The Gate To Women's Country (a book review post)

Generally speaking, post-apocalyptic books aren't my thing. Post-apocalyptic stories tend to revolve around one thing: how horrible everything is after the apocalypse. This book is not like that. Refreshingly so.

In fact, I didn't know I was reading something post-apocalyptic at first. Yes, that means I didn't know what the book was about. My wife told me I should read it, and I did, and I did that without reading the back cover blurb or anything. Yeah, I trust my wife that much. Her reading standards are much higher than mine, and mine are already pretty darn high. Basically, if she tells me I'm going to like something, I can believe that that is true.

So, yeah, I started reading it without knowing it was post-apocalyptic, so when I got to the part of the story that revealed it was a future society, not just some alternate or fantasy society, it was really an "oh, wow" moment. And, yes, I do realize I ruined that for any of you who might decide to pick the book up, but, really, how many of you were actually not going to read the back cover? That's what I thought, so get off my case. It's right there on the back, so I'm not spoiling anything!

I'm going to make a comparison, now. Everyone loves Ender's Game because they were caught off guard by the ending. Everyone is always, "Oh, wow! I didn't see that coming!" But not me. Not only did I figure out what was going on before the reveal, I knew what was going on almost as soon as it started happening. I liked the book, but there was nothing surprising about the ending to me, and, what's more, at the time I read it, I didn't know the ending was supposed to be a twist. It just seemed the natural outcome to me. I was surprised to find out that other people were surprised by the ending.

The Gate To Women's Country was more like The Sixth Sense in that regard for me. All of the clues as to what is actually going on in that movie are right there in the movie, but you don't see them for what they are. It makes the movie even more brilliant, because you can go back and watch it again and see how all the pieces are laid out and see how you just missed putting them together because you were too caught up in the story. It's rather like missing the forest for the trees.

There is a thing going on in The Gate To Women's Country that's rather brilliant, but what makes it more brilliant is that Tepper lays it all out in front of you -- she basically tells you what's happening -- but you don't see it. I did manage to work it out before the big reveal in the book, but it was rather late, only a few chapters before the reveal, and a definite "oh my God!" moment.

Considering the secret at the center of the novel, a case could be made that this is a dystopian novel. [When I say that, I mean it in the context of the original definition of the word, not the warped view we have of it currently. So, for your cultural edification: The current popular view of "dystopian" amounts to the same as "anti-utopian" or "the opposite of utopian" (which is anything that is not an actual utopian society (so any society currently on Earth (yes, we are all dystopian))). The actual definition of a dystopian society is a society that looks as if it's utopian but has something wrong or flawed at its core. An example would be the society in Brave New World which looks and acts like a utopia except that the population is largely controlled through the use of drugs.] I suppose that depends upon which side of the morally ambiguous question you fall. It's an interesting question, but not one I can go into without spoiling the entire book. But, trust me, I'd love to go into it.

It's a good book. A very good book. It's well written and will probably keep you wondering what it's actually about for quite a while. In a good way. Because you can probably pick up on it not being about what it appears to be about fairly early on. The characters are really good, too, and many of them are not exactly who they appear to be, too, but also in a good way, in the way of getting to know someone, say, away from work when you have only ever known them as a work acquaintance.

The only warning I would give is that the book has a definite feminist slant and, if you can't go in for that, you should probably skip the book; it will probably make you mad. And that, more than anything, will be quite revelatory. If the book makes you mad, it's probably about you.

Lovely Death (a book review post)

The worst thing, if you can call it a "worst" thing, about Brandon Meyers and Bryan Pedas (from A Beer for the Shower) is that their volume output exceeds my ability to keep up with it. Unless I want to just quit reading other authors for a while. I actually skipped over a few of their releases to go straight to this one so I could get to it closer to its release date since I was already way past on the others. I'm not sorry I did so. This is easily in the top three books I've read so far this year (Brave New World takes the #1 spot), so, see, it took an 80-year-old classic to beat it.

I hesitate to call Lovely Death a horror story although it does contain some horrific elements. I'd say it's closer to a psychological thriller with supernatural elements. More and more of them as you move along, but it's the psychological aspects that I found interesting. How does a man deal with guilt and what is that guilt even about? And what will people do for love? Even unhealthy love and even when they know it's unhealthy love.

The book has a lot of symbolism and recurring themes, like the car and the idea of "our song" (and what that song is). Some of these are internal, important only to the book itself (like the specific "our song" that's used); some are external, more indicative of people in general (like the car and its representation of freedom). Consistent use of symbols can be a difficult thing to do, and Meyers pulls it off much more than adequately.

Another difficulty in stories like this is consistent characterization, because you inevitably need someone to do something stupid, like go down into the basement, to move the plot forward. That's often the point where not only does the audience yell, "Don't go into the woods!" but "She would never have done that!" There are none of those problems in Lovely Death. The characters are believable and consistent. It was... refreshing.

The book's greatest strength is that it's not conventional. I'm not going to use words like "unique," here, but the approach was not one I've seen before. It causes a "What's going on here?" reaction that will pull you in. Unfortunately, the book's greatest weakness is it's rather conventional ending. The kind of ending that you'd expect in a movie, which, granted, is probably the kind of ending most people want. However, because the beginning of the book strayed so far from the norm, I was hoping for an non-traditional ending. None of that is to say that I didn't like the ending; I did. It's just the ending I expected and hoped against. Well, except for one dangling plot thread that makes me wonder if there are plans to do more with this. I suppose I will just have to wait and see on that front.

I suppose I should mention the editing, since I always do, but it almost seems superfluous to mention it when I'm dealing with products from Pedas and Meyers. Other than a philosophical difference about a particular type of comma usage, the editing in Lovely Death couldn't really be better. There was one thing somewhere near the end, a missing word or something. I've read more "professionally edited" books than I can keep track of that had errors on every page, every page!, so one dropped word in a 300+ page book is hardly worth mentioning. I hear you wondering why I'm mentioning it, then, which is because I'm pointing out how spectacular the job is.

If you like supernatural, scary, horror, psychological, thriller type stuff, this is a book you should check out.

Oh, I should mention: The cover was done by Bryan Pedas who also did the cover for my new thing

"What Time Is the Tea Kettle?" You should go pick up both books today!

Brave New World (a book review post)

"Murder kills only the individual--

and, after all, what is an individual?"

"What is an individual?" may be the central question of Brave New World. What is his worth? To himself? To society? It's an interesting question, especially within the context of Aldous Huxley's novel and his world of mass-produced "individuals." Individuals who have been conditioned to be just like everyone else. [Yes, you may now say, "We're all individuals!" "I'm not!"]

The mass production of people, identical people, is a fascinating concept, and Huxley handles it in a way that is, frankly, amazing. Especially considering that the ideas he was dealing with hadn't really been invented yet. Especially the genetic engineering part, which is not what he calls it, but the concept is there. Basing it all around Henry Ford's assembly line transformed it into a vast social commentary which, evidently, didn't meet with much favor in his day. [Ford was still alive when the book was published in 1932, and I wondered about how he felt about Huxley's use of him in the book, but, as far as I could find, Ford never commented on it. I have to wonder, especially considering the initial reception of Brave New World, if he even knew.]

The real temptation here is to not talk about the book at all but to talk about Huxley and the context from which he was writing, about how he had wanted to be a doctor and his very scientific mind, which you can certainly see in the book. Not just in the science he talks about in creating people (which, yes, is fictional, but was probably quite plausible from 1930), but in all of the things he envisioned: helicopters, immersive television (which may be just around the corner), and social controls involving government-sponsored drug programs.

The book threw me right at the beginning. It starts out with a tour of the Central London Hatchery and Conditioning Centre, and that's exactly what it is, a tour of the facility and, thus, the world setting for the reader. We follow a few of the side characters around for a bit before we are finally introduced (quite a ways in) to one of the major characters, and we're introduced to him through the eyes of "normal individuals" who see him as an odd one. We wouldn't necessarily see him that way but, once we've gotten to know the conditioned people, we're able to see him as someone who doesn't quite fit into "normal" society. And to say more would be to start spoiling the story, and I don't actually want to do that.

One other interesting bit is that the book was known as an "anti-utopian" when it came out. It's interesting to me in that the term "dystopian" already existed; it just wasn't in common usage. But Brave New World may be the best example of an actual dystopian novel that I've ever seen, from a literary standpoint, that is. Dystopian being something that looks utopian but has something sick or rotten at its core. That's actually part of the core of this book, too. Society is stable and people are happy. What have they had to give up? Individuality. Or, as it is put at one point (and this is a bit of a spoiler), the freedom to choose to be unhappy.

It's an interesting question, especially in a society that values the right to pursue happiness. If you were offered the option of a happiness, even artificial happiness, and all it meant was giving up the right to choose to be unhappy, would you do it? Would you choose a place that is basically a land of perpetual happiness and pleasure if it meant giving up the things that differentiate you from other people, because, after all, it is the things that make us different that make us unhappy. The things that set us apart. Sure, they are the things that make us who we are, but they are also the things that cause unhappiness in us. Too short? Too plain? Imperfect teeth? Too dumb? Too smart? Not a problem. None of them.

Unless, you know, someone gets too much alcohol in your blood-surrogate.

[Most significantly, especially after finding out that Brave New World is not supposed to be Huxley's best work, I want to read more of his books. That's the mark of a good author, I think, when you put down a book and immediately wonder what else the person has written.]

The A to Z of Fiction to Reality: Genetic Engineering

I'm going to call The Island of Doctor Moreau the first instance of genetic engineering in fiction. It's not really presented as such, because DNA research was still in its infancy. Understand what I'm saying here, the book by H. G. Wells came out in 1896, and DNA research was in its infancy... first discovered in 1869; although, no one really knew what it was. Yet. Still, there is no other real explanation for what Moreau is doing in the book, even if that wasn't Wells' point with the novel. Really, he was making a statement against certain types of medical research (specifically, vivisection) which were somewhat horrific and accompanied by great amounts of pain by the "patient." Wells seems to have opened the door to the idea of genetic engineering, at any rate, as fiction throughout the 20th century has been filled with all sorts of genetic engineering and enhancements. The book itself has had many, many adaptations and spin offs.

Genetics and genetic engineering have become one of our modern bogey men, so much of the fiction surrounding genetic engineering has to do with how "playing God," how messing with the natural order of things, will lead to our eventual downfall. Or to a world we don't want to live in. Examples:

Gattaca: A society that revolves around the genetically engineered. Genetic discrimination is pervasive. Valids, those that were born through genetic manipulation to be superior, are the only ones that can qualify for professional positions in society. The in-valids, those born through traditional means, are seen as weaker in all ways and are relegated to menial positions.

Resident Evil: Genetic engineering leads to a zombie apocalypse.

Brave New World: Well, I'll get to this one, later (in a separate post), but this is a book tightly wrapped up in genetic engineering while claiming not be genetic engineering (because it wasn't known, yet, as with Moreau; however, it's clear in concept what is happening).

Of course, the other major example of genetic engineering is in super hero stories and super soldier stories. I'm not even going to bother listing these as there are so, so many. Let's just say they are rampant. Even the clones in Star Wars are genetically engineered.

The first real bit of genetic engineering happened in 1973 with some bacteria. But it was followed up in 1974 with mice. Since then, we've engineered all sorts of things. The food industry does extensive research in genetic engineering; although, people aren't, yet, mostly, at a point where they want to eat food that they know has been altered. However, we tend to have no problem eating, say, cows that have been fed genetically altered corn.

It's even hypothetically possible, at this point, that we could start doing things like choosing the eye color of a baby before it's born. Of course, that's wrapped up in all kinds of ethical arguments, but "they" do think they can do it. If they were allowed. Or, maybe, they have done it, and no one is saying anything about it.

The big thing for me, though, and why I'm taking this back to The Island of Doctor Moreau is that we can do things like

Those are zebrafish. Normally, they look like

They've had genes from coral introduced, and they are commercially available as pets and have been since 2003.

Malaria resistant mosquitoes have also been developed and could prove a huge boon in areas of the world where malaria is a leading cause of death. Trials have shown a reduction of malaria by 80%.

We also have glowing cats:

But these aren't yet available as pets.

Other significant plants and animals that have been genetically engineered:

Venomous cabbage: It's been engineered with scorpion venom in its leaves as a defense against caterpillars, but it harmless to humans.

Goats with spider silk milk: Yes, these goats produce spider silk in their milk which can be used to produced bio-steel. Did you know that spider silk is one of the strongest substances we know of? Stronger than Kevlar. We just can't get enough of it from spiders, but we might be able to from these goats. Or, maybe, we'll end up with Spider-Goat!

Cows that fart less: Why? Because cows are one of the world's leading producers of methane gas, a major cause of global warming. If we can make cows that fart less, we can reduce methane emissions.

I could go on, but there's no need. This stuff is real, but it all started in the pages of a book by H.G. Wells at the end of the 19th century.