This Is America

I Am Not My Own Demographic

My wife and I went to an Oscars event at a local theater not because we wanted to actually see the Oscars, this year -- both of us were rather underwhelmed with the nominations -- but because we (especially my wife) wanted to see Neil Patrick Harris host the Oscars. In that, we were not disappointed. He made it worth it to me with his opening line, "We are here to honor the best and the whitest..." That followed by his opening number made the expense of going to see the Oscars at a special venue completely worth it even if it was all downhill from there, though I was gratified that Birdman got best picture and Alejandro Gonzalez Inarritu got best director for it. Oh! The performance of "Glory" from Selma was also amazing.

However, Eddie Redmayne as best actor? Give me a break. All he did was sit in a chair and drool. John Travolta (who is not an actor I enjoy at all), did a better job of presenting than Redmayne did as Hawking. But I digress...

Yes, it was required that my wife and I go out to see the Oscars, because we don't have "TV." We could have followed the results online, but we couldn't actually watch the show without going out... somewhere... to do that. But it was a charity event, so that was kind of cool.

But here's the thing: It was full of people that are of the demographic I should belong to... but really don't. My wife and I were among the youngest people there. Well, maybe there were some people in their late 30s but, mostly, it was white people in the 40s and up. This is the group of people that I should theoretically belong to. And, I suppose, the fact that I was there at all means that I must overlap a some points other than relative age and race, but it certainly didn't feel that way.

For one thing, my wife and I reacted to a lot more of the political talk than pretty much anyone else there in terms of agreeing with it. We laughed at more of the jokes and, I think, appreciated more of what was going on. Especially when it had to with inequities within the Academy itself. [Just to point out, the Academy is more than 90% white and nearly 80% men. Rich, old white guys with OWDS.]

But it was the ongoing disdain from the host and the crowd against super heroes and comic books that really allowed me to see how I just don't fit in with "my" crowd. There were multiple comments about how glad we should all be that no super heroes were nominated for... anything. I just want to point out that super heroes have never been nominated. For anything. However, Guardians of the Galaxy and Captain America: The Winter Soldier were better than at least half of the nominees. Seriously, Whiplash? What a piece of crap. The Theory of Everything, too. Both worthless movies.

Benedict Cumberbatch, though, shined the brightest light on the issue. The host, a little Susan Sarandon number (seriously, if she had said, "Hey, I'm Susan," I might have actually believed her), had a serious thing for Benedict. During the commercial breaks, she was asking trivia questions (for prizes), and she got to this one:

What Marvel character is Benedict Cumberbatch signed on to play in an upcoming movie?

And there was... silence. Which was quite a contrast to all of the other questions which had had people immediately yelling answers. After enough of a pause that it was obvious that no one was going to say anything (and I think she was about to tell the answer), I shouted, "Dr. Strange!" And, see, she was surprised that I knew that. She had not expected an answer. Then, she said, "I don't even know what comic book that is," (or something like that), and I said, "Dr. Strange!" And she was surprised again. Seriously.

There were a couple of hundred people there, and no one else knew that. That's as basic as water to me. Or air. But it's not that I have a specialized knowledge set that that group of people didn't have; it was the reaction to my specialized knowledge set that was the issue. The host was both disdainful and dismissive of it, and she was fairly representative of the class of people that were there. It made me feel as if I was an anthropomorphized raccoon sitting there in the theater.

Okay, so not really.

Because I really am an anthropomorphized raccoon.

Okay, fine! I'm not.

I am Groot.

>sigh<
Fine!

Anyway, the point is that I don't really fit into this group of people I'm supposed to fit into, and I probably do a lot better job of it here in California than I ever would have done in the South. I'm sure that's why I don't live there anymore. According to my wife, anyway. It might help if I wanted to fit in with the group of "white dudes" or "rich, old white dudes" or whatever. Not that I wouldn't take "rich," I suppose, at least up to a point. But, my gosh, when the only recognition a movie like Selma gets is for the song, then something is wrong. Granted, it's a great song. Again, I'm just going to say, at least Alejandro Gonzalez Inarritu got acknowledged for Birdman.

Selma (a movie review post)

I have to wonder if it's the historical controversies over this movie that have caused it to be so overlooked by the Academy. Not that that has stopped them from being all over movies like The Imitation Game but, then, those are less controversial controversies. Yeah, I know Selma got a best picture nomination, but that seems almost as if it was only a token nomination (because they had to) rather than any serious consideration of the film.

The thing is, I think the controversies, especially the ones around LBJ, have to do with perspective rather than actual fact. In other words, both sides are correct and both sides are wrong. Sure, Lyndon Johnson pushed through the Voting Rights Act and not even against his will, but that doesn't mean he didn't also act as an impediment to King. That's really the kind of thing that depends upon which side of the fence you're on. It's an awfully small thing to be arguing about in a film like this.

And what kind of a film is this? Well, it's everything that 12 Years a Slave was not. Where 12 Years is emotionally distant, Selma is emotionally gripping. Where 12 Years is brutally graphic, Selma shies away from actual depictions of violence. The club goes up, but you rarely see where it falls. What you do see is the aftermath and the emotional turmoil. You see purposeful, personal, systematic persecution of a people rather than the rather impersonal depiction of slavery from 12 Years and the isolated vendetta-style conflict. In Selma, it's not someone with a chip on his shoulder abusing a loan slave, it's a culture of persecution against a race. It's deliberate and it's illegal, and it was maddening to watch the injustice. Selma shines a bright light on what was a culture of intolerance and ignorance.

Look, I grew up in the South, and this movie made me wish that I had been alive in the 60s and could have marched with King myself.

That David Oyelowo was overlooked for a best actor nomination is frustrating at the very least. That Eddie Redmayne received one for sitting in a chair is an injustice. As far as I can tell from what people who know have been saying, Oyelowo was pretty spot on and, from the clips I've heard of King speaking, it sounded to me as if he nailed it. What I do know for sure, though, is that he nailed the speaking style of the Southern black preacher. I've been to some of those Southern Baptist meetings with black preachers, and Oyelowo, when he is delivering King's speeches, would have fit in flawlessly. It's also worth noting how monotone Oyelowo was when he was practicing those speeches to himself, but it was a tremendous transformation when he moved in front of a crowd.

The other acting is also great. Tom Wilkinson was spectacular as LBJ, as was Dylan Baker as Hoover. I have a fondness for Wendell Pierce and really enjoyed him as Rev. Williams. And Tim Roth... well, I wanted to punch him in his big, old nose. He needed someone to punch it. Stephen Root is also always good, and we didn't get less than we expected. Carmen Ejogo was also good as King's wife, but I don't actually think that one was an Oscar performance... except when you see that Felicity Jones was nominated; Ejogo was at least as good as Jones.

On top of everything else, though, the movie is timely in its relation to how you deal with terrorism, because that's what had been going on in the South for 100 years. I don't remember the exact quote, but there is a conversation between King and another man while they are in jail, the gist of which was something along the lines of standing up for your rights as a person and how to deal with the fact that the people who have been keeping you down will continue to try to knock you down. You just stand up again. It really resonated with what Charb said about dying on your feet rather than living on your knees. Some of King's followers did die, but they died on their feet for something they believed in, and it allowed those that came after them to start out on their feet. It's a powerful message.