Ozma of Oz (a book review post)

Because The Woggle-Bug Book, is not included as one of the Oz books, Ozma of Oz is considered the third book in the series. Despite the fact that the book is not really about Ozma (introduced in The Marvelous Land of Oz), it gets her name. She doesn't even show up until more than 1/3 into it and hardly takes center-stage after that. The title, though, is probably the greatest weakness of the book. So far, I'm enjoying each of these more than the previous one. Being only three books in, though, that's not saying much.

In a broad, cultural sense, Ozma of Oz may be the most significant of the Oz books. It introduces the character Tiktok, who is considered by many to be the first use of a robot in literature. An actual mechanical person with a mechanical brain. He's a clockwork, as the name implies, and you have to wind him up, but, unlike the Tin Man, he is completely manufactured and his knowledge was "programmed." Of course, we don't really know what that means, but it doesn't really matter. Within the structure of the book, he is just another of Baum's interesting and entertaining characters, winding down at inopportune times.

My favorite of the new characters in this book is the Princess Langwidere. The princess owns only one dress, a white one, because it goes with all of her heads, all the 30 of them. Rather than change clothes to make herself attractive, she changes heads. The white dress is because it goes with whatever head she chooses to wear. This, of course, rather confuses her subjects, because they can't figure out why she looks different every time they see her. Each head also has its own personality so, although she retains her memories, some heads are more likable than others, and she can feel bad in one head about what she did while wearing another. This whole idea is a great concept, and I wish I'd thought of it.

I should mention that this book features the return, by popular demand, of both Dorothy and the Cowardly Lion.

Now, rather than talk anymore about the story, clever as it is, I want to discuss some social issues and commentary that are worth noting.

There are no men in these books. Not really. The only real example of a man that you get is that of the Wizard in the first book, and he's a fraud. Although the Tin Man used to be a man, he is no longer. All that's left is a rather vain and pompous facsimile. Fortunately, he's also genuinely caring, or he would be insufferable. The other male personas among the main characters are just that: personas. They don't represent actual people but ideas. Then there are the soldiers in Ozma of Oz, who are rather comedic as they are all but one officers. The lone private is only there so that the others have someone to give orders to. He's also the only one who doesn't run away from danger, although the officers were supposedly chosen for their bravery.

All of the important characters in the books are women, and most of them are positive examples of powerful women, Princess Langwidere being a prominent exception. She was more interested in admiring her various heads in the mirror rather than ruling the kingdom which she was responsible for. Considering that these were written before women had the right to vote, I think this is an important aspect of the Oz books to acknowledge.

That said, we do run across Jinjur, who had been a general in the previous Oz book, who is now married and settled down. Dorothy is amazed by the change but, as Jinjur says, "I've married a man who owns nine cows and now I am happy and contented and willing to lead a quiet life and mind my own business." So, despite the fact that Baum supports the independence and power of women, there does still seem to be the underlying belief that all a woman needs is to find the right man to marry and she will settle down and give up all that other stuff. It does seem, though, that Jinjur wears the pants in her marriage; her husband is indoors nursing the black eye that she gave him for not following directions. I think, though, all things considered, we can forgive Baum this one slip. At least in these first three books, Oz gives us a powerful representation of what independent women can do.

The Woggle-Bug Book (a book review post)

The Woggle-Bug Book is not precisely part of the Oz books as it doesn't take place in Oz or really have anything to do with Oz other than the Woggle Bug. Actually, the book is adapted from the musical adaptation of the second Oz book, The Marvelous Land of Oz. Well, loosely adapted. The Woggle Bug is a supporting character in Marvelous Land, but it sounds like much of the plot of the musical is related specifically to the Woggle Bug and his love for a dress, which is what the book is about except set in New York. Maybe. Some American city, at any rate.

So, yes, the book is about how the Woggle Bug falls in love with a dress. He sees it on a department store mannequin and is taken in by its colors, but he can't distinguish it from the person who is wearing it, so the whole plot revolves around him chasing after the various possessors of the dress. And smashing hats. The premise is, in all actuality, entirely amusing.

However, the execution is lacking, especially by today's standards, considering that the book is filled with racial caricatures. I'm sure those things were amusing in their time, but it was a time when Blackface was considered a high form of entertainment. Needless to say, by today's standards, the stereotypes are, at the least, insulting.

I don't really understand the need to set the book in the real world for any other reason than to include those characters. Baum still felt the need to have the Woggle Bug encounter a bunch of talking animals, so it seems to me the book would have worked just fine in Oz. Except that it was done as a child's picture book, not a novel, so, maybe, they thought the book would work better in a familiar setting. It was more than a century ago, so it's hard to say. It doesn't translate well to modern day, though, because of the racial issues.

However, that probably makes the book ripe for a modern interpretation because, as I said, the premise is really very funny and put the Woggle Bug's life in jeopardy on more than one occasion. I wouldn't suggest the original for more than die-hard Oz fans.

And, now, for something I've never done before: a review of the specific edition I purchased.
I picked up a free edition of The Woggle-Bug Book for my Kindle, and it was definitely an example of getting what you paid for. The person responsible for the adaptation did a piss poor job of it. For one thing, the original book had illustrations; evidently, those illustrations had captions. The captions were included in the narrative text of the book wherever they happened to fall, which was quite jarring. The book is in past tense, but the captions are in present, so you'd suddenly get this present tense summary of the current action of the book. Also, the book, especially toward the end, is full of typos. It was very apparent that not much time or attention was given to making the book presentable. I would certainly not recommend this edition of the book to anyone, even for the low, low price of FREE.

The Marvelous Land of Oz (a book review post)

As I mentioned in my review of The Wizard of Oz, I didn't know the Oz books existed when I was  a kid, so I completely missed out on these until I was too old to be interested. Well, as a high-schooler, I wasn't interested. After finishing the second Oz book, The Marvelous Land of Oz, I'm really starting to be disappointed that I missed these books when I was a kid. So far, they are pretty marvelous.

As a writer, one of the things I find most interesting about the series is that there was never supposed to be more than just the one book, the one everyone knows because of the movie. But there was a musical, stage version of Wizard done -- co-produced by Baum -- and the actors portraying the Tin Man and the Scarecrow were so good that people (kids, mostly) began requesting more stories about those two characters. Not about Dorothy, just about the Tin Man and the Scarecrow. The resulting book doesn't even mention the Cowardly Lion.

We also get a book that is much more blatantly about the politics of the day, specifically, the suffrage movement. Virtually every character other than the Tin Man and Scarecrow, which includes all of the "human" characters, are female. Which may be a statement to cause some confusion, considering the main character is a boy named Tip, but you'd have to read the book to understand.

I think I like this one more than Wizard. Well, actually, I do. The one big flaw of Wizard -- that Dorothy wanted to go home, a place she didn't like -- is hard for me to get over. This one has no flaw like that and is even more whimsical. Not to mention that the characters are much more real in this one.

In Wizard, the characters are all "happy happy joy joy" all the time, but that's not the case in Marvelous Land. They bicker. They bicker a lot. Some of them even seem not to like each other much, and the Saw Horse doesn't get along with anyone. Tip constantly threatens the Woggle Bug because of his punning, and Jack Pumpkinhead is... well, I like Jack, but he's a whiner. Most interesting, though, is the Tin Man. He's developed a serious case of vanity and has had himself nickel plated. He's still a nice guy, but he spends more time worrying about his shine than he spends worrying about his friends. Also, I like the contrast between the Woggle Bug, who has lots of knowledge, and the Scarecrow, who has Brains but not lots of facts. It's a bit of intelligence versus wisdom and, mostly, it shows us that we need both.

At the moment, two books in, I'm really enjoying the Oz books and will definitely continue to read them. If you know your history at all -- well, early 20th century history -- there is the added enjoyment of all the social commentary that's been thrown in. Hmm... That sounds haphazard. Weaved in is more like it. In all of the best ways, these books are like the classic Looney Tunes cartoons: Kids find them hilarious, but you can't really appreciate them until you're an adult.