Doctor Strange (a movie review post)

 MCU #14

As a point of interest, it was Doctor Strange that inspired this whole MCU re-watch thing. After Shang-chi came out, I decided it would probably be a good idea to refresh Strange in my memory since he seems to be central to what is coming up in the next phase of the MCU. Upon re-watching it, I realized how much, exactly, I'd forgotten, so it was that the decision was made to re-watch everything. I'm really glad, too, because they are so worth it, and I needed the memory freshener. (Which is nothing like one of those air fresheners for your car. Those are gross.)

Also, there's Spider-Man (the new one and which I should be watching when this post goes live), which is going to be a lot of Strange.

It's not that I haven't said this before, but Marvel's casting is uncanny (shut up! I know that's X-Men. It's my blog I can do what I want). Benedict Cumberbatch was the perfect choice for Strange. There's a moment (I don't remember which one) where there is this fairly close up view of Cumberbatch's face and, I swear, it was like they took a panel from the comic book and turned it into a living person. He really captures Strange in a way that I think no other actor could have. Not one that I've seen, at any rate.

I think I've come to like MCU Dr. Strange better than the comic book version. I mentioned this in my previous review (which I'm not linking), but Strange is played off too much as a super hero in the comic book. Oh, yes, but he is a super hero, I hear you saying. Sure, that's true. Sort of. But, in the comic, it was always that he had this limited selection of "moves" which made it feel like special mutant powers or something. There was rarely any actual sorcery. That is, pulling out the books and casting some big spell. Not much "magic," in other words.
 
Which, you know, is fine. I get it. That kind of thing is much more difficult to do. What is magic, anyway?

I feel like Marvel dealt with that more upfront in the MCU. The Ancient One, basically, explains the MCU concept of magic to Strange right at the beginning. I should probably pull that quote but, hey, I'm about to leave for Spider-Man and trying to wrap this up. Magic has been addresses again in WandaVision and in Eternals. It's more of the science you don't yet understand kind of thing. And I like that. Plus there are lots and lots of books, and we've even seem them in use. To some extent, at least.

They also did a good job with their use of the Astral Plane. The fight in the hospital was really excellent in the way it disrupted the physical world.

And I would be lying if I said that the Cloak of Levitation isn't one of my favorite characters.

The character arc of Mordo is extremely well done. Somewhat parallel to Kaecilius in that it is a perceived deception on the part of The Ancient One that causes their breaks, but each stems from a separate place. Kaecilius, one of envy: I want that, too; Mordo, one of... injustice? I don't know the word I want to use. Mordo responds from a misplaced feeling of injustice, and his journey is and will be more interesting than Kaecilius. Chiwetel Ejiofor is a great actor and able to pull it off more than believably. Not that we haven't seen him do this kind of character before (in Serenity, in case you've forgotten).

So, yeah, I think I've come to like appreciate Dr. Strange more in the years since its release. Not that I didn't like it when it came out; I did. But I like it more now. Which takes us to the rankings...

Let's get ranked!

1. Captain America: Civil War

2. The Avengers
3. Captain America: The First Avenger
4. Captain America: The Winter Soldier
5. Iron Man

6. Doctor Strange

7. Ant-Man
8. Thor: The Dark World
9. Thor

10. Guardians of the Galaxy

11. Avengers: Age of Ultron
12. Iron Man 3
13. Iron Man 2
14. Incredible Hulk (Sorry, Norton, not even the Eye of Agamotto can save you from your place at the bottom. Maybe don't suck so much.)

Doctor Strange (a movie review post)

Doctor Strange has always been one of those characters who has worked better in concept than in execution. I mean, he's a sorcerer, but he's also a super hero. No, no, he's a super hero who has magic as his super power. In the comics, his powers are actually very limited. He has just these few things that he does and a few tools that he uses, and they are always the same. Very clearly defined, like Captain America and his shield. It's more about using those things in clever ways than it is about actually using magic to cast spells to accomplish different goals.

But, then, Marvel is a universe where magic is really science, everything having to do with multiple dimensions and other planes of existence. And, really, I'm fine with that even if, with the comic, I always wanted Dr. Strange to be more... I don't know... complex. To actually be more mystical for one who is called Master of the Mystic Arts.

All of that to say that I was hoping for a little more magic in the movie, especially with the whole thing in the trailer about how the Avengers protect from physical threats while the sorcerers protect the world from mystical threats. And I suppose that's true, though it's all in where you draw the lines in the definitions, and the "mystical" threats were not all that far removed from what we've seen in Thor and the Avengers.

But I can't complain, because, really, it was an excellent adaptation of the comic, capturing all of the essential elements. Capturing them and blending them seamlessly with what Marvel has already set in motion leading towards the next two Avengers films. It only left out things that didn't ever exist within the comic to begin with, and I can't fault it for that because, then, it would have been a bad adaptation, not something that Marvel is known for up to this point (unlike some other comic book company).

I'm going to get all spoilery now, so, if you haven't seen it but plan to, you should just know that I really liked it and quit reading right now.

Things I loved about the movie:

Benedict Cumberbatch: As Marvel has done so well, the casting here was perfect. There's not anyone else who can play an arrogant genius bastard quite like Cumberbatch. It was such a good job that well before the car crash my son was squirming in his seat and muttering about what a jerk Strange was. It was rather like, "This is the guy who's the hero?" And, well, yes, that was the point in the comic, too, and they did a great job of breaking the character down and rebuilding him as someone better and not so self-obsessed.

Tilda Swinton: Despite her controversial casting in the role of the Ancient One, I thought she was great. In fact, I think she rose above the role they wrote for her, the role they wrote for her being that of a woman. She chose to bring an androgynous quality to the part that fit it well. The way she played it, she was rather like a prototype human, sexless and ageless. I think the film would have been even stronger if they had severed the ties to the idea that she was a woman and left the character more... ambiguous. Either way, she was great in the role.

the Eye of Agamotto: Yes, I think it's great that the Eye has been included in the movie, but there was kind of no doubt that it would be considering it has been a part of the Strange mythos since Strange's first appearance. What I love about it is that they have made it one of the infinity stones.

the Cloak of Levitation: 'Nuff said.

Chiwetel Ejiofor: Okay, this is more about the character than the actor, although I think Ejiofor is quite good. However, what I enjoyed was what they have done with the character. While not being quite true to the origins of the character in the comics, I like that they have begun the journey of Mordo as a brother-in-arms to Strange. It should make what comes later more interesting.

Benedict Wong: Benedict Wong is great, and I love that they have fleshed out what was basically a stereotype Asian servant from the comic. And maybe they've fleshed out the character in the comic at this point, too, but, back in when I was still reading comics, Wong was your basic manservant to Strange, so I like that they have made the character something more than that, and Benedict is very good in the role.

Things I didn't love in the movie:

The sling rings: I'm not crazy about the idea of needing the rings to open portals. Maybe if they had stated they were a good tool to speed up the process or to help students learn to open the portals or something like that, but, making them a required tool, raises too many questions and turns them into nothing more than a plot device by the writers to trap people at will by having them lose their rings.

The eye makeup of the zealots: Sure, from a distance, the eyes of the zealots looked cool and like their faces were cracking apart. However, when they did closeups, the green and the purple was shiny or glittery, which made them look more like rock 'n' roll musicians from the late 70s. It took all the menace away.

Actually, there are many more things I loved in the movie that I didn't mention, things like the death scene of the Ancient One and the astral fight that Strange had while he was being operated on, but I could go on for a while if I tried to list all of the things. Needless to say, I think Doctor Strange is a great addition to the Marvel Cinematic Universe, and I am very much looking forward to the character appearing in the next Thor movie and the Avengers movies as well as the next Strange movie. And Wong, too.

12 Years a Slave

I grew up in Louisiana. The best thing I've ever had to say about that is that I was not born there. Fortunately, though, in having to grow up in Louisiana, I did at least grow up in the best part of the state. Well, the least Louisiana-ish part of the state. And I went to the best high school in the state (which is still the best high school in the state the last time I checked). At the time I went there, at a time when Louisiana was ranked around 47 in education, my high school was one of the top ranked high schools in the nation. That's an aberration that no longer exists.

All of that to say that my educational experience was in no way typical of the area in which I lived and, actually, not typical to most of the nation as a whole. At least not at that time.

And all of that to say that the evils of slavery were strongly impressed upon us, and I picked up a firm belief that all men should be treated equally. At the time, I thought these things were normal for all people; it wasn't until later (only a couple or few years, actually) that I realized that a belief in equality is not a universal belief. In fact, it's a minority belief.

With all of that in mind, it was somewhat difficult to sit through 12 Years a Slave, which is set in Louisiana.

And not just set in Louisiana; being a true story, that's where it actually happened. And with that comes the acknowledgement that a lot of the beliefs displayed in the movie are still very much prevalent. That makes me sad. I mean, I grew up around people that routinely referred to unemployed African Americans as "porch monkeys" or "porch niggers" and knew plenty of people that believed "blacks" would be better off if they were still slaves.

Let me state explicitly at this point that I grew up in what was probably the least racist part of Louisiana and Louisiana is probably not the most racist state in the south, although Louisiana did do a good job of trying to elect a KKK dude as governor in the early 90s. That still horrifies me, especially so considering that David Duke got the majority of the white vote, something he claimed as a victory.

12 Years a Slave is possibly the most brutal movie about slavery I've ever seen. It's unflinching in its portrayal of the inhumanity involved in selling slaves and the attitude of them being nothing more than just, basically, livestock. This is summed up no better than a line delivered by Mistress Ford to a female slave just separated from her children, "You'll forget about your children soon enough," as if she was a dog being separated from her pups. Of course, Eliza did not forget about her children.

However, as brutal as the film is, it is very much detached from the emotion of the things that are happening in most circumstances. You see the horror, but you don't really feel it. In that, it's almost like watching a documentary. It's more clinical than visceral, a drawback for a movie like this, and I'm not sure what causes the disconnect. It's not a lack in the quality of the acting.

Chiwetel Ejiofor does a great job of bewilderment after he's kidnapped at the beginning of the movie. He make us believe in the unreality of his situation. At least, it's unreal from his perspective. Solomon Northup was, after all, born a free man and the idea that he's been taken into slavery is a bit beyond his conception. The problem, I think, with the movie overall is that Ejiofor never really seems to believe in the situation he's in. It's as if every moment he's waiting to wake up, and that may have been what made me feel removed from the action of the movie. I'm not sure that's all of it, but I know that's some of it.

Michael Fassbender, on the other hand, is completely "within" his character, Edwin Epps. Fassbender is not someone I've thought much of as an actor thus far. Not that I've thought he was bad, he's just been someone I've mostly shrugged off as, "eh, what's the big deal?" But he did a great job as Epps. He was completely believable as cruel and erratic. And Sarah Paulson, who played his wife, was wonderful(ly horrible) as his cold, bitter wife.

Many of the other actors were also quite good in their smaller roles. Giamatti, Cumberbatch, and Pitt were more than adequate, but their roles didn't require anything more of them than to be the kind of characters they frequently are. Pitt, in particular, seems to have chosen hos role specifically (he did produce it) to deliver the message he wanted to deliver, and he fit well in that part. Paul Dano was also quite good. Actually, Dano is good enough that I always have a hard time remembering who he is when I see him on screen. He seems to gravitate toward parts that are kind of slimy, but he fits so well into them, that he mostly disappears.

The most unsatisfactory part of the movie, though (and this is kind of spoilery, but, if you have any grasp of racial history in the United States, it shouldn't be anything unexpected or surprising), is the bad guys go unpunished. Of course, this is because the bad guys went unpunished, so it's more that it's an unsatisfactory part of history; no fault of the movie. It does, however, stir up feelings over the injustice of how Northup was treated. That's actually a positive aspect of the movie, because you should feel that Northup was treated unjustly. He was treated unjustly.

It was a good movie but not one that I felt was great. There's almost no way it won't get a best picture nomination, but I don't think it's going to win. I don't think it ought to win. From a movie standpoint, it was just missing... something. Something ineffable, I guess. That doesn't make it a movie you shouldn't see, though. Evidently, the message that all men should be treated equally is still a message that needs to be delivered.