It can sometimes be difficult to review a collection of short stories. Especially when the stories are not linked together with a strong central them, the temptation can be to review each story individually, and that's not really helpful in answering the question of "should I buy this collection?" I will admit, though, that that is the temptation I'm having here. So I'm going to approach it another way entirely...
"The Death of the Second-hand Cowboy"
This is a great story. It's almost worth the cost of the whole collection. Not quite but almost. It deals with the rather metaphysical question of what an author (or a creator) owes to his characters (or his creation). Possibly, it's because of being an author but the idea of, basically, turning around and being confronted by one of my characters demanding to know what the heck I'm doing with him is... Well, I don't know if I would want that.
I mean, what if it was the cop from Shadow Spinner? How could I even answer the "Why?" that I'm sure would be his question. Because the story demanded it? Would that work for you if it was you asking "Why?"
Or, even worse, what if it was Tom from The House on the Corner? And that may seem an odd one for those of you have read House, but you don't know what's coming for him, and I do, and, if I was him, I would want to know why. Why him. And I don't know if those things can be explained.
So this idea of the Second-hand Cowboy showing up in the author's living room and wanting to know why is really intriguing and really frightening. And the most interesting part (at least to me) is that the author never attempts to blame anyone else even though he could very legitimately have done so.
It's a really good story.
The rest of the stories are of variable quality. One thing Pagel periodically suffers from is a lack of focus. A lack of focus can be used to good effect when it's being used purposefully to achieve that effect but, when the lack of focus ends up being just a lack of focus, it means that it's just a blurry word picture without any real discernible meaning. A few of the stories in this collection feel like that to me, like they almost say something, but they just weren't drawn together well enough to really get the message through (and I don't mean message in the sense of a moral, just message as the story itself).
Having said that, there are a few other very nice stories in this collection, "voices" in particular. Not actually knowing what it's like to be blind, I think Pagel did a good job of capturing living through sound. Also, "Panorama." I was unsure of this story until I got to the end, but it's very touching and, I think, really captures the subject matter. "Thinking the Lions" is one I probably like more than I should. It's probably a bit out of focus, but I really like the concept he's working with and, actually, think it could have been longer.
So, as I said, "The Death of the Second-hand Cowboy" is almost worth the cost, but, with 10 other stories, there's probably something else in there that will make it pay off for you. It's definitely worth a look.
And, because it's me, I have to touch on the technicals. This one came out back before Pagel really began taking an interest in editing, and it shows. Mostly, it's in the commas, which are all over the place, but there are various other things, too, along with some formatting issues. The commas, though, are probably not something that will be an issue for most people. Actually, probably the only thing anyone else will notice are the formatting errors as the paragraph indentations do sort of wave at you.
I've had this one for a while. Haven't yet had time to read it, but I have it. I'm looking quite forward to that cowboy story. And I, say, bring on, the commas!
ReplyDeleteABftS: It's a comma storm!
DeleteI can see how that would be hard. I'm not much of a short story connoisseur (except horror--I like short horror) but I can see how that would be a complicated thing to get across--I think you did it well.
ReplyDeleteHart: I'm not really much for short stories, either, in general, so one really has to say something to me for me to like it a lot.
DeleteAnd thanks!
Ooh, I do love short stories. Also hoping that none of my characters ever show up with questions. I wonder how many other writers are cringing at that idea.
ReplyDeleteJeanne: Well, maybe this one is for you, then.
ReplyDeleteI'm reading this and thinking, "Wow, I've read this post already--but why didn't I leave a comment?" Then I realized that I read your review on Goodreads.
ReplyDeleteThe premise of the cowboy character visiting the author sounds like a fun mind bend.
Arlee Bird
A to Z Challenge Co-host
Tossing It Out
Lee: Actually, I think this is a collection that you might like. It seems your kind of tone to me.
DeleteInteresting. Not sure I'm going to pick it up, but that cowboy story has a STRANGER THAN FICTION vibe about it.
ReplyDeleteThanks for sharing.
Veronica
Veronica: Actually, that's not a bad comparison.
DeleteI've been looking for a good short story collection - this may be it. Thanks for participating.
ReplyDeleteCherdo: Well, I hope that it is.
DeleteCommas: the bane of every writer's existence.
ReplyDeleteI just read a book that sounds like it had a slightly similar plot to The Death of the Second-hand Cowboy. Not that either would be derivative of the other, but I'm interested to see how this author resolved the situation.
Jennifer: Well, that would be telling.
DeleteI think commas are like herding cats.
I agree. Short story collections are tricky. But one story can save the whole book. Annie Proulx's collection Close Range is, frankly, painful. Except for "Brokeback Mountain," which is excellent. That one was good enough for a movie deal, obviously (never saw the movie but the short story's good).
ReplyDeleteTAS: I haven't seen the movie and didn't know it was based on anything.
DeleteI agree with Squid, short stories collections are very tricky.
ReplyDeleteYou will read one you so enjoy and the next one is a mess.
cheers, parsnip
parsnip: Short stories are a particular skill set that can be harder to master than most writers think.
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