Clone Wars -- "Massacre" (Ep. 4.19)

-- One must let go of the past to hold on to the future.

[Remember, you can sign up to join the Clone Wars Project at any time by clicking this link.]

We return to the Nightsisters story line we last saw in episode 3.14, "Witches of the Mist." Asajj Ventress has been in hiding since her failed attempt on Count Dooku's life, but she is finally returning home to Dathomir to become a full Nightsister. Dooku, finally discovering the whereabouts of Ventress, seizes the moment to take his revenge upon her... by sending a full fleet to Dathomir with Grievous at the head of the army.

And that's really all you need to know about the episode other than that there are zombies.
And the zombies are gross.

But let me take this moment to highlight something we frequently see with bad guys: their thirst for revenge.

Dooku is in the middle of a war with the Republic. You'd think that would be the thing he would focus on most. I mean, it's a freaking WAR. But as soon as Ventress shows up, he goes after her. Let me point out that the Nightsisters are reclusive. They do not go out into the galaxy and get involved in what's going on out there. All of the problems that Dooku has had with Ventress and the Nightsisters are because HE went THERE and got involved in what they were doing, not because they came after him. That and he tried to have Ventress killed.

Basically, he diverted resources against someone who wasn't bothering him and had almost no chance of seeking him out to bother him or cause him any problems.

Because of a personal grudge.

Classic bad guy behavior. Classic bad guy behavior we can see mirrored almost daily in the actions of our own petty tyrant, Trump.

Seriously, if you want to know who the bad guys are, just look around at the ones who stay focused on getting revenge against their enemies, even when their "enemies" aren't seeking to do them any harm. Like the Republicans who have been gnashing their teeth to get vengeance against Obama and who are now set to undo everything he accomplished while he was President. Not because it's for the good but because they hate him.

You can see how much they don't care about what is for the good as they begin to dismantle the Affordable Care Act while spewing their propaganda about how they aren't going to take away any of the coverage of the 20 million people who are now insured due to the ACA.

Now, the Nightsisters are not good guys, but it's time for those who oppose Trump to take to heart some advice from Mother Talzin:

"There is no time for regret; now, we must fight."

Clone Wars -- "Brain Invaders" (Ep. 2.8)

-- Attachment is not compassion.

[Remember, you can sign up to join the Clone Wars Project at any time by clicking this link.]

As you can see by the quote from this episode, this is another episode that deals with attachment, but this time it's not Anakin's attachment that we're looking at.

As the show has progressed, various characters have pointed out how like Anakin Ahsoka is becoming. Possibly, the area of attachment is one of those areas. Ahsoka is presented with a choice in "Brain Invaders" which is similar to the choice Anakin faced back in "Cargo of Doom" and, like Anakin, Ahsoka fails to make the "right" choice.

Unlike Anakin, Ahsoka seeks help and advice after the fact about what happened. Of course, she seeks it from Anakin, but Anakin is, perhaps surprisingly, quite mature about it. He tells her that attachments are things that all Jedi struggle with and that's it can be difficult to know what to do. Things worked out in her favor in this particular circumstance, but it's not going to always be that way. Did she make the correct choice? Anakin can't really tell her that. No one can.

Except, maybe, Bariss.

"Brain Invaders" is also a continuation, of a sorts, of the zombie story line, but it's a little more Stargate, actually, than zombie. In that, the story arc for this episode is nothing that hasn't been done before, but it's the crisis that Ahsoka goes through that's the point, anyway. The story is just a way to get her there.

Clone Wars -- "Legacy of Terror" (Ep. 2.7)

-- Sometimes, accepting help is harder than offering it.

[Remember, you can sign up to join the Clone Wars Project at any time by clicking this link.]

I'm not a big fan of zombies, especially more modern zombie stories with all of their supercharged zombies of utter destruction. I just don't find it interesting. That said, this is one of the more freaky and memorable of all of the Clone Wars series. When we got to the episodes with the return to Geonosis, my younger son immediately got excited about getting to this episode (several episodes into the Geonosis story arc); I can't blame him.

The zombies in this story are... well, they're gross and, yes, freaky. And they want to make the Jedi just like them. Now, doesn't that just sound like so much fun?

One of the things I find interesting in this episode is how unstructured the Jedi actually are, despite appearances to the contrary. There is almost no command structure at all. The Masters and Jedi Council are in control but, really, any Jedi may decide to do whatever he or she pleases without regard to what anyone else says. This is why in The Phantom Menace Qui-Gon and, later, Obi-Wan can decide to train Anakin despite the Council's disapproval. Direct orders other than from Knight to Padawan are rare. Each one feels and uses the Force differently, I suppose.

The other thing about this episode is that it might be the clearest picture yet that we've had about the dynamic between Obi-Wan and Anakin. Anakin is always ready to rush in and solve all of the problems with his lightsaber, rarely stopping to think first. Obi-Wan is more cautious. He's the negotiator and wants to see if there's a non-violent answer first. He also likes to have a plan. His role in the relationship is to hold Anakin back, to make him pause and look before leaping. Anakin is always there to jump in when things get hot if circumstances don't go Obi-Wan's way.


"When this doesn't go as planned, which it won't, I'll be ready."

When the Tracks Don't Meet (or Travelling At the Speed of Plot) (an IWM post)

Have you seen that cartoon of the train tracks being laid? They're coming from two different directions, but there's a problem: The tracks don't meet up in the middle the way they are supposed to. I think there are a bunch of guys standing there scratching their heads. Or something.
Yeah, I would have liked to have posted the image here, but I couldn't find it. You'll just have to pretend.

Usually, where books are concerned, those kinds of things are called "plot holes," but, really, they're not the kinds of things I would call "holes." They're just pieces of... let's call them "discontinuity." I hate them more than the plot holes, I think. Oh, you need me to differentiate?

Okay, let's say your protagonist loses the keys to his car in chapter two but, in chapter five when he's running from the bad guys, he fumbles them out of his pocket: That's a plot hole. And that's not what I'm talking about in this post.

* * *

If you want to find out what I am talking about, you'll have to hop over to Indie Writers Monthly. Oh, you want a hint? Fine, I'll give you a hint. It looks something like this:

Did that get your attention? Good. Now, go read the rest.

Do You Remember Your First?

You know what? You guys need to keep your minds out of the gutter. I'm talking about books. That very first book you just couldn't put down. The one that, maybe, kept you up all night because you just had to know what happened. Or, maybe, you took a sick day from work. If you read, I mean, if you really read, you've almost certainly had one of those books that would have had to have been pried from your cold, dead hands to get it away from you. I'll tell you my story, if you tell me yours. Just hop over to Indie Writers Monthly to find out.

Man, I should have made this a blog hop! Hmm...

And, hey! look! Bonus!
I recently did a review of Dead and Moaning in Las Vegas. Evidently, my review caused such a stir (totally true; I would never say that if it wasn't!) that the boys are running a special deal on it this week, so click the thing below and pick up your copy for a mere $0.99! Do it now before the zombies eat all of the copies.

Silverthorn

Previously, I have talked about the issue of how tastes change over time. How you grow and mature and, hopefully, so does your taste in books. Seriously, if you are an adult that has been through any type of higher education or life changes, you should not still be reading the same old stuff you read in high school. At least not just that same old stuff. I've mentioned how Piers Anthony used to be one of my favorite authors (in this post) and how I can't read anything by him anymore. It can be a sad feeling when you grow out of a beloved author.

Back in high school, I picked up these two books by this author Raymond Feist, Magician: Apprentice and Magician: Master. [Note: These were originally published as one book, Magician, but the publisher decided it was too long and later split it into two books.] I liked them. I remember really liking them, in fact. I picked up several other Feist books, including Faerie Tale (which I loved), but never got around to reading any of them (except Faerie Tale). However, when Magician was re-released as an author's preferred edition, I picked those up and re-read it. I still liked it. That, though, was a long time ago (but not in a galaxy far, far away).

Recently, I passed the two Magician books on to my younger son, and he really liked them. He wanted the next book in the series, Silverthorn.
Now, let me just insert two things here:
1. Magician is a complete story. There is no ambiguity in the ending about it needing any kind of sequel.
2. A few years ago, my daughter bought for me Krondor: The Betrayal, a book (first in a series) that Feist wrote based off of a video game based off of Magician and the rest of the Riftwar Saga. It was terrible. However, remembering how much I had enjoyed the other books I'd read by Feist, I chalked it up to being based off of a video game.
Silverthorn is a book I owned but had never read. Like I said, Magician ends on a note of finality, so, even though there were more books in the Riftwar Saga, I had never felt compelled to continue reading, so I just hadn't. But my son's desire to continue the story spurred me to dig out my copy of Silverthorn (especially since the alternative was to buy him something we already owned), and, then, I decided I would (finally) go ahead and read it.

That was a mistake.

Silverthorn is a horrible book. Okay, horrible may be too strong of a word, but it was quite a challenge to get through it. It struck me as nothing more than a forced sequel to something that didn't need one. Basically, we want to see these characters again, so figure out a story for them. Whether that came from the publisher or the author not knowing what to write next, I have no idea. Whatever the cause, it was completely formulaic but without any of the charm of, say, The Belgariad, to make it worth reading. A quest for an item while being chased by an all powerful enemy that the heroes manage to continually defeat without anyone ever getting killed.

That bit about being chased was the worst part of it. The bad guys always knew where the good guys were, always overtaking them and hounding them endlessly. Plus, there were zombies. Oh, yeah, the book has zombies, but it was written way before the whole zombie thing became big. The only way they can be killed is by fire, so, even when they hack them to bits, the pieces keep coming. The book has magic, but it's that kind of magic that conveniently only works when the author wants it to. The whole thing was rather infuriating.

Feist also suffered from "then-syndrome" while writing this one. "He did this, then he did this, then he did that, then he did this again, and then he did this and that." Then then then. Oh my gosh. He also suffered from "again-syndrome," because, after the characters did something, they almost always did it again. "Again he picked his nose." "Again he turned around." "Again he drove me crazy!" But the worst...

The worst was "suddenly-syndrome." A while back, when PT Dilloway reviewed The House on the Corner, he dinged me for using the word "suddenly" too much. I did a word count after he said that and came up with about two dozen uses in 120,000 words. I didn't feel too badly about that. Well, PT should certainly not read Silverthorn. At one point, during a two page battle scene, Feist uses the word "suddenly" more than a dozen times. In two pages! I think I never want to use that word again after reading Feist's book.

I kept expecting, "then, suddenly, he again...," or something of the sort. It didn't happen, but it wouldn't have surprised me.

The worst part of having read this book, though, is that it's kind of ruined the other books for me. I'm left with this lingering question as to whether the other books are better than this one or if they were this bad, too, but I was just young enough not to be bothered by any of it. And I want to know! I want to go back and read Magician again just so I can see if they were better, but I know that I won't, so it's just going to bug me for who knows how long. Maybe, I'll re-read Faerie Tale and see how that one is; I've kind of wanted to re-read it for a while anyway.

Oh, and the editing is horrible, especially considering these were edited by a major publisher. The book was full of comma errors, for one thing, but errors that don't make any sense. For instance, there would be a sentence like "I went to the store, to buy some milk." Why is that comma there? There's never a reason for a comma in a sentence like that, yet the book was full of that type of error, like the editor just tossed them on  the page and let them stay where they landed. And, then, there were the misspellings. Like the adventurers kept going up the trial. Not the trail, the trial. They did this more than once. They did it more than twice. Personally, I kind of want to see a story, now, about someone going up and down the trial or racing down the trial on his horse. That was not the only misspelling just the only one that happened again and suddenly again.

So I don't really know what to say about Feist, now. There was a time I would have suggested, at least, Faerie Tale to people that like that kind of thing, but Silverthorn leaves me more than reluctant to suggest anything by Feist to anyone.