Showing posts with label tomb. Show all posts
Showing posts with label tomb. Show all posts

Friday, October 14, 2016

"The Unnamable" (a book review post)

Okay, before anyone says anything, I know "unnamable" is "misspelled." It is not misspelled because I am spelling it incorrectly; it is "misspelled" because that's how Lovecraft spelled it, so I can only assume that that was the correct spelling at the time. I'm assuming that because Lovecraft was rather a fascist of grammar, so it would be more than odd for him to have such a glaring mistake.

Now... Does anyone remember that old horror story (it was told by one of the boys in Dead Poets Society) about the person putting together the jigsaw puzzle only to have it reveal a picture of the person in question being murdered, an event which immediately happens upon completion of the puzzle? Yeah, you should just keep that in mind.

This story made me chuckle. It begins as a philosophical discussion between the narrator, who is an author, and his friend, who is a high school principal, about the author's foible of referring to things in his stories as "indescribable" or "unnamable." The principal holds that this is a "puerile device" of the author and is the reason, at least in part, that he has not become more successful. I have to imagine that Lovecraft is here reflecting upon actual comments to him as an author, because it's one of the things that has come to annoy me most about his writing, his constant retreat into saying that something is too horrifying to describe. The narrator, Randolph Carter, attempts to defend himself.

The two men are, of course, sitting on a tomb in a cemetery as they have this conversation. And, of course, something is going to go terribly wrong.

It was a clever set up. Lovecraft offers us pieces of the surroundings as he tells us about the two men talking, the dilapidated house not far away, the tombstone engulfed by a tree, the very tomb they are sitting on. Then, as Carter begins his defense about unnamable things, he relates to his friend a story, and we discover that they are in the very place where the story takes place. If you're paying attention (and, yes, I know I'm ruining this part), it will dawn on you as he tells the story to his friend, but, if not, at the end of the story, his friend says he would really like to see the house from the story. Carter replies that he can, or could have before it got too dark (because it is so dark at that point that the two men can't even see one another), because it's right over there.

And that is when things go to hell.

I liked this one a lot. That Lovecraft was willing to point out and, to a certain extent, even make fun of this failing of his as a writer, even in the midst of defending himself, is interesting to see. The story within the story becoming the setting for what happens in the story was also sufficiently subtle and interesting. I think this is possibly the most sophisticated of the stories I've read by him to date. Even if it does fall back to his favorite style of ending, which is, of course, the point.

Wednesday, August 12, 2015

"The Tomb" (a book review post)

"The Tomb" is Lovecraft's first published fiction. It's also the earliest written of all of his published works. It shows. Lovecraft has a tendency toward wordiness as it is, which works well in most of the stories I've read so far. His words, his many words, set the tone and give his stories a certain weight they wouldn't otherwise carry. However, he's not able to pull that off with "The Tomb."

"The Tomb" opens more as preachy than descriptive. It's Lovecraft giving us a philosophy of life that I have to believe is his and that, to some extent, this particular character is his representation of himself. He's a character obsessed from childhood with a tomb on the property on which he lives. The tomb is locked with a huge chain, but the door isn't quite closed, which taunts him because he can almost see in, but he can't get in.

The rest of this will have spoilers. You've been warned.

The kid grows up with a habit of sneaking out of the house at night and sleeping outside of the tomb door and dreaming strange and weird dreams. Which lasts until he gets old enough to suddenly know where the key to the lock is hidden. Yes, one day, he just knows.

From that point forward, he goes down into the crypt each night and sleeps in a special, empty coffin and gains all kinds of secret knowledge that cause him to become even more estranged from his family and the people in the town.

Skipping some of the details, here, eventually the protagonist is put into an asylum. This raises the question: Was what the protagonist was experiencing real? Did it happen or did he just think it happened? I think we're supposed to side with the protagonist, but there are too many gaps for me to buy into the story the protagonist is telling us. Without that buy in, the story falls flat and is kind of shrug worthy.

Still, if you want to get the full Lovecraft experience, I think it's instructive to see his progression, so the first story he wrote is essential to that. Otherwise, even though I've still only read a handful of his stories, there are certainly better ones out there and this one can be skipped.