Independent Day

Those of you that have been around here for any length of time will know that I don't promote books I haven't actually read. Ever. I don't do cover reveals or blog tours or any of that stuff, because I'm not going to back a book that I wouldn't actually recommend to someone to read. It's just not the way I work.

However, I do want to support other independent authors as much as possible. That's why I do reviews, and that's why I'm including stories by other writers in my books. And that's why, today, in the Spirit of Christmas (or something like that), I'm going to highlight some indie work that's come out in the past year or so. Many of these books are on my list of things to read (but I've been really behind on reading, lately, so I haven't gotten to them) and will get reviewed at some point. Others are books I know of, but I haven't made the decision to actually read, yet. They are all, however, independently published by people whose blogs I follow.

So, while I'm not actually recommending them in the sense of, "Hey! I read this and it was great," I am saying, "Give some indies some love and check these out." And, really, they are in no particular order.

1. White Walls by Australian author Hayley M Clearihan

2. Butterman (Time) Travel, Inc. by Pk Hrezo

3. CassaStorm by Alex Cavanaugh

4. Green Eggs & Weezie by Cathy Olliffe-Webster

5. A Hero's Journey and other things by PT Dilloway (seriously, he has so many books out, I can't list them all, but the Scarlet Knight stuff is from this year)

6. The Faerie Guardian by Rachel Morgan

7. A Flock of Ill Omens (part 1 of her serialization of A Shot in the Light) by Hart Johnson

8. Moonless by Crystal Collier

And this one I have read and get to include because, well, it's my blog and it's good:
9. Shadow Spinner -- this link is for the physical book

• "Collection 1: Tiberius"
• "Collection 2: The Man with No Eyes"
• "Collection 3: The Garden"
• "Collection 4: The Undying" -- coming soon

So there you go. It's Christmas. Support an indie author! It's like shopping locally, which you all do, right?

Oh... and, after you read, leave a review!

The Hobbit: A Review (Part 1)

Disclaimer: The fact that I'm reviewing this right now has nothing to do with the release of the movie.

Note: Those of you who have read my "Of Significance..." page may remember that The Hobbit is listed there, so this is (by far) not my first reading of the book.

As I've mentioned, I'm teaching a creative writing class at my kids' school. When it was discussed, back at the beginning of the school year, about assigning them a book to read to go along with the class, I immediately suggested The Hobbit. It was not on the "short list;" it was the list. I really can't think of a better book from which to teach writing form. Also, there is the part about introducing the kids to great literature.

My choice of The Hobbit as a book I think everyone should read has nothing to do with it being a great book. I do think it's a great book, but, mostly, I think it's a simple book. And, when I say "simple," I mean "straightforward." It is not a book with a complicated and convoluted plot. It doesn't have hidden meanings and subtleties. It is what it says it is, a fantastical adventure story. That's why I wanted to use it for the creative writing class assignment.

If you want to look at plot arc, you can. The story follows only one protagonist, and there aren't any twining branches or confusing twists. It's just "hero gets into trouble"/"hero gets out of trouble." It's easy to look at and map out and, most importantly, it's easy for them to understand.

If you want to look at character development, you can. Bilbo is not the same person at the end of the story as he is going in, and you can see the changes as they happen, and that's good for these young writers to see. Especially, it is good for them to see in a literary world where so few characters do any real changing these days other than becoming awesome fighters through some brief training montage. Actually, as I'm typing this, I think The Hobbit should be required reading for anyone hoping to be an author. These days, it's all about "voice," but I really don't care how good your voice is if your protagonist doesn't grow within the story. If the protagonist doesn't change, your story falls flat. [And, now, I'm thinking of a ton of books that I have been less than pleased with, and I think this is the reason: no character growth.]

If you want to look at how to deliver a message within a story, The Hobbit has that, too. Not hidden or veiled messages but messages told through the repercussions of the actions of the characters. I mean, you can't get more clear than when someone tells you to stay on the trail, you need to do it. And, no, that's not really what I'm talking about, but I don't want to get into the specifics until I actually get into the review. The book does, though, have strong messages about greed and war in particular.

The Hobbit, in many ways, is the perfect introduction to reading. It's a clear story that most of us can actually relate to in some way. It has humor and sorrow. It's fast and it's fun. It's simple enough for a child yet full of things only an adult can understand. It's the story that you would beg your grandfather to tell on a cold night in front of the fireplace, and Tolkien tells it that way. Right down to the hypothetical question, "What is a hobbit?" right in the middle of the narration. In short, the story is delightful. And scary. And exciting. And sad. It is full of life and what life is, and, yes, I think everyone should read it. Earlier is better than later, but, if you missed it when you were 10 or 12, there is always time to go back and make up for it.

Having said that, no, I don't think everyone will love it or, even, like it, but it's one of those things -- like chocolate or cheese -- that you just need to taste. Skipping it entirely is too much of a risk.

The Plot Line of Your Life (an IWSG post)

We talk a lot about plot and plot arc in the creative writing class I teach. If there's just one thing I want them to come away with it's what a plot is. Not just that the plot is the story but what a plot actually is and how it works and develops within a story. We look at this a lot:

Well, not this, because this is not actually how I draw it. I draw it more like a simple roller coaster -- gradually up and, then, steeply down, returning to the same level upon which it started (because that makes more sense in my mind, I guess) -- in its basic form and, then, add in extra hills to show plot complications, and, well, this is where a drawing would come in handy, but I don't know how to draw that stuff and post it here for you to see. [Well, without actually drawing it and... oh never mind. I'm not doing that right now, but, maybe, at some point, I will.]

Anyway, as a writer, I can see my plot from the outside. I know where and how the story starts; I know where the plot gets tangled; I know where and how things go bad for my characters and how those things get resolved. I know where the climax is. The climax being the most important part. Well, the most important part other than the exposition and the rising action and the stuff at the end, which, sometimes, is just the climax since authors frequently lump their falling action/denouement into a "they lived happily ever after" sort of ending.

The thing to note here is that the characters, of course, can't "see" the climax. For one thing, they're only characters, but, if they weren't, they're within the story, and they can't see what's going on beyond what's actually happening in the moment. Authors, then, have to make sure that the characters are as true to the moment as possible. That means when bad things are happening, the characters have to behave as if those bad moments are all the moments, because they can't see the happy ending that's coming. Assuming that there is a happy ending coming, but most stories do have happy endings, so we're just going to assume that that's what's happening.

It can be kind of like this:

As the author, though, we have to push the characters along and keep them from actually getting stuck. Even when it looks like there is no hope left, that they have descended to the very depths and there is no way out, we have to find the motivation for them that will send them on their way, keep the story going, take them to their climax. Remember, we know what's coming.

And here's where things get a little backwards from how I usually do them. Usually, I will give some life example and turn it into a writing analogy, but I'm going the other direction this time. This is a writing example leading to a life analogy.

So here's the thing:
In our lives, we are like the characters in a book: we can't see our own climax. We don't know what's coming. Sometimes, people decide they hit their climax during high school and everything after that is just denouement. They don't try to achieve anything else, because they make the assumption that there's nothing that will ever be better in their future. Or, maybe, it's a wedding. Or, like Orson Welles, your very first completed project.

After Welles finished Citizen Kane, he said he would never make another movie as good, and he didn't. He was only 26. I have to wonder, now, if it was because he had decided that Kane was his climax. Maybe not, but our attitudes play such a huge role in what we do and how do it that it's really hard to know. Maybe, if he'd believed Kane was just the beginning of the great things he would accomplish, he would have made even greater movies. But this isn't really about Welles.

Sometimes, we end up in  those same kinds of depths that authors drop their characters into. Like it is with those characters, we can't see what's coming. We don't know what lies ahead. All we can see is the moment. It's important to realize that our climax is still on the way. Even if it's not, it's important to act as if it is, because acting as if we're still in our rising action can propel us higher. It can make a Citizen Kane moment merely a part of the rising action rather than sending us on a slow descent of falling action for the rest of our lives.

We don't know where our own climaxes are in the stories of our lives. We can't see it from the outside, and, until we die, that story isn't over yet. There is always the chance to achieve something greater, go farther, rise higher. It's only when we decide that we've got nothing left on the horizon that that becomes true. So, no matter how bad things get or how bad they seem, remember that there's still more to come. More rising action. More complications. But, somewhere ahead, a climax. A great moment, the great moment, of your life. Don't give up before you get there.

This post has been brought to you in part by the IWSG.

It's Buy-Stuff-Online Day!

The way things becomes "things" is often very interesting. Sometimes, it's because a thing needs a name, like at one time how a dog needed a name. And I don't mean Spot or Fido, either. Way back when around 25,000 years ago when wolves started hanging out with men, they had to call them something, and I bet "wolf" started out something like "wlf" and was related to the sound they made. [Yes, I'm making  this up.] Later, some of the wolves started living with the cavemen instead of just hanging around and trying to grab scraps and calling both groups, the in-camp group and  the out-of-camp group, wolves probably became confusing, so someone started calling the ones that never left "dgs," which is kind of like the sound my oldest son made, "dg!", when it was being his first word. Yes, my oldest son's first word was "dog," and we didn't even have one at the time.
[Remind me to one day tell you about his first Star Wars word.]

Anyway... the idea of "Black Friday" was one of those things that came about over time. It was a thing that was happening that needed a name, and, then, it had a name, and, then, people (stores) started having sales for it, because, sometimes, in our culture, all you have to have is a recognized name and there will be sales in your honor. Like "President's Day." And I'm waiting for stores to realize that they can name sales after celebrities, and, then, we'll see "Cyrus Twerking Day" sales or something.

But that's not today. No, today is "Cyber Monday," a complete made up marketing name so that we could have sales. And convince people to shop online. No, really, Cyber Monday was not actually a thing until some company decided to call it a thing and hope that it would become that thing, and, well, it did. It's like if you started calling your car a rocketship and, one day, you woke up and it was a rocketship. Dude! Now, I'm totally going to have to try that!

At any rate, today is the day where we try to get people to buy stuff online, so I'm going to give you some suggestions of things you should buy online that will help out some people that need it more than say, Target or Toys R Us or Best Buy. And, not to start with myself, but I'm going to start with myself, but only because it's

"Christmas on the Corner"

And what better time of the year is there to read a Christmas story, right?

And, just to say it, I'm only suggesting things I've actually read.

The best bargain on the list:

Temporary Anne by Briane Pagel -- Not only do you get a pretty horrific horror story (that's, like, horror squared), you get additional stories from some other pretty great authors! And, well, there are cookies! But not cookies you want to eat, and you'll just have to go read "The Magic Cookies" to understand what that means. And it's just $0.99!

Eclipse -- Also by Briane Pagel and my favorite (so far) of his novels. If you want a book that will leave you wondering what actually happened when you get to the end, this the book for you.

Demetri and the Banana Flavored Rocketship by Bryan Pedas -- This was the best book I read in 2012 and there has only been one, so far, from 2013 to beat it. Yes, it's got a strange title. Yes, it's quirky. Yes, it's a great read.

"My Killbot Buddy" by Rusty Carl -- This is an intact story but only a glimpse into a world I hope Rusty goes back to.

"Augurs of Distant Shadows" by Briane Pagel. It can be found in "Shadow Spinner: Collection 2: The Man with No Eyes." And, honestly, this has nothing to do with the fact that it's in my Spinner collection and everything to do with the fact that this is my favorite thing of all by Brian (so far!). More people need to read his story, so buy Collection 2 just for that if you need to.

There are plenty of other independent authors out there that could use the support, and this a perfect time of year to do it. I'll be mentioning other authors as we progress through December, but these are the indie things I've read that I've really liked (as in, these works stand out in my mind without me having to go back and look through what I've read; if something I remember without needing to think about it, it's pretty darn good), so this is where I'm starting. Seriously, support quality, independent works by supporting these guys in a way that's tangible. AND LEAVE REVIEWS once you've read the work in question! That's tangible, too, and, hey, it might just be me, but reviews make great gifts!

Note #1:
Just in case any of you missed the announce last week because of the holiday, "Shadow Spinner: Collection 3: The Garden (Parts 13 - 21)" is now available!

It has a backup story by Rusty, and, if you don't know who he is by now, shame on you. Pick up your copy today!

Note #2:
Also in case you missed it, I have a short story, "The Tea Kettle," up over at Out of Print. Stop by and read it and let me know what you think.

Catching Fire, still unbiased

For the appropriate background, you should go back and read my review of The Hunger Games. In brief, I have not and do not plan to read the books, so this review is based solely on my viewing of the movie.

Where the first movie failed to build a solid foundation for the world of the Hunger Games to stand on, Catching Fire came in to make that foundation more solid. Some of that is, for lack of a better term, accidental. For instance, the fact that Katniss and Peeta are the picture of good health (along with Katniss' family) is now to be expected, so that no longer worked against the movie. District 12 and its inhabitants were more rundown and dilapidated, so the contrast between Katniss and her fellow citizens (other than Gale) was more distinct. All of that was good and gave a more realistic feel to the movie than the last one had.

We got a broader view of the world in general and of the Peacekeepers in action, which was way more disturbing than the first movie would have lead us to believe. The second movie made us believe all the things the first movie only told us to believe. It's actually the whole "show vs tell" thing. The first movie tells us the people are oppressed, but Catching Fire shows us.

• It shows us when Gale is taken and flogged and Katniss almost shot.
• It shows us when the old man in District 11 is pulled from the crowd and shot in the head.
• It shows when Katniss and Peeta are offered the puking beverage so that they can continue to participate in the party.
• And it shows us when Cinna is beaten (to death, I presume) right in front of Katniss after the tube closes on her and all she can do is watch. And scream.

The political intrigue, almost absent from The Hunger Games, also elevates Catching Fire. Plutarch Heavensbee is a great character, and I was never quite sure what was going on with him. There was what I thought was happening, but Philip Seymour Hoffman was so good, I spent a lot of time doubting myself. Of course, Hoffman is great, and I was delighted to see him in the movie. Plutarch wasn't the only one playing games, but he was the primary one, and I almost felt sorry for President Snow and his inability to adequately play politics. Snow seemed to know one tactic: "Smash!" Or threaten to smash. Or kill.

The acting in Fire was much better than in Games.

• Lawrence really stepped into the part and made us feel the horror and rage of the things she was going through. Also the lost-ness in parts. She was impressive this time rather than just existing in the role.
• Woody Harrelson continued to be great as Haymitch.
• Elizabeth Banks moved beyond her makeup, which was actually rather impressive considering that you couldn't really see her face. The emotion she was able to bring through in relation to how she felt about the injustices that were happening was incredible.
• Stanley Tucci continued to be awesome.
• As I already said, Philip Seymour Hoffman was tremendous.
• Sam Claflin was really good.
• But the big surprise was Jena Malone. She was great!

The greatest success of the movie, though, was that it made me want to read the books. Almost. I'm still not going to read them, because, based on many of the things I've read about it, the movie fixes many of the problems from the first movie and from the books. The focus on the politics seems to be a movie thing not a book thing, and that's the stuff I really liked. So, still, not reading the books, but I'm slightly less set against them now. That's an achievement.

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AVAILABLE TODAY!
"Shadow Spinner: Collection 3: The Garden (Parts 13 - 21)"

This collection has a short story by none other than Rusty Webb, who also draws pictures and has drawn all of mine. It's a great story based on the world from The House on the Corner, and it has... but that would be telling. Hopefully, there will be more to come from this story line, later. At any rate, pick up Collection 3, read my stuff, read his stuff. After you've done all of that, go back and leave a review!

Another Post of Thanks

If I'm going to be honest, I suppose I have to admit to not being a very "thankful" person. Which is not to say that I'm not thankful for things, but I'm not quite behind the expectation of thanks that we currently have culturally. Actually, I sort of think that's been, to some extent, driven by the greeting card market and the "necessity" of sending out thank you cards. It has created an expectation of thanks for things we shouldn't expect thanks for. In fact, doing things in expectation of thanks is, well, kind of wrong. At least in my mind.

And, I have to say, if you do something for me or give me something or whatever, and I tell you "thanks," there's very little chance I'm going to also send you a card telling you what I already said. Especially when what you're going to do with the card (that probably cost $4 (which would have bought a whole paperback book when I was a teenager)) is say "oh, isn't that nice" as you're dropping it into the trashcan. And, then, of course, you have to remember to tell me "thanks for the card" next time you see me. Or, I've heard, send me a card thanking me for the card. What the heck is up with that trend? Sorry, I'm just breaking that cycle and saving my $4. If the "thank you" that came out of my mouth wasn't good enough... well, I don't know what to say if it wasn't, but please don't send me a thank you card for anything I might do for you, because I don't want it, and I will drop it in the recycling bag. Just keep your $4.

Anyway...

This is not a ranty post, or, it's not supposed to be, anyway. This is a post to say thank you to some people that have, in the last year or so, gone above and beyond without asking or even expecting thanks when they've done those things, things that I'm thankful for, so I want to call attention to some people mostly in no special order. However, I have to start with

Briane Pagel: I don't even know where to begin when it comes to Briane. Briane is, bar none, the most supportive person of independent authors that I know of. First, he will read your book(s), but, not just that, he will also review them. And he'll do that without being asked to do it, which, you know, is just awesome, because it just gets tiring to always be begging people for reviews (especially when they take the time to email you to say "hey, I really liked this" but don't seem to have time to do that on Amazon). But not only that! He will also spontaneously put links to your stuff into his posts, his completely unrelated posts. Just as an afterthought, he will throw in, "Oh, and you should read 'Shadow Spinner: Collection 2: The Man with No Eyes (Parts 6 - 12)' because it was really good!" And you should totally read that, because Briane has a story in it, "Augurs of Distant Shadow," that is really quite excellent and something else I need to give him more thanks for. That he wrote it for me, that is. And, just by the way, Briane is so supportive of indie authors, he's willing to pay you to let him post your short stories on his site. That's a total win/win for you! So, Briane, thank you for everything over the past year.

Okay, so I lied, because this next one, also, gets special considerations above everyone else:
Rusty Webb: Theoretically, Rusty and I have a symbiotic relationship. He does covers for me, and I do editing for him. However, I always feel like I'm getting way more out of the relationship than he is. And, really, all you have to do is look at the work he's done for me to see why I feel that way.

And, aside from the artwork, he also leaves reviews for things without being asked, which is just gold. All of that, and there will be a story by Rusty in "Shadow Spinner: Collection 3: The Garden (Parts 13 - 21);" you should make sure to check that one out, too, once it's available.

And, since we're on the theme of reviews and bonus stories, there's also
Bryan Pedas: Bryan (and Brandon) have been very supportive for a while, but it's Bryan who gets out there and leaves most of the reviews, and Bryan who has a story in "Shadow Spinner: Collection 1: Tiberius (Parts 1 - 5)." There just aren't enough ways to say thank you to people who both leave reviews! and write stories for you. So, just to give Bryan a plug, his book, Demetri and the Banana Flavored Rocketship, was the best book I read in 2012.

Okay, and now for some others which will pretty much just be going down the list:

Konstanz Silverbow: Thank you to Konstanz at No Thought 2 Small for the interview and supporting Shadow Spinner!

Crystal Collier for having me on her "Truth or Lie" thing, plugging Shadow Spinner, and talking to me about cheese. Although I think it might be more exceptional if she talked about something that's not cheese.

Shannon Lawrence for spontaneously posting links to things (book releases, promotions, blogfests) without being asked. There is a certain amount of joy that happens when I visit her blog and she's promoting something I'm doing when I've never mentioned it, and that's a cool thing. Not the joy, that she does that.

The women over at The Indelibles for Indie Life.

And Alex Cavanaugh for posting more links than anyone has a right to and for all of his work on the IWSG.

I think that will do me for this year. I'm sure there are probably more people I ought to thank, but, as I mentioned in my last post, my Brain refuses to remember whether I've locked the front door when I'm leaving the house, so trying to remember everyone from the last year is a bit beyond my capacity. The one other thank you I do need to give is to everyone who has read any of my stuff over the last year and doubly thank anyone else who has left a review and/or a rating anywhere. I do realize that there are a few more of you out there that have left reviews, and I really do appreciate that. This year, if I'm smart, I will make a list as things happen and I won't leave anyone out next year.

Tomorrow, I will be eating way too much, so, if you never hear from me again, there is a good chance I ate myself to death; however, that has never happened in the past, so I'm hoping it won't happen this year.
Have a Happy Thanksgiving!

Oh! And in case you missed it, yesterday, drop by Out of Print and read my new short story, "The Tea Kettle."

The Tea Kettle

There's a story behind "The Tea Kettle," but today is not the day you get to hear it. No, today is the day you get to go read "The Tea Kettle," which is a story. But not the whole story nor the story behind the story. Look, just hop over to Out of Print, sign up for the email notifications for when there's a new story posted, and read mine. Then, you can even go back and read some of the others. Mostly, they're not too long, not even mine, so do your brain a favor and go do some reading.