Relatively speaking, I was an early adopter when it comes to Wolverine. I was already following him as a character when his original limited series came out in 1982, and I would be lying to say that he was not one of my main reasons for following the X-Men through the 80s. Well, Wolverine along with the writing of Chris Claremont, unarguably one of the best comic book writers ever. Ironically, Claremont didn't care for Wolverine as a character and almost dropped him completely from the X-Men lineup in the late 70s. It was John Byrne who saved the character out of a fondness for a fellow Canadian.
That said, it's been 15 years since the last time I read any Wolverine (or any comics at all, really, other than a few here or there that one or more of my kids might have had lying around), that being Origin,
a story I didn't much care for overall. It suffers from many of the same problems as Logan, those being trying to fill in details around a character to achieve a particular goal even when those details don't really fit with the character that has been created.
Mostly, though, what Logan proves is that Fox is no more capable of creating a cohesive continuity for their super hero films than Warner Brothers. It's sort of like having your tea bag break in your cup of tea. If you're careful and drink slowly, you can manage to mostly keep the tea leaves out of your mouth... until you get to that point where you have to throw the last quarter of it out because the leaves are too dense. Until that point, though, the tea is enjoyable as long as you keep it to small doses.
So, yes, Logan is a mostly enjoyable film. It accomplishes the one thing I'm sure all Wolverine fans have been waiting to see: Wolverine really cutting loose with his claws without the need of keeping the bloodshed to a PG-13 rating. And cut loose he does: arms, legs, and heads. That alone is probably worth the movie for the true fans.
The aspect of the movie I found most interesting was the question raised about mutants and their powers when they get old. Of course, the movie only works around the question without ever really addressing it, but we do get to see some of the effects in the aged Charles Xavier as he struggles to maintain control over his mental abilities.
Stephen Merchant as Caliban was a pleasant surprise. I like Merchant, and he was perfect in this role. Dafne Keen was also great. She has a brooding stare which is easily the match of Jackman's.
However, the movie is utterly predictable, wasting a perfect opportunity to do something above and beyond that was afforded it by the success of Deadpool, probably the only super hero movie Fox has nailed since X-Men 2 in 2003. That said, considering that Jackman is not returning to the claws again after this movie (unless Ryan Reynolds does somehow convince Jackman to do that Deadpool/Wolverine team-up movie), Logan is a good send off. Good enough, at any rate.
But it could it have been better if only Marvel had done it, which is the thought I have after every one of the X-Men movies since the advent of the MCU (Marvel Cinematic Universe) with Iron Man back in 2008. Sony wised up and went to Marvel to get Spider-Man on the right track; maybe there's hope that Fox will do the same.
About writing. And reading. And being published. Or not published. On working on being published. Tangents into the pop culture world to come. Especially about movies. And comic books. And movies from comic books.
Showing posts with label Chris Claremont. Show all posts
Showing posts with label Chris Claremont. Show all posts
Friday, March 17, 2017
Logan (a movie review post)
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Tuesday, July 30, 2013
The Wolverine and a Bowl of Pop Culture
Does everyone have a bowl? Yes, you have to bring your own; I just don't have enough. And a spoon, too. No chopsticks, because we don't want to leave them standing upright in our pop culture, right? It's bad luck. Evidently. Anyway, get your bowls and your spoons, and pour yourself a heaping bowl of pop culture. But no milk; Wolvie doesn't like it.
I wanted very badly to not want to go see The Wolverine in the theater. Why pay for another movie I was just going to be disappointed in, right? I mean, this year has been particularly good for disappointing movies. And that doesn't even take into account the other Wolverine movie, one of the worst super hero movies made so far (and all because of the ending). [It's amazing how a botched ending can ruin an otherwise decent movie.] But Wolverine has been in my top three favorite heroes since... oh, well, a long time, and Hugh Jackman just nails that role, so I couldn't convince myself to wait. I'm actually glad that I didn't; some times, it's good to go into something with, basically, no expectations.
As it turned out, The Wolverine was much better than I expected it to be, and I actually enjoyed most of it. It has its issues, but, at least, they weren't really bad story-telling issues. The story, amazingly enough, was pretty solid and managed to not go off the cliff that the origin movie did. Of course, the story is only "pretty solid" if you look at it within the context of the X-Men movies. This movie has nothing to do with the comics other than that they pull some familiar characters from the Wolverine mythos to use in the movie. If you were hoping for anything resembling an adaptation of the Frank Miller/Chris Claremont Wolverine mini-series from the early '80s, you're not going to find that here. Okay, you'll get something vaguely resembling it. Very vaguely. He does fight some Hand ninjas. Except their not called that. So we're back to that "vaguely" again.
The thing to know about The Wolverine is that it's not about what it's about it. Within the context of the X-Men movies, the story is here to bridge the gap between X-Men: The Last Stand and the forthcoming X-Men: Days of Future Past and deal with the ramifications of how Last Stand ended. Basically, it's to get Logan to let go of the death of Jean and his part in it. With that goal in mind, The Wolverine actually accomplished its purpose and in a way that made sense. The micro-plot of just this one movie wasn't too bad either, even if it did have more than its share of "what the heck?" moments.
Spoiler alert:
The biggest issue with the movie is the sleight-of-hand they play with Logan's healing power. The dying old guy wants Logan's ability, and the best the writers could come up with is that the old dude is going to "steal" it. Not duplicate it, steal it. Which sounds like they're going to do some kind of thing like when Rogue absorbs other mutants' powers, but, no, the old guy is just going to drill into Logan's bone marrow and transfer the power to himself, which doesn't make any sense, but I'll give it a pass on the handwavium principle. Except that they also "suppress" his healing power using a little "Matrix" bug that gets on Wolvie's heart, and they don't explain that, either, especially after making it seem as if this is some other mutant thing before we find out it's a device. Really, you can only get a pass on one of these things in the movie. The deal with the tiny robot is that they want Wolverine to rip his own heart out to get rid of the thing, so I can see that they're going for the "cool factor" with that, but, then, they don't show it, so they lose out on that, anyway. And it leaves all kinds of questions: does the little robot bug suppress all mutant abilities or just Logan's? Or just Logan's healing factor? It's hard to tell, because he really doesn't use any of his heightened senses in the movie at all, so we don't know if he still has those or not. Of course, there's also the argument that Logan's healing power should have just expelled the little robot bug to begin with, but the movie Wolverine isn't quite as powerful as the comic book Wolverine.
And neither is adamantium, evidently, because we again have a "bullet piercing adamantium" situation in that the old guy cuts off Wolverine's claws to get at his bone marrow. It's slightly more believable than the bullet being fired into Logan's head but not by much.
At any rate, those things are just issues with story points not the story itself, and we have to deal with those all the time. Like people surviving explosions by jumping into water or standing behind a wall or whatever. So, whereas there are some... stupid? silly? okay, stupid... things within the story, the plot of The Wolverine holds up both on the level of there being a villain intent upon stealing Logan's healing powers and as a vehicle for Logan to get over have killed Jean.
Having said all of that, The Wolverine is not a movie you have to see in the theater. It's not like Pacific Rim or Man of Steel (although I think it's a better movie than both of those) that really need to be seen on the big screen to get the full effect of the scope of the action. You can just as easily wait for the DVD for this one, and, honestly, I doubt there's anything necessary in this movie for the overall X-Men story line. If you like Wolverine, it's probably worth seeing it, but you're not going to feel like you missed anything if you give this one a pass on the way to Days of Future Past.
I wanted very badly to not want to go see The Wolverine in the theater. Why pay for another movie I was just going to be disappointed in, right? I mean, this year has been particularly good for disappointing movies. And that doesn't even take into account the other Wolverine movie, one of the worst super hero movies made so far (and all because of the ending). [It's amazing how a botched ending can ruin an otherwise decent movie.] But Wolverine has been in my top three favorite heroes since... oh, well, a long time, and Hugh Jackman just nails that role, so I couldn't convince myself to wait. I'm actually glad that I didn't; some times, it's good to go into something with, basically, no expectations.
As it turned out, The Wolverine was much better than I expected it to be, and I actually enjoyed most of it. It has its issues, but, at least, they weren't really bad story-telling issues. The story, amazingly enough, was pretty solid and managed to not go off the cliff that the origin movie did. Of course, the story is only "pretty solid" if you look at it within the context of the X-Men movies. This movie has nothing to do with the comics other than that they pull some familiar characters from the Wolverine mythos to use in the movie. If you were hoping for anything resembling an adaptation of the Frank Miller/Chris Claremont Wolverine mini-series from the early '80s, you're not going to find that here. Okay, you'll get something vaguely resembling it. Very vaguely. He does fight some Hand ninjas. Except their not called that. So we're back to that "vaguely" again.
The thing to know about The Wolverine is that it's not about what it's about it. Within the context of the X-Men movies, the story is here to bridge the gap between X-Men: The Last Stand and the forthcoming X-Men: Days of Future Past and deal with the ramifications of how Last Stand ended. Basically, it's to get Logan to let go of the death of Jean and his part in it. With that goal in mind, The Wolverine actually accomplished its purpose and in a way that made sense. The micro-plot of just this one movie wasn't too bad either, even if it did have more than its share of "what the heck?" moments.
Spoiler alert:
The biggest issue with the movie is the sleight-of-hand they play with Logan's healing power. The dying old guy wants Logan's ability, and the best the writers could come up with is that the old dude is going to "steal" it. Not duplicate it, steal it. Which sounds like they're going to do some kind of thing like when Rogue absorbs other mutants' powers, but, no, the old guy is just going to drill into Logan's bone marrow and transfer the power to himself, which doesn't make any sense, but I'll give it a pass on the handwavium principle. Except that they also "suppress" his healing power using a little "Matrix" bug that gets on Wolvie's heart, and they don't explain that, either, especially after making it seem as if this is some other mutant thing before we find out it's a device. Really, you can only get a pass on one of these things in the movie. The deal with the tiny robot is that they want Wolverine to rip his own heart out to get rid of the thing, so I can see that they're going for the "cool factor" with that, but, then, they don't show it, so they lose out on that, anyway. And it leaves all kinds of questions: does the little robot bug suppress all mutant abilities or just Logan's? Or just Logan's healing factor? It's hard to tell, because he really doesn't use any of his heightened senses in the movie at all, so we don't know if he still has those or not. Of course, there's also the argument that Logan's healing power should have just expelled the little robot bug to begin with, but the movie Wolverine isn't quite as powerful as the comic book Wolverine.
And neither is adamantium, evidently, because we again have a "bullet piercing adamantium" situation in that the old guy cuts off Wolverine's claws to get at his bone marrow. It's slightly more believable than the bullet being fired into Logan's head but not by much.
At any rate, those things are just issues with story points not the story itself, and we have to deal with those all the time. Like people surviving explosions by jumping into water or standing behind a wall or whatever. So, whereas there are some... stupid? silly? okay, stupid... things within the story, the plot of The Wolverine holds up both on the level of there being a villain intent upon stealing Logan's healing powers and as a vehicle for Logan to get over have killed Jean.
Having said all of that, The Wolverine is not a movie you have to see in the theater. It's not like Pacific Rim or Man of Steel (although I think it's a better movie than both of those) that really need to be seen on the big screen to get the full effect of the scope of the action. You can just as easily wait for the DVD for this one, and, honestly, I doubt there's anything necessary in this movie for the overall X-Men story line. If you like Wolverine, it's probably worth seeing it, but you're not going to feel like you missed anything if you give this one a pass on the way to Days of Future Past.
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