A few weeks ago, I did this post about musicals, which was at least partly inspired by the great musical film Singin' in the Rain. Singin' in the Rain is my kind of musical. Which is to say that it's not the kind of musical where a huge crowd of people suddenly bursts into song and starts doing a dance routine, which is the thing about musicals I've never been able to get into.
Singin' in the Rain does its music on a much smaller scale, a personal scale, which I really enjoy. Its eponymous song is just Gene Kelly and is completely appropriate to the nature of, well, everything. If you've ever been in love, you'll understand.
My kids' favorite song, "Make 'Em Laugh," is another of those that just feels appropriate to the action of the movie.
Both songs are the kinds of things people, real people, really do. And I like that. All of the musical numbers are like that.
Speaking of "Make 'Em Laugh," Donald O'Connor is wonderful. Completely amazing. So much so that I had to rent some of the Francis, the Talking Mule movies for my kids, so they could see him in some other movies. They preferred Singin' in the Rain, which kind of surprised me, because I loved the Francis movies when I was a kid. All of the performances are great, though, not just O'Connor's.
And we thought breakdancing was something from the '80s.
Here's the other thing about Singin' in the Rain: If you've seen it, you don't need to bother to see The Artist. Both movies are about silent film stars making the transition to "talkies," but Singin' is so much more charming in its approach and, overall, just a much better film. Really, there was no need for a movie like The Artist with Singin' already out there.
For those of you out there who "don't like musicals," you should give this one a look, anyway. There's a real story, here, that's well-told. The acting is strong. The music is well integrated and classic. It's unfortunate that the movie is "old" and not noticed much anymore, because it's quite an excellent film.
About writing. And reading. And being published. Or not published. On working on being published. Tangents into the pop culture world to come. Especially about movies. And comic books. And movies from comic books.
Showing posts with label Singin' in the Rain. Show all posts
Showing posts with label Singin' in the Rain. Show all posts
Monday, August 11, 2014
Thursday, January 9, 2014
Saving Mr. Banks (a movie review post)
Two years ago, when The Artist won Best Picture, it was not difficult to understand why. It's the kind of movie Hollywood loves whether it was actually best picture material or not. I was going to say that I don't really think it was but, upon looking back at the other nominees that year, it didn't have a lot of strong competition, at least from the movies I saw. Come on, War Horse? Really? Which is not to say that War Horse wasn't good, but best picture? That's the best they could do? And as for The Artist, Singin' in the Rain already told that story and did a much better job of it. But, anyway...
Saving Mr. Banks is that same kind of film, the kind that Hollywood ought to love. It's about how one of the most beloved movies in movie history got made. And it's the first time Walt Disney has ever been portrayed in a movie, so that's saying a lot. And, just to put all of this perspective, when Disney first heard that the movie was being made, they're first reaction was to buy it and squash it. See, there's a reason Walt has never been portrayed onscreen before. However, after looking at it, they decided not only not to do that but to produce it! It's that kind of movie.
And it's good. I mean, it's really good. I know it is because my wife cried through about the last third of it. I will be extremely surprised if it doesn't get the best picture Oscar this year. Overall, from what we've seen so far, I think it's most well rounded show out there. And it leaves you feeling good after having had a good cry.
Not to get into what the movie is about, but it's about how Walt Disney convinced P. L. Travers to give him the rights to make Mary Poppins, something it took him 20 years to do. Along with that story, you see the story of the defining moment of Travers' childhood, which shows why Poppins was so important to her. From what I've seen from fact-checking, the movie is fairly accurate, which is another plus. A big one, actually. They did have hours and hours of audio recordings from sessions with Travers and some of the people working on the movie (because she insisted that everything be recorded), so they wouldn't have had a good excuse for it not being accurate.
So, first, let's talk Tom Hanks. Oh, man, Tom Hanks was... incredible. There were moments, especially when they showed him watching himself on the old black and white TV show Walt introduced, where he was just like Disney. And, from everything I've read, Hanks did capture Walt to an amazing extent. I do know that the folks at Disney Studios shaved Hanks' mustache to the exact dimensions that Walt wore his. His only being called a supporting actor for this role, but I think it's a safe bet that he will at least get a nomination for it. I will not at all be surprised if he wins. Actually, I hope he does. [I haven't seen Captain Phillips, yet, but he's also being talked about for a best actor nomination for that one.]
Then, we have to talk Emma Thompson, and she may just deserve best actress for her performance. That's a tough call for me, though, because Sandra Bullock carried an entire movie virtually by herself, and that's an impressive feat. However, I'm not sure anyone else could have pulled off Travers the way Thompson did. It was a great performance, and she and Hanks were perfect together.
Paul Giamatti was lovable as Ralph, the chauffeur. This role probably wasn't especially difficult for Giamatti, but he was perfect in it. Jason Schwartzman and B. J. Novak were awesome as Richard and Robert Sherman. Not the parts called for too much, but it was great to see them in the movie. They were good, too. Especially this one part with Novak, but I don't want to spoil it, so you'll just have to see it; then, I'll tell you which one.
Which brings us to Colin Farrell. Farrell is one of those underrated actors who is almost always excellent despite the horrible movies he's in. I mean, Alexander wasn't really his fault, and how can you blame him for not turning down Total Recall? At any rate, he's wonderful and wonderfully tragic as Travers Goff. He was my favorite part of the movie. I mentioned that my wife cried, but there were some scenes of Goff with his daughter where I almost cried. That's kind of saying a lot for me.
I loved this movie. Of the possible best picture nominees, if you have to pick just one, this is the one I would recommend. Sure, Gravity is visually amazing, but this movie has heart that Gravity just doesn't have, no matter how you feel about Walt Disney. And let me make this clear, the movie is not about Walt Disney; the script was written (and not changed) before Disney (the Company) had a hand in it; the movie is about Travers and how she was ultimately convinced to allow Walt to make Mary Poppins into a movie. It's definitely worth seeing.
Also
Make sure you stop by Indie Writers Monthly today. Check out my post and the contributors and follow along. I'm not really sure where we're headed with that, yet, but, if you like sci-fi and/or fantasy, I'm sure it's going to be a good ride.
Saving Mr. Banks is that same kind of film, the kind that Hollywood ought to love. It's about how one of the most beloved movies in movie history got made. And it's the first time Walt Disney has ever been portrayed in a movie, so that's saying a lot. And, just to put all of this perspective, when Disney first heard that the movie was being made, they're first reaction was to buy it and squash it. See, there's a reason Walt has never been portrayed onscreen before. However, after looking at it, they decided not only not to do that but to produce it! It's that kind of movie.
And it's good. I mean, it's really good. I know it is because my wife cried through about the last third of it. I will be extremely surprised if it doesn't get the best picture Oscar this year. Overall, from what we've seen so far, I think it's most well rounded show out there. And it leaves you feeling good after having had a good cry.
Not to get into what the movie is about, but it's about how Walt Disney convinced P. L. Travers to give him the rights to make Mary Poppins, something it took him 20 years to do. Along with that story, you see the story of the defining moment of Travers' childhood, which shows why Poppins was so important to her. From what I've seen from fact-checking, the movie is fairly accurate, which is another plus. A big one, actually. They did have hours and hours of audio recordings from sessions with Travers and some of the people working on the movie (because she insisted that everything be recorded), so they wouldn't have had a good excuse for it not being accurate.
So, first, let's talk Tom Hanks. Oh, man, Tom Hanks was... incredible. There were moments, especially when they showed him watching himself on the old black and white TV show Walt introduced, where he was just like Disney. And, from everything I've read, Hanks did capture Walt to an amazing extent. I do know that the folks at Disney Studios shaved Hanks' mustache to the exact dimensions that Walt wore his. His only being called a supporting actor for this role, but I think it's a safe bet that he will at least get a nomination for it. I will not at all be surprised if he wins. Actually, I hope he does. [I haven't seen Captain Phillips, yet, but he's also being talked about for a best actor nomination for that one.]
Then, we have to talk Emma Thompson, and she may just deserve best actress for her performance. That's a tough call for me, though, because Sandra Bullock carried an entire movie virtually by herself, and that's an impressive feat. However, I'm not sure anyone else could have pulled off Travers the way Thompson did. It was a great performance, and she and Hanks were perfect together.
Paul Giamatti was lovable as Ralph, the chauffeur. This role probably wasn't especially difficult for Giamatti, but he was perfect in it. Jason Schwartzman and B. J. Novak were awesome as Richard and Robert Sherman. Not the parts called for too much, but it was great to see them in the movie. They were good, too. Especially this one part with Novak, but I don't want to spoil it, so you'll just have to see it; then, I'll tell you which one.
Which brings us to Colin Farrell. Farrell is one of those underrated actors who is almost always excellent despite the horrible movies he's in. I mean, Alexander wasn't really his fault, and how can you blame him for not turning down Total Recall? At any rate, he's wonderful and wonderfully tragic as Travers Goff. He was my favorite part of the movie. I mentioned that my wife cried, but there were some scenes of Goff with his daughter where I almost cried. That's kind of saying a lot for me.
I loved this movie. Of the possible best picture nominees, if you have to pick just one, this is the one I would recommend. Sure, Gravity is visually amazing, but this movie has heart that Gravity just doesn't have, no matter how you feel about Walt Disney. And let me make this clear, the movie is not about Walt Disney; the script was written (and not changed) before Disney (the Company) had a hand in it; the movie is about Travers and how she was ultimately convinced to allow Walt to make Mary Poppins into a movie. It's definitely worth seeing.
Also
Make sure you stop by Indie Writers Monthly today. Check out my post and the contributors and follow along. I'm not really sure where we're headed with that, yet, but, if you like sci-fi and/or fantasy, I'm sure it's going to be a good ride.
Labels:
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best picture,
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Jason Schwartzman,
Mary Poppins,
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Saving Mr Banks,
Singin' in the Rain,
The Artist,
Total Recall,
Travers,
Walt Disney,
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