget the lines outside of the store; let's talk about the ones inside.
I hate lines. Not because I hate the lines in-and-of themselves so much, but because I can't choose a good line to save my life. Seriously, if there were 10 lines and some guy told me to pick one but that if I picked the slowest one, I'd get shot in the head... well, I'd have a hole in my head. Every time. Because, you know, just one hole isn't enough. Anyway... I'm not just saying this. Yeah, I know that everyone feels this way about it, that whatever line you pick is the slowest. I get that everyone feels that way, but it's just not true for you people out there. I have third party verification, and my wife pretty much won't let me pick a line for anything when she's with me.
You don't believe me, do you? Well, let me give you an example:
A couple of weeks ago, I was at said grocery store to pick up a few things. It just so happened to be kind of busy (for no good reason), and I got stuck needing to pick a line. I had four choices (because the 5th choice was the express lane, and I had more than 15 items, so that one was out), and I evaluated carefully. Three of the lines had three or more people waiting in them after the person that was being checked out; the other line only had one person waiting in it after the person that was being checked out. Okay, so I had a short line, but that's not good enough, so I looked to see who was checking in each line (remember, I shop here a lot, so I kind of know who's good and who's not). One line had a newish girl checking that I'd only seen once before, so I slid her to the end of my list because I didn't know enough about her. The next two were women I'd consider "normal" checkers, which is fine. But the short line... I couldn't see who was checking in that line. I thought it was because I just couldn't see her, so, based on what I knew, I took the short line.
A moment after I stepped into line, I discovered the reason I couldn't see the checker: she hadn't been there. But she was coming back, so it was okay, right? Well, except that I knew this was one of those kind of hyper checkers that seems busier than they are. But I was in the line... See, by stepping into the line, I'd invested in it. It was now "my line." So I stood there... and watched the checker almost immediately leave again.
What was going on?
I glanced over at the other lines, and they had gotten longer. And, soon, someone got behind me strengthening my investment in this particular line. The checker didn't come back... she didn't come back some more... and, then, she did, but she left, again!, almost immediately.
The other lines had not shortened, but I did see that in one of the lines the person I would have been behind was leaving... and I hadn't moved. Because the checker was now flitting about between her register and some other register, but, see, now I had invested time in this line, and there was someone behind me, meaning I would lose my place if I moved. The woman in front of me, the woman that was "next" looked back at me with a look that reflected how I felt, and I thought, "screw this," and I got out of line and stepped down to the new girl's line. Her line was moving at least twice as fast as the next fastest line.
Here's the thing: I'm not usually willing to change lines. I'm more the kind to pick my line and stay with it no matter what. It's my line, darn it, and I'm keeping it! No matter how slow it is. I mean, theoretically, it all evens out, right? Sometimes you get a slow one, sometimes a fast one... but not in my case. I always get the slow one, and I always stay with it to the end. But not that time... That time I decided to change lines.
I got into my new line, and it wasn't long before someone got behind me. I turned and looked, and it was the woman that had been in front of me in the other line. We kind of laughed, and, then, she started talking about how that checker kept leaving, and it sounded like that woman had been in the line about twice as long as I had been before I left it, but it took me being willing to move to another line for her to also switch. She had been even more invested in it than me.
The newish girl was fast. When I was walking out of the store, that other checker still wasn't back at her register. I'm not sure what was going on there, but that same person was still standing there with her stuff half way checked out, and the person that had been behind me had moved up to "next." I suppose he thought he was getting a good deal when both people in front of him moved, but he should have seen it as a lesson.
Anyway... Sometimes, we get invested in things that are not good for us or aren't going anywhere. Those things can often be difficult to see. I mean, you never know when a line might start moving, and, the longer you spend in it, the more you don't want to give up your spot to go get at the end of some other line. I get that. Like I said, I'm the guy that will tough out the slow line again and again because I'm already in it. But this experience with switching lines gave me a slightly different perspective on things. I think perseverance is good. I mean, I think it's great. We all need to have it, especially in the writing business. Stick it out. Often, it's just the person willing to stick it out that makes it. So I'm not saying you should become one of those wacky people that switches lines all the time trying to work out which is the fastest.
No, I'm not saying that at all. What I am saying, though, is, once you have picked your line, don't close off the possibility to trying other things. Keep your eyes open. Continue to evaluate the situation. If you see something that looks like a better opportunity, don't let your investment in a particular line stop you from taking or, at least, exploring the other option. Don't think that you can't switch to a faster line.
Of course, my usual experience with that is that the new line stops moving after I switch, but, I guess, that's the kind of risk you have to be willing to take. Evidently, sometimes, it pays off.
[Update: Just this past Saturday, I had to pop down to Safeway. I picked a good line with a good checker. I got up to "next," the a new checker came and took over checking for the person in front of me. A not good checker. I groaned on the inside, but I stayed where I was. I was "next," but, more than that, I had all my stuff on the counter already, and there was a line of people behind me. I watched four people in the next line get checked out before I got my turn in my line. See, I just can't pick lines.]
But I'm not here to talk about traffic or trying to park when you're just trying to stop at the grocery store to pick up something for dinner. Seriously, what do those people eat the rest of the year, because they certainly aren't shopping at Safeway. Okay, forget that question; I actually know the answer to that one, which is why it violates my space to have all those people crowding my store when they're busy at <insert name of fast food establishment here> the rest of the year.
No, no... forget the lines outside of the store; let's talk about the ones inside.
I hate lines. Not because I hate the lines in-and-of themselves so much, but because I can't choose a good line to save my life. Seriously, if there were 10 lines and some guy told me to pick one but that if I picked the slowest one, I'd get shot in the head... well, I'd have a hole in my head. Every time. Because, you know, just one hole isn't enough. Anyway... I'm not just saying this. Yeah, I know that everyone feels this way about it, that whatever line you pick is the slowest. I get that everyone feels that way, but it's just not true for you people out there. I have third party verification, and my wife pretty much won't let me pick a line for anything when she's with me.
You don't believe me, do you? Well, let me give you an example:
A couple of weeks ago, I was at said grocery store to pick up a few things. It just so happened to be kind of busy (for no good reason), and I got stuck needing to pick a line. I had four choices (because the 5th choice was the express lane, and I had more than 15 items, so that one was out), and I evaluated carefully. Three of the lines had three or more people waiting in them after the person that was being checked out; the other line only had one person waiting in it after the person that was being checked out. Okay, so I had a short line, but that's not good enough, so I looked to see who was checking in each line (remember, I shop here a lot, so I kind of know who's good and who's not). One line had a newish girl checking that I'd only seen once before, so I slid her to the end of my list because I didn't know enough about her. The next two were women I'd consider "normal" checkers, which is fine. But the short line... I couldn't see who was checking in that line. I thought it was because I just couldn't see her, so, based on what I knew, I took the short line.
A moment after I stepped into line, I discovered the reason I couldn't see the checker: she hadn't been there. But she was coming back, so it was okay, right? Well, except that I knew this was one of those kind of hyper checkers that seems busier than they are. But I was in the line... See, by stepping into the line, I'd invested in it. It was now "my line." So I stood there... and watched the checker almost immediately leave again.
What was going on?
I glanced over at the other lines, and they had gotten longer. And, soon, someone got behind me strengthening my investment in this particular line. The checker didn't come back... she didn't come back some more... and, then, she did, but she left, again!, almost immediately.
The other lines had not shortened, but I did see that in one of the lines the person I would have been behind was leaving... and I hadn't moved. Because the checker was now flitting about between her register and some other register, but, see, now I had invested time in this line, and there was someone behind me, meaning I would lose my place if I moved. The woman in front of me, the woman that was "next" looked back at me with a look that reflected how I felt, and I thought, "screw this," and I got out of line and stepped down to the new girl's line. Her line was moving at least twice as fast as the next fastest line.
Here's the thing: I'm not usually willing to change lines. I'm more the kind to pick my line and stay with it no matter what. It's my line, darn it, and I'm keeping it! No matter how slow it is. I mean, theoretically, it all evens out, right? Sometimes you get a slow one, sometimes a fast one... but not in my case. I always get the slow one, and I always stay with it to the end. But not that time... That time I decided to change lines.
I got into my new line, and it wasn't long before someone got behind me. I turned and looked, and it was the woman that had been in front of me in the other line. We kind of laughed, and, then, she started talking about how that checker kept leaving, and it sounded like that woman had been in the line about twice as long as I had been before I left it, but it took me being willing to move to another line for her to also switch. She had been even more invested in it than me.
The newish girl was fast. When I was walking out of the store, that other checker still wasn't back at her register. I'm not sure what was going on there, but that same person was still standing there with her stuff half way checked out, and the person that had been behind me had moved up to "next." I suppose he thought he was getting a good deal when both people in front of him moved, but he should have seen it as a lesson.
Anyway... Sometimes, we get invested in things that are not good for us or aren't going anywhere. Those things can often be difficult to see. I mean, you never know when a line might start moving, and, the longer you spend in it, the more you don't want to give up your spot to go get at the end of some other line. I get that. Like I said, I'm the guy that will tough out the slow line again and again because I'm already in it. But this experience with switching lines gave me a slightly different perspective on things. I think perseverance is good. I mean, I think it's great. We all need to have it, especially in the writing business. Stick it out. Often, it's just the person willing to stick it out that makes it. So I'm not saying you should become one of those wacky people that switches lines all the time trying to work out which is the fastest.
No, I'm not saying that at all. What I am saying, though, is, once you have picked your line, don't close off the possibility to trying other things. Keep your eyes open. Continue to evaluate the situation. If you see something that looks like a better opportunity, don't let your investment in a particular line stop you from taking or, at least, exploring the other option. Don't think that you can't switch to a faster line.
Of course, my usual experience with that is that the new line stops moving after I switch, but, I guess, that's the kind of risk you have to be willing to take. Evidently, sometimes, it pays off.
[Update: Just this past Saturday, I had to pop down to Safeway. I picked a good line with a good checker. I got up to "next," the a new checker came and took over checking for the person in front of me. A not good checker. I groaned on the inside, but I stayed where I was. I was "next," but, more than that, I had all my stuff on the counter already, and there was a line of people behind me. I watched four people in the next line get checked out before I got my turn in my line. See, I just can't pick lines.]
Subscribe to:
Posts (Atom)
