Showing posts with label Great Morgani. Show all posts
Showing posts with label Great Morgani. Show all posts

Tuesday, August 27, 2019

Orange Something-or-other

As I do every year around this time, I'm going to offer up a few pictures of The Great Morgani from one of his appearances at this year's accordion festival. The name of this costume was the Orange... um, well, I don't remember. The Orange Something-or-other.
[Make sure you come back tomorrow for an actual recording from the festival!]
[No, seriously, you don't want to miss it. You'll be surprised.]


Friday, September 4, 2015

Accordion Absence (a local color post)

We just had the 25th annual Accordion festival recently, but I don't have a lot to say about it this year.
The Great Morgani was, of course, there, but I only got pictures of him in this one costume, this year.
But I managed to get one of him with my daughter and her accordion teacher, so that was cool.

Speaking of my daughter, she did play again this year. I have a video. Actually, I have two, because she played two songs. I'll try to get them configured or something so that I can make them available on the blog.

Other than that, though, we didn't listen to much music. Not actively. My family mostly hung out together and my daughter accordion shopped. This year was the first year for that! We almost even bought one, but that's a story that I'm not going to tell, right now, mostly because it would be anti-climactic.

At some point after we were home, I said to my oldest kid, "I feel like we went to the festival, and I didn't listen to any music," and he said, "Yeah, me, too." Because most of what he did was watch his young cousins. He did, however, listen to the German guy who played some video game themes on his accordion.

So, anyway... The accordion festival did happen; I just don't have a big write up about it this year. I'm sure I'll do a better job next year. Because the only way I could do it worse than this year is if we don't go next year, but that's not actually very likely.

Monday, September 1, 2014

The Invasion of the Accordions (a local color post)

It's that accordion time of year again, the time of the Cotati Accordion Festival, the 24th one. That's The Great Morgani in the picture above. This year, I managed to get pictures of 3 out of 4 of his costumes. More of those in a moment.

For those of you not in the know (and for those who have just forgotten), my daughter plays the accordion, for a number of years, now, so we've been going to this event for a while. In fact, you can see my previous posts about it, and the associated pictures, at the listed dates:
2011
2012
2013
They're worth checking out just for the pictures of Morgani (except the 2011 post; I didn't have my camera with me, I guess).

As one might guess, the accordion festival is largely populated by, shall we say, an older crowd. I get that. It's not like I grew up with any ideas about the accordion being in any way cool. But it is cool. My daughter has taught me that. It's a wonderful and complex instrument, and I love to listen to her play it. But I digress... What I was going to say is that this year there was a much larger younger crowd. I don't know if it's because the accordion festival is becoming "something to do" or if, maybe, hipsters have decided accordions are cool. Or something. It was nice to not be among the youngest people there, though.

Here are some more pictures of Morgani:
The most impressive part (to me, anyway) is that the accordions are also "in costume" but he is able to play them anyway. After my daughter played this year, he came and told her what a good job she'd done and that she'd be taking over for him any year now.

My favorite performer this year, other than my daughter, was Vincenzo Abbracciante.
He was pretty incredible.
My wife liked Alicia Baker.
At just 22, she sang amazing opera while she played.

You can't have an accordion festival without accordions!
And things playing accordions!

Also, I just have to add, you have to appreciate a festival which keeps naked ladies on its stages! You can see them on the stage with Alicia Baker, above, and here are more.

Tuesday, September 24, 2013

Old White Dudes and Why I Don't Want To Be One

Last week, I talked about the Cotati Accordion Festival, which is a great event, and I enjoy going to it. Generally, speaking, there's great music, good food, and lots of incredible accordions to look at (because they always have booths where they're being sold), and The Great Morgani and his crazy costumes.
One of last year's costumes.
There were a couple of drawbacks this year, though; one of which was that the music wasn't quite as good as it normally is. The other was that there seemed to be a prevalence of OWDS among  the crowd.

Here's what happened (not in chronological order):

First incident:
There was an old dude that kept taking his clothes off. Now, if it had been like crazy person taking his clothes off, that would have been one thing, but this guy wasn't crazy. He just seemed to think that it was okay for him to change clothes wherever he wanted to. I mean, maybe he thought he was at Burning Man or something, but I really don't think so. He just seemed to think it was okay... for him. Seriously, at one point he just stripped down to his "shorts," pulled new clothes out of his backpack, and put them on. And it wasn't like he went off somewhere to do that. He was right up at the stage while someone was playing. Evidently, he just wanted something more comfortable to dance around in. Another time, he went over and bought a t-shirt, so he just disrobed right there at the booth after buying the shirt so that he could change into it. The guy had a flaming case of entitlement.

Second incident:
They had a tent set up with a dance floor in it and zydeco music going on. My wife, her sister, and my daughter went in to dance. Also, the Great Morgani was in there dancing in his old lady costume (so hilarious!). I was standing at the edge of the tent with my left hand on one of the ropes watching them dance (but mostly watching Morgani (because, again, hilarious!)). Someone bumped my left shoulder. I let go of the rope and turned to see who it was, some dude (older than me) with a beer in his hand. Now, the act of turning caused an opening (of sorts) between myself and the rope, and the dude put his left shoulder into the opening so I couldn't turn back to where I had been. Slightly annoyed, I moved over a bit. A moment later, he bumped me again, and, again, I turned to see what was up, and he did the same thing, edging more into the opening I'd made. So I moved again. A moment late, he did it AGAIN, and, instead of just turning to look at him again, I stepped to the side and turned just in time to see him switch his beer to his right hand and grab the rope with his left effectively taking the spot I had been standing in when he first came up. He ignored the fact that I was staring aghast at him and just started bouncing with the music and sipping his beer.

Basically, he had just wanted my spot and proceeded to bump me out of it. If I hadn't known that it would be greatly upsetting to my wife, I would have told him exactly what I thought of his entitlement issues and rude behavior, neither of which he could see. To him, that spot deserved to be his, and he hadn't done anything wrong. But I did know that my wife wouldn't want me to cause a scene, so I moved away from the gashole (that's a new word in our house; it's that thing on your car where you put the gas in), fuming all the while.

Third incident:
The worst one, though, was this dude that was probably actually around my age, so not all that old. Seriously entitled, though. He kept wandering and dancing through the crowd and putting his hands and arms on people and trying to dance them around. By people, I mean women. He was acting all cheerful and cherubic, but it was clearly not welcome attention by many people, including my wife. Now, we'd already been observing his behavior, so when he walked past us and moved toward my wife, she backed away; some women, though, were not that lucky, and, whenever someone brushed him off or pushed him away, he would shrug like it was their problem, not his. He didn't leave the men completely alone, because he would give husbands and boyfriends or whomevers back pats and half hugs to let them know it was okay that he had just molested their women.

When he wasn't doing that stuff, he was walking around like he was the godfather of the festival bestowing blessings on people. And if you're wondering if this was some important dude, don't. It was just some old white dude exercising his entitlement. He had no problems. Any problems were with the other people. After all, he was just having a good time.

So I've used this one event to spotlight these issues, but this is only one example. There was also the recent thing with SFWA and a bunch of old white dudes saying how women shouldn't even be writing science fiction. And there was the deal with the white dudes harassing women at SDCC about how they weren't worthy fans and only wanted to play dress up or some such. And don't even get me started on how white dudes think they ought to get to drive.

In short, we here in the US are suffering from a horrible case of OWDS. Even people who don't have it are being affected by it, probably on a daily basis, much like non-smokers are affected by second-hand smoke. And, like second-hand smoke, being affected by it is worse than actually having it. In fact, people with it probably don't know they have it, wouldn't care if they did know, and would probably think it was a good thing anyway. It's particularly rampant among baby boomers, but there are plenty of signs of the early stages in younger generations.

What is it, exactly, that I'm talking about? Old White Dude Syndrome. It's a horrible disease and usually incurable; however, with proper education and preventative measures most of the symptoms can be minimized. As with any disease, the best prevention is early detection.

Most commonly, this affliction is seen among those we would consider the 1%. At least, that's where we see the symptoms most out-of-hand, especially among politicians. Some current examples:

  • Donald Trump and his unwillingness to shake hands with the disease-ridden poor.
  • Anthony Weiner and his weiner.
  • Romney and his seeming belief (yes, I'm being generous) that half of American citizens want to do nothing more than live off of government handouts. Because they're not rich, see. If only they weren't so lazy, they would be rich, too.
Whereas those are some examples of out-of-control symptoms, we can see the beginnings of OWDS in the entitlement issues that white dudes everywhere have. I mean, come on, since when has it ever been okay to just walk through a crowd groping on women and dancing them around? And that shrug the guy gave was almost as if to say, "It's okay; I'm white."

It's getting to be a thing between me and my wife whenever we see some old white dude acting in one of these entitled ways that I will turn to her and say something like, "Don't ever let me act like that. Just slap me or something, and, if that doesn't work, shoot me." I don't want to be one of those old white dudes. At all. Hopefully, I'm taking the correct kinds of measures to make sure OWDS doesn't take root in me, but, you know, feel free to let me know if you ever see any signs of it coming out. Hopefully, this small bit of educational information will help others onto the path of avoidance and prevention.

Thursday, September 19, 2013

It's Time For More Accordions

As I have mentioned (though not in a while), my daughter plays the accordion. She's closing in on three years of playing and is busy practicing her Christmas music right now. It's kind of driving her brother crazy as he is somewhat offended by the need for Christmas music in September. But, at least, it's not like all of the Christmas stuff that will soon start appearing in stores. If she wants to be able to play Christmas music this year at Christmas, she has to practice now. But I digress...

The 23rd Annual Cotati Accordion Festival was back in August, and my daughter played onstage there for the second time as part of their Future Accordion Stars segment.
It's not a long set or anything, but, still, it's playing in front of a crowd. She was a little nervous, but she did a great job. And, well, hey, it just makes me proud to watch her up there playing.

Beyond the Future Accordion Stars, however, the acts, overall, were not as good this year as last year. I feel confident saying that since we were there for huge chunks of time both days this year. For instance, there was a guy that played for a full hour right after the Future Stars, and he just did what I'm calling free-style accordion playing. I suppose it was somewhat akin to jazz, but, mostly, it just sounded like a lot of noise. To me, at least. A lot of people seemed to like it. There seemed to be a lot of that kind of stuff this year, which really didn't appeal to me.

But there were some good acts, too. For instance, my daughter's aunt's band played (yes, that would be my sister-in-law, but I'm framing it as "my daughter's aunt" because it was her aunt that inspired her to want to play the accordion (completely on accident)), and they're really good and have played private parties for the likes of Coppola. They put the lie to "If you admit you can play the accordion, no one will hire you in a rock and roll band."

Also, there was this band called Sweet Moments of Confusion (great name, right?) that was really quite good. They played all original music based on various folk styles. I wish they had been playing instead of the other dude that wasn't playing anything that had been composed.

And, of course, returning for his 14th year at the festival was The Great Morgani. He really is just a lot of fun. Like last year, I only managed to get pictures of him in one of his costumes (although we did get to see him twice, this year (and the costume for the show I didn't get pictures of was hilarious)).
I don't think I'll ever understand how he can play in all of these elaborate costumes, but he does. Even when his shoes start to "sink," which his monster shoes did. He had to warn us that the foam was settling so that if he suddenly fell over backwards we'd know why. Here's a picture of him walking around in the crowd after playing:

My official opinion is that the accordion is an under appreciated instrument. It's too bad, because it can do a lot and requires a lot of talent. People think it takes a lot of work to do something like play the piano, and it does, but my daughter is just picking up the piano as a side-effect of playing the accordion. You can't just pick up the accordion as a side-effect of the piano. I'm glad she's chosen an interesting instrument to play, something that stands out, even if getting hired in a rock-and-roll band becomes more difficult.

One last picture of a band whose name I don't remember:
(It took me a while to get that the red and green was about the Italian flag and not Christmas. heh)

Wednesday, August 22, 2012

It's Time for Accordions

This last weekend was the Cotati Accordion Festival. It was #22. In some ways, that astounds me. 22 years of festivals. I mean, the accordion is not the most popular of instruments, although I do think it's highly underrated. I have to blame the monkeys and their little cups.
Those of you who have been following for a while know that my daughter plays the accordion and, now, the rest of you know, too. I love that she plays the accordion. I mean, I really love it.

This was her second accordion festival. Last year, she only played in the group performance of "Lady of Spain," which she really didn't know very well, but she could get away with it, because it was just a mass of people playing it, and, probably, half of them didn't know it, either. This year, though, she played on stage!
She was part of a group of "future accordion stars;" that's her teacher in the lower left of the bottom photo. She played the song "Over the Waves," which is her grandfather's favorite. And she had her very first interview.
I'm not really sure what the interview was for, but, still, it was cool. She even got asked for her autograph.

The Great Morgani was there. He played four times and in a different costume each time. Unfortunately, we only got to see him once. His costumes are amazing! (Last year, he had one of a big, green butterfly (but I don't have pictures of that one.))
You should definitely check out his website.

My daughter also got to meet and have her picture taken with Santiago Jimenez.
He's kind of legendary and has been Grammy nominated three times. We didn't get to see his actual stage performance, but we did get to hear him play at his tent.

There were also the Accordion Babes, but I was busy buying food for the family while they were playing, so I didn't really get to see/hear them other than to note that one of them was dressed up in some Celtic warrior outfit with a leather miniskirt. They have calendars.
They debuted this calendar at the event, but you're seeing as much of it as I've seen, which is this picture of it. They announced that this year's calendar is kind of racy, but I don't know what that means. At any rate, I'm sure they'd love for you to buy one, if you're so inclined.

I'm sure there was a lot more to see and hear, but we were only there for half of Sunday out of the two days of the event. My wife and I are hoping that next year we can actually stay late enough to hear some of the major performers.

Oh, and one other note:
On Friday afternoon, my daughter played for an hour in front of a local grocery store as part of a promotional thing they do every year for the festival. She played for it last year, too, although her song library was much shorter then. Anyway, during that hour of playing, she made over $45.00. This was her third time to go busking. I'm fairly certain her total haul for the, basically, three hours she's spent performing like this is more than I've made off of my book stuff. Maybe, I'm in the wrong line of work? Then, again, I'm not young and cute, so I'm not likely to bring in the kind of money she does.

We're incredibly proud of what my daughter has done in  this past year with her accordion work. Her teacher says she's one of the best she's ever taught, and she's been teaching for something like 40 years, so it's kind of a big deal. Even though we often have to fight with her over practicing, it's really been worth it. I'm not sure if she'd admit that, but she already has an eye for new accordions. She already owns two.
(Accordions aren't cheap... just sayin'.)