"I Want Your Kite Strings..." (pictures I like)

"...tangled up in my trees."




This post is dedicated to my wife.

Clone Wars -- "Weapons Factory" (Ep. 2.6)

-- No gift is more precious than trust.

[Remember, you can sign up to join the Clone Wars Project at any time by clicking this link.]

Most of what The Clone Wars has dealt with up to this point in regards to the relationship between Anakin and Ahsoka has focused on how Anakin allows his relationship to get in the way of doing his job. Much of the relationship is there to demonstrate how Anakin's attachment issues affect his ability to live up to the Jedi code and show his slow slide to the Dark Side (rather than the sudden shift as it appears in Revenge of the Sith).

However, this episode uses Anakin's issues with attachment to show where the Jedi code is itself weak and how other Jedi could perhaps do well to be more like Anakin.

"Weapons Factory" features Luminara Unduli and her apprentice, Bariss Offee. Bariss and Ahsoka get sent on a mission together. Anakin... well, Anakin frets and doesn't want Ahsoka to go. Anakin and Ahsoka are having issues, just in general, over whether Anakin trusts Ahsoka or not. However, when the apprentices get into trouble, it's Anakin who has faith in his apprentice while Luminara, basically, writes her apprentice off with "if it's her time..."

What we see in the episode is one Jedi, one who strictly follows the code and has no sense of attachment to her apprentice other than her duty to train her, who feels no compulsion to try and save her apprentice and, thus, would have left Bariss and Ahsoka to die if it had been up to her, and one Jedi who has difficulty (unknowingly) with some aspects of the code, specifically in his tendency to form attachments, who is unwilling to give up on his apprentice until he has proof that she's dead. It this attachment that Anakin has with Ahsoka that leads Anakin and Luminara to rescue the two apprentices.

It's also a demonstration of Anakin's trust in Ahsoka's abilities. He believes that she is still alive because he believes in her capacity. Luminara immediately decides that Bariss has failed.

The episode provides an interesting contrast between the two styles and shows, at least from the standpoint of our own sensibilities, that the Jedi have a thing or two they can learn from Anakin and how to invest in those around them.

Spectre (a movie review post)

I would be happier if the producers of the James Bond movies could make up their minds about whether they're doing continuing story lines or not, but I suppose that's not something that has specifically to do with this movie. But even without that, I find Spectre to be much more difficult to make a decision about as to whether I liked it or not. But, see, that's not exactly true, either, because I quite enjoyed watching the movie. Most of the movie.

Okay, I can't do this without spoilers, so be warned.

In a general sense, having Spectre be a direct sequel to Skyfall worked really well. In the specific sense of the antagonist being Bond's "brother," it was kind of a disaster. Seriously, we're supposed to believe that this kid who didn't like the fact that his father took in young Bond after the death of James' parents killed his father and grew up to become the leader of a massive, secret terrorist organization all to more effectively torture James. And kill all of Bond's girlfriends. Yeah, that just doesn't fly. It more like hobbles around on the ground and you just want Christoph Waltz to die.

Speaking of Waltz, I'm a bit tired of him. He might be fine in this movie if I hadn't seen him play the same character in about half a dozen movies at this point, but I have seen him continuously play the same character -- the sort of crazy, kooky, villain -- in film after film, and it's grown tiresome. Maybe some other actor could have gotten me to buy into the villain being Bond's long-thought-dead foster brother, but not Waltz.

Still, it is a Craig Bond movie, and it's highly enjoyable. The action is great, and Daniel Craig still puts on a very believable James Bond. I'm still very much liking Ralph Fiennes as M, and Ben Whishaw is great as Q. Andrew Scott even puts in an admirable performance as C, though it was difficult not to expect him to be a bad guy after his go as Moriarty in Sherlock. He just has that feel. Also, I do really like Naomie Harris as Moneypenny. Lea Seydoux is fine as Swann, which I only say because it doesn't seem that she did anything with the role that a dozen (or more) other actresses couldn't have done.

So... the bottom line:
Spectre is quite worth seeing in the theater, especially if you're a Bond fan. It's also essential viewing for the Bond fan, since this one continues to delve into Bond's backstory. Aside from Waltz and the whole "brother" thing, it's a really good movie. Great action, good acting, stunning visuals. Despite Waltz, I'm sure I'll be buying it on disc as soon as it's released. If you're not a Bond fan or if you're not familiar with the Bond movies, this is not the movie for you. It's certainly not a good place to start if you haven't seen any other Bond films. I do hope, though, that they move away from exploring Bond's childhood soon. I mean, why is it, after all, that we have to make orphans of all of our heroes?

The Magic Flute (an opera review post)

Our second opera (you can read about the first one here) was The Magic Flute by Mozart. Yes, that Mozart. What? You didn't know he wrote operas too? He composed the operatic version of The Marriage of Figaro (based on the play by Pierre Beaumarchais), still one of the top 10 most performed operas worldwide.

But The Magic Flute is not The Marriage of Figaro and not as widely performed. I'm assuming that's because it's not as good, though it was very enjoyable. [I'll have more to say about Figaro in the next opera post.] Actually, there are parts of it that are downright hilarious, although it does have issues with the ending.

Basically, The Magic Flute is an allegory about the Freemasons (of which Mozart was one) and the Catholic church, represented in the opera as The Queen of the Night (now, if that doesn't tell you anything about how Mozart feels about the Catholic church, I don't know what will). The protagonist, Tamino, is initially aligned with The Queen of the Night but quickly switches sides once he discovers the reason and logic of Sarastro and the brotherhood he belongs to.

On the surface, it's a very cliche love story: young prince sees a picture of a beautiful princess, falls in love, and goes off to rescue her. The princess hears that a prince is coming to rescue her and immediately falls in love with the prince, sight unseen. There are places where it seems that Mozart recognizes the ludicrousness of the plot, but he uses the familiar trope to tell his allegory.

And that's all I'm going to tell you about the story. It's all online; you can look it up. I will say, though, that the ending -- which is one of those "everything inexplicably turns out okay in the end" kinds -- is what I would say is the weakness of the story. I'm sure it could be debated how it relates to the allegory of the opera, but I'm not going to have that debate in relation to the story itself, which I think suffers.

As I mentioned in my last opera post, one of the things opera can suffer from is performers who just stand and sing, and this performance had issues with that as well, though not as bad as in Lucia di Lammermoor. Sarastro tends in this direction though, with him, it could be on purpose as he's supposed to be a very serious and solemn character. That said, the lead Paul Appleby, as Tamino, also tended to just stand and sing. I have to say that he was quiet boring as the male lead.

However, in the performance we saw, the female lead was played by Nadine Sierra (you might remember from the first opera post that she was fabulous as Lucia in that opera), and she was, again, brilliant. She's definitely someone I'm going to be keeping my eye on.

The true gem of this show, though, was Efrain Solis as Papageno, the Queen's bird catcher. No, I don't know why he's a bird catcher.

That's Papageno on the left and NOT Nadine Sierra as Pamina.

What I do know is that he was hilarious. Completely. Papageno is the comic character of the piece as The Magic Flute is a comedy, and Solis pulled it off perfectly. He is not a stand-and-sing kind of guy. I would go back to see this again just for his performance.

One other thing: this was actually performed in English, which my wife and I didn't know going in, so that was a pleasant surprise. Of course, we went to a performance that had translations happening (basically subtitles), so they actually became distracting since we didn't need them.

I liked this one better than Lucia, and I liked Lucia, so that's saying something. Next up:

The Barber of Seville

My First Panorama (pictures I like)

Sunset at Salmon Creek Beach

Do You Want To...

...drink a snowman?

Clone Wars -- "Landing at Point Rain" (Ep. 2.5)

-- Believe in yourself or no one else will.

[Remember, you can sign up to join the Clone Wars Project at any time by clicking this link.]

This episode is pretty much just a straight up battle episode. You need those big, epic battles every so often in Star Wars. It's part of what makes Star Wars, Star Wars. As such, the battle is pretty epic. It's a ground assault against the Geonosians and, actually, pretty violent, which I guess is okay because the Geonosians are bugs. The Jedi cut them apart as often as they do droids, but you don't get that kind of treatment when the Jedi are fighting humans or human-like aliens.

To make it even more exciting, you get to watch Palpatine, using reverse psychology, set the Jedi up for a trap. It also leaves him in the clear because, of course, he counselled against their plan of attack.

Fun things in this episode:

"This is another fine mess you've gotten us into." I'm not sure if that's the exact quote, but it's pretty funny to hear Ahsoka giving Anakin the Laurel and Hardy line. R2 and 3PO are absent from the episode, so Ahsoka and Anakin fill in nicely.

Ahsoka and Anakin keep a running count of enemies they've killed and try to outdo each other. I feel quite certain this was modeled on Gimli and Legolas from The Lord of the Rings.

Ki Adi Mundi, while injured, beats both Ahsoka and Anakin.

The only downside to this episode is that they bring Mundi but don't give him much screen time. While he does get more kills than Anakin, you don't see him doing any of it.

If you like a good battle sequence, though, this is a good episode to watch.