The apartment was dark as I entered it, which was not unusual, as I never left the lights on when I left. It's just that it seemed darker than usual, more foreboding, even with the television set on, its light serving only to deepen the shadows in the rest of the room, broken only by the flickering of people moving about on the screen. The low murmur of voices, not quite intelligible, gave the room the feeling of a hospital room with doctors and family whispering just outside of the rooms of dying patients. It sent a chill through me and turned my arms to goose flesh.
The television being on was a problem; I was sure I hadn't left it on, hadn't even been watching it before I'd left my apartment earlier in the evening; yet, on it was. A shiver began to work itself through my body as I watched the eerie light glinting off of the hard surfaces in the room. The surface of my little dining table. The glass in the picture frame on the bookshelf. The whisky bottle dangling from the fingers of the body in my easy chair... The shiver turned violent as I realized there was somebody in my easy chair.
What the fuck! There was somebody sitting in my easy chair!
I stood by the door trying to get my shaking under control and trying not to breathe. Trying to hear beyond the sounds and knocking of my body. The beating of my heart. The rushing of my blood. The ocean roaring in my ears. Trying not to give in to the vertigo I felt as the room spun around me.
I stood there, frozen, like a squirrel in front of a car... like a squirrel in front of a car... like a squirrel...
There was something about a squirrel. A squirrel leaping from my hands and dying. Unless I was the squirrel. Was I the squirrel? Was I the squirrel about to leap and die, or was I stuck in place and about to get run down? Was death my only option here?
I stared at the body in my chair and realized that his face was turned toward me and that one large eye was open and staring at me. I quit breathing. I had already been seen!
Dizziness began to overtake me, and real panic set in. Even more real panic. I was going to pass out right in front of the intruder in my house! I was just going to fall down and die for him, and there was nothing I was going to be able to do about it. Not literally die, of course, except in the way that he would be able to kill me without a fight when I fainted. As if I was any kind of fighter to begin with.
Can you black out while standing up? I don't know if that's possible, but I think I did. All I know is that time passed, some quantity of time that I'm unaware of but enough of it that I knew that time had passed. Time had passed and the person in the chair hadn't moved. At all. Not even blinked, from what I could tell. At least, once I came back to my senses and continued to stare at the intruder, he never blinked. And his mouth was slightly ajar, chin slack, and he never closed his mouth. His tongue must have been completely dry; I had a sympathetic gush of saliva at the thought.
Was he asleep with his eye open? Because I realized, soon, that the eye wasn't looking at me. It was just staring... at I don't know what. It was flat and dull and as unmoving as the body. I felt drawn to it and, without really meaning to, took a step toward it.
There was a smell in the air, a stench. Or, at least, I imagined there was. Dead bodies are supposed to stink, right? But I don't know if there was anything I could smell or not. Even once I found myself standing over the body, the smell may have just been the result of my revulsion. My revulsion at having someone break into my apartment and die in my chair while drinking my whiskey. How sick is that?
The body was already bloated... Wait, how long did it take a body to become bloated? I don't think it's at all possible that there would have been time for that. I wasn't gone all that long. Had someone broken into my place for the purpose of dumping a bloated corpse? Who would do something like that? I felt sick...
But I kept staring at the dead thing in my chair, the t-shirt spread too tightly over the now expansive belly, the taut skin, ...the empty eyes. A chill spread through my body as I began to realize the person in the chair, the ex-person in the chair, seemed familiar. Very familiar.
The body in the chair... was me.
About writing. And reading. And being published. Or not published. On working on being published. Tangents into the pop culture world to come. Especially about movies. And comic books. And movies from comic books.
Showing posts with label corpse. Show all posts
Showing posts with label corpse. Show all posts
Tuesday, October 30, 2018
Friday, July 17, 2015
"The Nameless City" (a book review post)
[Note: I am working my way through a complete collection of H. P. Lovecraft's works. Although I will give my thoughts about Lovecraft in a more general sense when I've finished the collection, I think it's worthwhile to look at the individual stories (or at least some of them) as I'm going through.]
"The Nameless City" is a city so horrible and horrifying that it doesn't even have a name, hence the title. It's only spoken about in whispers and as threats to children and its facts have long been lost in antiquity. It's the murmurings that draw the unnamed protagonist to find it, but just its skeleton in the desert causes such fear in the man, he says that no other has even known fear like him.
So, of course, he goes in.
But he does wait till morning.
Lovecraft's writing is very atmospheric, and the city he describes is truly creepy. Not just because it's abandoned but because it's... alien. All of the proportions are wrong, not to mention the strange winds and noises.
And anything else I say about it would be getting into spoiler territory. I'll say this, though: I was not satisfied with the ending. Everything else was great. Lovecraft's language and imagery make it a story well worth reading despite the ending, and, I think, other people may not have the issue with the ending that I had. Which I can't talk about without giving it away. If you like stuff like this:
"The Nameless City" is a city so horrible and horrifying that it doesn't even have a name, hence the title. It's only spoken about in whispers and as threats to children and its facts have long been lost in antiquity. It's the murmurings that draw the unnamed protagonist to find it, but just its skeleton in the desert causes such fear in the man, he says that no other has even known fear like him.
So, of course, he goes in.
But he does wait till morning.
Lovecraft's writing is very atmospheric, and the city he describes is truly creepy. Not just because it's abandoned but because it's... alien. All of the proportions are wrong, not to mention the strange winds and noises.
And anything else I say about it would be getting into spoiler territory. I'll say this, though: I was not satisfied with the ending. Everything else was great. Lovecraft's language and imagery make it a story well worth reading despite the ending, and, I think, other people may not have the issue with the ending that I had. Which I can't talk about without giving it away. If you like stuff like this:
"...afar I saw it protruding uncannily above the sands as parts of a corpse may protrude from an ill-made grave."then you will like "The Nameless City."
Tuesday, October 29, 2013
Vampires: Day 3 -- How To Be... a Vampire
Back in April, as part of the A to Z challenge, I did a post on how to be a werewolf; that post has gone on to be my most viewed post ever. The post was almost about how to be a vampire, but I figured that was just too done and, then, there's the whole thing where I'm not such a huge vampire fan and all, so I decided on werewolves. However, now, six months later, as a follow up to A to Z, here's how to be... a vampire!
Vampires and werewolves have a lot of associated legends and mythologies. In fact, in some places the name for the two things used to be the same. This is not as odd as it sounds as one of the best ways to become a vampire is to start out being a werewolf. Wait, what? No, seriously. According to many legends, if you die as a werewolf (which can be more difficult than it sounds, since it's relatively easy (in some legends) to change someone back to human (sometimes accomplished just by saying the person's name (see the post))) and are not disposed of properly, you will come back as an undead that needs blood to survive, so a vampire. However, you would retain your ability to change into a wolf, which is related to so many of the legends dealing with the associations between wolves and vampires.
Interestingly enough, all of the vampire legends begin with blood-drinking demons. These go back thousands of years, and, sorry, but I don't think there's anything you can do to become a demon. The earliest vampire legends, which don't even go back 1000 years, all have to do with demonic possession, usually after you were dead. For instance, if you had a wound that was not cleansed with boiling water and you died, you could come back as a vampire. In fact, for a while, people thought just about anything could cause your corpse to become possessed by a blood-drinking demonic spirit and come back and ravage the local village. Corpses were often buried face down because of this. That way, when they tried to dig to the surface, they'd go the wrong way. Crafty, huh?
And, as an aside, many (unrelated) cultures believed these undead had a thing for counting. The Chinese would bury the dead with a bag of rice so that when the vampire awoke, it would compulsively count the grains before attempting to rise. Other cultures used sand. That whole Count von Count thing?
Totally true.
Anyway...
Most of our modern views of vampires didn't come about until the 19th century. And most of those grew out of one book: Dracula by Bram Stoker.
The conversion to a vampire, as soon by Stoker, happened by being fed upon over time. Dracula feeds on Lucy over a sustained period until she dies and, then, comes back as a vampire. The same was happening to Mina and, even, Harker. The idea of needing to share the vampire's blood was not actually part of the transformation process; however, it did allow the vampire telepathic control over the victim. We've incorporated both of those ideas into our modern view of vampires.
The sustained feeding idea has also given rise to the idea of it being a pathology. A disease that you catch. So we have three basic views on vampirism: spiritual, mystical, and physical, which give rise to different variations on how to become a vampire based upon which view you hold.
In short, you have three options:
1. You have no control. Your dead body becomes possessed by a blood-sucking demon. Possibly, you can help that to happen by having uncleaned wounds that you die of, but it's no guarantee.
2. You have some control. Become a werewolf. Try to make sure that you die while still a werewolf and hope that no one disposes of your body in a way as to keep you from returning as the undead.
3. You might have some control. First, you have to meet a vampire. This could be difficult as they don't go around handing out business cards. If you find a vampire, convince him/her to turn you into one, too. Mostly, this is going to involve the vampire biting you. You will just have to trust the vampire to do whatever needs to be done to make you into one.
Also, you could learn the special math formula from Briane Pagel's excellent novelette, "Augurs of Distant Shadow," currently found exclusively in "Shadow Spinner: Collection 2: The Man with No Eyes (Parts 6 - 12)."
Oh, no, wait; I deleted the formulas so that no one else could become a vampire, but you should still read the story! And Shadow Spinner, too!
Vampires and werewolves have a lot of associated legends and mythologies. In fact, in some places the name for the two things used to be the same. This is not as odd as it sounds as one of the best ways to become a vampire is to start out being a werewolf. Wait, what? No, seriously. According to many legends, if you die as a werewolf (which can be more difficult than it sounds, since it's relatively easy (in some legends) to change someone back to human (sometimes accomplished just by saying the person's name (see the post))) and are not disposed of properly, you will come back as an undead that needs blood to survive, so a vampire. However, you would retain your ability to change into a wolf, which is related to so many of the legends dealing with the associations between wolves and vampires.
Interestingly enough, all of the vampire legends begin with blood-drinking demons. These go back thousands of years, and, sorry, but I don't think there's anything you can do to become a demon. The earliest vampire legends, which don't even go back 1000 years, all have to do with demonic possession, usually after you were dead. For instance, if you had a wound that was not cleansed with boiling water and you died, you could come back as a vampire. In fact, for a while, people thought just about anything could cause your corpse to become possessed by a blood-drinking demonic spirit and come back and ravage the local village. Corpses were often buried face down because of this. That way, when they tried to dig to the surface, they'd go the wrong way. Crafty, huh?
And, as an aside, many (unrelated) cultures believed these undead had a thing for counting. The Chinese would bury the dead with a bag of rice so that when the vampire awoke, it would compulsively count the grains before attempting to rise. Other cultures used sand. That whole Count von Count thing?
Totally true.
Anyway...
Most of our modern views of vampires didn't come about until the 19th century. And most of those grew out of one book: Dracula by Bram Stoker.
The conversion to a vampire, as soon by Stoker, happened by being fed upon over time. Dracula feeds on Lucy over a sustained period until she dies and, then, comes back as a vampire. The same was happening to Mina and, even, Harker. The idea of needing to share the vampire's blood was not actually part of the transformation process; however, it did allow the vampire telepathic control over the victim. We've incorporated both of those ideas into our modern view of vampires.
The sustained feeding idea has also given rise to the idea of it being a pathology. A disease that you catch. So we have three basic views on vampirism: spiritual, mystical, and physical, which give rise to different variations on how to become a vampire based upon which view you hold.
In short, you have three options:
1. You have no control. Your dead body becomes possessed by a blood-sucking demon. Possibly, you can help that to happen by having uncleaned wounds that you die of, but it's no guarantee.
2. You have some control. Become a werewolf. Try to make sure that you die while still a werewolf and hope that no one disposes of your body in a way as to keep you from returning as the undead.
3. You might have some control. First, you have to meet a vampire. This could be difficult as they don't go around handing out business cards. If you find a vampire, convince him/her to turn you into one, too. Mostly, this is going to involve the vampire biting you. You will just have to trust the vampire to do whatever needs to be done to make you into one.
Also, you could learn the special math formula from Briane Pagel's excellent novelette, "Augurs of Distant Shadow," currently found exclusively in "Shadow Spinner: Collection 2: The Man with No Eyes (Parts 6 - 12)."
Oh, no, wait; I deleted the formulas so that no one else could become a vampire, but you should still read the story! And Shadow Spinner, too!
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