The opera is by Gioachino Rossini, based on a play by Pierre Beaumarchais. You might remember that I mentioned that name back in my post about The Magic Flute. The Barber of Seville is the first play in the trilogy that continues with The Marriage of Figaro, which Mozart composed as an opera 30 years earlier. No, Mozart didn't just decide to start in the middle. In actuality, Barber had several operatic interpretations before Mozart did Marriage, so Rossini wasn't doing something that hadn't already been done. He just did it better than all of the earlier versions, and his opera has become the operatic interpretation of The Barber of Seville just like Mozart's version of The Marriage of Figaro is the version of that play.
All of that to say that the recent production of The Barber of Seville by the San Francisco Opera was amazing. Brilliant, even. Look, let me put it like this: This opera was not sung in English and, yet, I found myself getting so lost in the action and music of the play that I would forget to keep up with the translations. I would have these, "Oh, wait!" moments where I would have to look back to the screen with the English on it. This is what opera was and is meant to be.
All of the performers were extraordinary. There was no just standing around and singing in this one. Lucas Meachem, as Figaro, was commanding. He brought all of the necessary flair to the performance of a character who is larger-than-life. Rene Barbera and Daniela Mack were great as the lovesick couple. Allessandro Corbelli was spectacular as Rosina's father. And Efrain Solis (who played Papageno in The Magic Flute) was amazing in his non-speaking (singing) role.
There was great comedy, great singing, and great acting. It was so good, in fact, that, if it hadn't already been 10:30 pm, I would have walked right back in to see it again. Unfortunately, it was already at the end of its run when we went to see it or I would have tried to go again. Seriously, this was a great performance. If you're going to try out opera, this is the kind of production you want to start with.
This is us just before going to see Barber:
I actually didn't even know they had translations projected on a screen. I don't think I'd need that to enjoy an opera. Well, if it was done right, like this one.
ReplyDeleteABftS: The translations are good when the opera's being sung in Italian or German or whatever. There are moments where you can be, "What? Wait, what's happening?" if you don't have them.
DeleteI've heard of those, although I'm afraid I don't know much of what they're about. Glad you had fun there :)
ReplyDeleteJeanne: You've heard of operas or you've heard of translation screens?
DeleteYou're a good looking couple. You seem to fit together.
ReplyDeleteI was hoping to be the first one to mention the Bugs Bunny interpretation of this. I think that is THE version. But I'm pretty lowbrow.
This actually sounds pretty cool. I don't think we get much in the way of opera around here but I'd like to see this one.
Briane: I tried to find a clip of the Bugs Bunny one to include, but I couldn't find a good one. There's also a Tom & Jerry version.
DeleteWe do fit together. Like... Hmm... I can't think of the example I want, right now.
Rossini is under-appreciated, I think - without a doubt, one of history's all-time melodic geniuses.
ReplyDeleteTAS: I've decided I want to see more of his work.
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